Stravinsky didn't write the opening melody to The Rite of Spring. It's a Lithuanian wedding song
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@unclvinny2 ай бұрын
I could listen to people talk about the rite of spring for hours. There’s a great story about another composer sight-reading an early draft with Stravinsky, you probably know that one.
@Keith_Horn2 ай бұрын
Me too! I think it was Debussy?
@martinsaroch35122 ай бұрын
Can you please elaborate or send a link. I don’t know the story and now I’m hooked
@Keith_Horn2 ай бұрын
@@martinsaroch3512 The story about Stravinsky and Debussy sight reading Rite of Spring at the piano?
@martinsaroch35122 ай бұрын
@@Keith_Horn Yes, I've only found the one, which said that they played it together and after they finished, there was complete silence from Debussy. Is this the story you are refering?
@Keith_Horn2 ай бұрын
@@martinsaroch3512 Yes that's the one. I wish I could have been a fly on the wall for that meeting!
@Rando_Djinnsen3 күн бұрын
After all these years I didn't know that! Thank you.
@Keith_Horn3 күн бұрын
I just recently learned this myself - thanks for watching!
@andre1214g2 ай бұрын
Stravinsky has used melodies from Russian folklore in his earlier ballets (Firebird and Petrouschka). In the former, the theme of the Princesses' Chorale is subtly borrowed from the Sinfonietta on Russian Themes in A minor Op. 31 by his former teacher Rimsky-Korsakov. Musical literature of all times contains many quotations from folk themes. Thank you for this information, it was very useful.
@Keith_Horn2 ай бұрын
That's great info. Thanks for your thoughts!
@andre1214g2 ай бұрын
@@Keith_Horn My pleasure.
@senosploksteles94002 ай бұрын
The intro melody was taken from a three volume set of marriage songs collected in Lithuania by the Catholic priest Antanas Juška between 1865 and 1870, that contains over a thousand melodies. Part of the material was published in Krokau in 1900. For more information, I am waiting to see André Schaefer’s book ,,Stravinsky” published in 1930s. He knew Stravinsky, was a French ethno-musicologist, a number of plates from A Juška’s collection are included in his study. Another contemporary of IS was Lawrence Morton that published ,,Footnotes to Stravinsky Studies: ‘Le Sacre du printemps’. Published in 1979 Tempo. Available in some libraries. A couple of scholarly sources. Performance of the song itself is on KZfaq. Type in ,,Evaldas Vyčinas, Šventasis pavasaris’’. Skip the intro and you will hear a great performance of the song.
@Keith_Horn2 ай бұрын
Great info - thanks so much!
@gspaulsson2 ай бұрын
Another famous Russian melody based, not on a folk tune but a popular song, is the opening of Rach 3. The song is "Yamshchik ne goniy loshadiey", about a man in a gloomy mood, having just broken up with his girl, sitting in a horse-drawn taxi and is in no hurry to get home. The opening line is: Driver, don't whip the horses. Rach changes the rhythm a bit, but the first eight notes are the same. The song goes "da-Dum-dara-Dum-dara-Day". Rach makes it "dum-Dara-dum-dara-dum-Day"
@Keith_Horn2 ай бұрын
Interesting! Thanks for sharing that story!
@lesleyheller22712 ай бұрын
Stravinsky may not have written the opening melody, but his choice of bassoon in a high range and the rhythms he chose were absolutely brilliant!
@Keith_Horn2 ай бұрын
You're so right. The rhythms and time changes in this piece are amazing. Apparently, many people didn't know it was a bassoon when they first heard it (they couldn't see the orchestra) because no one had ever written a solo that high before.
@HulloderАй бұрын
Very interesting history lesson! Thanks!
@russellhenrybieber66202 ай бұрын
Sneaky Stravinsky!
@bartmeijer19542 ай бұрын
"I'm not an English horn! This is too high for me!" Thanks for a very interesting video.
@Keith_Horn2 ай бұрын
HA!
@mrnnhnz2 ай бұрын
Folk music is possibly the most well-referred to source of any musical source. It's massive. Possibly bigger as a source than nature-sounds. From my point of view, Stravinsky did write that music. He based it on a folk song. Perfectly fine and valid and normal. He certainly was not breaking the law when he used that Lithuanian folk song as inspiration. It would've been out of copyright at the time, (and the standardization of international copyright would've still been under consideration at that time anyway I reckon.) As far as Stravinsky secretly inserting some Lithuanian folk song into his music on purpose to irk the Russian authorities and/or show solidarity with Lithuania - I highly doubt it. It's a nice idea, but I reckon he found the music, liked it, and if he happened to also discover the music's traditional use too, he'd've thought that would be particularly appropriate - as you've mentioned - for The Rite. Anyway, still an interesting wee video here, so thanks for researching and uploading.
@Keith_Horn2 ай бұрын
That's a good point about folk music as inspiration for composers, especially in the first half of the 20th century. You're right that Stravinsky wasn't breaking any laws by using this melody but the Lithuanian book smugglers that distributed the anthology were certainly breaking a law of the Russian Empire. I agree that he wouldn't have inserted the folk melody with the intention of irking the Russian authorities, but he would have known it was a Lithuanian folk song and that it was illegal to publish in Russia at the time. Thank you for your thoughts!
@bobloblaw96792 ай бұрын
there are interviews with stravinsky where he talks about stealing from mozart because he loved it and felt he had a right to. he loved to steal little things from here and there--it was just part of his process. but no, he did not compose that melody---he interpolated it (and many other folk songs) into his greater work as a sort of musical collage. (he even spoke of spreading out music from various folk songs on the floor and randomly assembling them together) i guess you could call it a form of sampling?
@mrnnhnz2 ай бұрын
@@bobloblaw9679 Is Mozart's work out of copyright? Is his stuff great, and justifiably used as inspiration? Would Mozart wanted to have been an inspiration for later composers? The answer to all these questions is yes.
@UFO3141592 ай бұрын
@@mrnnhnz Mozart's work might never have been in copyright, but he died 233 years ago, so his work is certainly public domain now.
@Keith_Horn2 ай бұрын
@@bobloblaw9679 Interpolated is the perfect word for it. We all borrow from everyone and everywhere when we create. It could absolutely be called a form of sampling - well said.
@alans989892 ай бұрын
4:00 It's interesting to hear you say this. As far as I understand it, Stravinsky was a lifelong staunch supporter of the monarchy and Russian empire and his politics were pretty far-right. So, if he was expressing secret support for Lithuanian independence, it would be surprising.
@Keith_Horn2 ай бұрын
Thanks for your thoughts! It's possible he was both a supporter of the Russian Empire and a sympathizer with minority populations at the same time. I'm speculating, of course, but he was most likely aware of the Lithuanian Press Ban when he used this folk melody. Whether or not he thought it was rebellious we'll never know unless he explicitly said so. If I had a DeLorean with a flux capacitor that's the first question I would ask him!
@prepcoin_nl43622 ай бұрын
It's kind of funny that Stravinsky only admitted to taking this one tune because from what I recall reading in the Cambridge Handbook for The Rite of Spring, not only are there others he took, but they appear in the same sequential order in The Rite as they did in the book that he took them all from (i.e. he went from page to page inserting the melody featured on the page into the Rite for about half of the first act before he seemed to finally get tired of it (or lost access to the book) and started writing his own imitations) So he basically didn't even try to be subtle about it. But Stravinsky was also notoriously dishonest about himself and his music, likely because he made more effort than most composers of the time to cultivate a certain public image of himself. So it's on brand.
@Keith_Horn2 ай бұрын
I didn't know that - that's fascinating! I have to get my hands on that anthology. Thanks for your thoughts!
@MicheleAngeliniTenor2 ай бұрын
I knew about the inclusion of folk melodies but I did not know the opening was specifically Lithuanian. However, I seem to recall that Stravinsky intended to open the work directly with the "Augurs of Spring" but then added the Introduction after having written everything else. There are themes from throughout the work hidden in those textures, certain intervals and motifs...one example I think many people miss is the alto flute arabesques which, when slowed down, recall other themes. It may very well be that the discovery of this particular book is what gave him the material for the introduction.
@prepcoin_nl43622 ай бұрын
Not quite true. He wrote the first act more or less in the order its heard in the finished version. It was the introduction to the *second act* that he wrote last. The original draft of act II began with the music of the Mystic Circle, I believe.
@MicheleAngeliniTenor2 ай бұрын
@@prepcoin_nl4362 That is not what I recall. His original intent was to begin with the famous E Major + Eb 7 chords....when I observed a facsimile of the manuscript ~20 years ago, the Introduction was at the end of the edition. While not necessarily proof of anything, I also remember reading that he claimed that the music of the Intro was written later than (at least most of) the rest of the ballet.
@prepcoin_nl43622 ай бұрын
@@MicheleAngeliniTenor I decided to go through some sources to refresh my memory and it does say that he began the composition with Augurs and a few other of the early movements, the introduction is not mentioned, but the "rest of the first act" was written some time later. So I suppose you're right there and I'm misremembering. But the same sources are also very clear that the intro to the second act is the last thing he ever wrote for the ballet. The first act was essentially completed in short score before he ever began work on the second act. So we seem to both be misremembering. In any case, I'm glad he didn't begin The Rite with the Augurs. It's tough to imagine that moment having anywhere the same impact without the introduction.
@brendanward29912 ай бұрын
I had no idea.
@dietwater51762 ай бұрын
Really interesting insight on this!
@Keith_Horn2 ай бұрын
Thanks!
@JoanHaase2 ай бұрын
I remember the former conductor of the Joffrey Ballet commenting about this score: “there isn’t an original melody in the entire piece!”
@Keith_Horn2 ай бұрын
Ha! Maybe that's true, maybe not. Many sections of the piece are non-melodic or the melodies are so obscured that they are hard to find.
@cm50612 ай бұрын
swan you say. just like. just like. just like popular ballet swan lake-- [i am shot]
@Keith_Horn2 ай бұрын
Just like that other swan!
@senosploksteles94002 ай бұрын
What inspired IS was a poem by Gorodecky that was quite famous when it was published. It is gruesome, see translation and explanation of L. Morton. Not polite stuff, more like a precursor or maybe influenced by the atrocities that western civilization wrought on Africa, Asia, the Americas and finally on itself by Communists and Nazis. Very timely stuff, even today. After reading it, you will have lost your innocence. ,,Sacre” is not the same.
@Keith_Horn2 ай бұрын
That's fascinating - thanks for your input!
@fortissimoX2 ай бұрын
I don't know if that's true or not, but Stravinsky supposedly said that good composers do not imitate, they steal. If that's true, I guess he was referring to something like this, "stealing" existing melody and then developing it further. Btw, I don't think that makes Stravinsky any less accomplished as a composer.
@Keith_Horn2 ай бұрын
So true. We all borrow and steal from our heroes, influences, and peers when we create something. You're right that Stravinsky is no less of a composer by doing so. I myself have quoted Stravinsky numerous times in my own writing. Most instances have been this opening melody because it's so iconic.
@curtiscroulet87152 ай бұрын
As the Rite of Spring passed from being a modernist challenge into the standard repertoire, this bassoon solo became a "concerto" moment for its players. It has become much too slow and drawn out in many recordings.
@Keith_Horn2 ай бұрын
It has! It's almost comical how drawn out some performances are.
@nedgrant9182 ай бұрын
A Russian folk song… but whoever wrote that couldn’t have written the Rite…
@Keith_Horn2 ай бұрын
True!
@simonalbrecht9435Ай бұрын
Uh… the main point of the video hinges on it not being a Russian folk song, but Lithuanian!
@user-qb1sm3rk9r28 күн бұрын
I'm not that familiar with Stravinksy but all my musical heroes from Beethoven to Bach to The Beatles to Deep Purple have occasionally ripped off music.
@Keith_Horn28 күн бұрын
You're right about that. Was is Picasso that said "Good artists copy, great artists steal"?
@user-qb1sm3rk9r28 күн бұрын
@@Keith_Horn I believe the quote was "only amateurs wait for inspiration" Some "ripoffs" are a subconscious thing. I've known some guitar playing friends of mine thinking they've come up with a great new line or melody until someone points out that it appeared earlier by someone else. Some ripoffs are just the listener hearing similarities that could be coincidental. Some ripoffs though are pretty blatant.
@Keith_Horn28 күн бұрын
@@user-qb1sm3rk9r So true. I'm guilty of that in my own music. Our creative output tends to be a reflection of our input, it seems. Sometimes we can't help but sound like our heroes and influences.
@carbonc60652 ай бұрын
Honestly, with such a sophisticated analysis--the cutscenes appear to be childish, distracting, and annoying--Ruining the feel of the info here.
@Keith_Horn2 ай бұрын
That's a good note. I like to keep my videos light-hearted but sometimes the silliness is out of place. Thanks for your feedback!
@carbonc60652 ай бұрын
@@Keith_Horn 👍
@UFO3141592 ай бұрын
@@Keith_Horn The Judas Priest insert is hilarious.
@Keith_Horn2 ай бұрын
@@UFO314159 Thanks! It made me laugh, too.
@robert-skibelo2 ай бұрын
Interesting content. I don't know why you have to dumb it down with all those silly clips from American popular culture, which for me are just distracting and pointless, and the reason I won't be subscribing any time soon.
@Keith_Horn2 ай бұрын
I do lean a bit silly for some tastes. Thanks for your feedback, Robert.