Ja Krispy Thank you

Ja Krispy

I was going to mention that. ;)

not really its in the wrong key

@@youtubeviewer7030 D

or maybe their always reliable good musical sense prevailed.

@@chipgaasche4933 "Always reliable"??? Sure about that are you? Too many times and increasingly towards the end the quality control was compromised - with McCartney as the chief offender as this utter horseshit that should never have been remotely near a Beatles record is testament to. Between McCartney poncing about with a silver hammer and Lennon's mustard/polythene cast off, the greatest album in the Beatles back catalogue was seriously compromised. Meanwhile George quietly signed out in a dignified and understated manner with two of the greatest songs ever written in the history of popular music.

@@yassassin6425 Speak for yourself. I love every song on AbbeyRoad.

@@HelloAllegro I did indeed "speak for myself" - as did you meaning it's entirely subjective. However, irrespective of your 'enjoyment', 'Maxwell's Silver Hammer' isn't necessary tasteful or 'good musical sense'.

@@yassassin6425 Utter horseshit from an ignorant commentator

put this clip on 0.5 of speed. sounds very mystic

I liked the synth, I could fall asleep with it.

Impressive how each one interpret it in a different way. I just found it beautiful

Reminds me of the creepy background music they used in the old 70’s TV series “In Search Of”.

There’s also some music in this style during the dream sequence in the movie “Lair of the White Worm”.

Paul stole from himself-thief LOL

George Harrison did not voluntarily contributed on Band on the Run but he did coined the lyrics "If I ever get out of here" a remark George did in the Apple offices. Funny how George's guitar resembled the start of the song too! Another Harrison contribution? Inspiration for Paul, perhaps? :3

Yep, those 5 notes are very close. Stuck inside these four walls ...

@cashcarti kendai Unfortunately, this kind of brainless comment is par for the course for KZfaq.

@John Lemon @ja Krrispy what the fuck? get your ears checked

Philip Acinapuro Agreed! Great guitar melodies there

here it's paul playing guitar & synth...

Barbie Chêtif Are you 100% sure about the synth? I never knew who did the guitar, but I have read/heard that it is at the very least George playing the moog. Who actually gets the credit on the new Abbey Road 50th book?

Paul the Moog and George the lead guitar

It's both playing guitar. Paul's Casino in the left and George's rosewood Tele in the right. Photos from the sessions confirm this.

I think because how the song meaning is about murder

@@johnbriancatedrilla4028 no it was because paul drove them mad with rerecording the vocal harmonies for hours so they started hating the song a bit but mostly paul's perfectionism for a song that isn't excactly the long and winding road or let it be

It's because it just isn't really that great by Paul's usual standard in my opinion. Paul's insistence that it be on the record in place of something more deserving definitely had a big part in it.

I don't believe any Beatles hated their songs or why do them.

@@jonasrmb01 Lennon did express dislike at some of Paul's lyrics, I think this was one of them he just felt some of them were shallow, meaningless and stupid, I don't mind it

lhmmhl1 listen to Back to the Egg and McCartney II

WHY?

I like McCartney’s work with synths through the 70’s and early 80’s, but apparently other people don’t... Just look at how much people hate “Wonderful Christmastime” because of the synths. People are slow to change and easy to hate things that are new, including musical instruments that are only 50 years old.

I think one thing about these synths was that they took so much work that they were more in the domain of the producer than the artist, even for the beatles. It takes audio engineering know how to work one of these things

george's album "gone troppo" is pretty synth heavy! seconded on mccartney ii, too.

This is coming from a man who wrote a song about an octopus on the very same album.

@@crixxxxxxxxx This is about killing a teacher with a hammer. Kind of a different ball game

@@crixxxxxxxxx HAHAHA

In reality, it only took them 3 days according to a few books about their recording sessions.

Octopuss >>>>>> marwells

Would have loved to hear Beatles versions of some of the songs on All Things Must Pass. Although it's still a great album in its own right, I'm not sure about Phil Spector's Wall of sound thing. Imagine some of the songs with Beatles harmonies & Abbey Road (album) style production

I like what they each did as solo artists in the 70's. The Beatles as a group had run their course. They had come a huge way in the 8 years they had been recording. I'm grateful for what they left us.

Wasn't it also in large parts George not being able to stomach Paul anymore? In the anthology sessions from the 90's you can feel the disdain dripping off George.

Bullshit, moogy..if George had the goods earlier, he would have gotten more space. Seems like he was a pussy if he caved to J & P.

@@donaldwebb ATMP is a bloated mess.

i'm probably *tone deaf* but i can't get the little break Paul does in verses, the solo is nailed by one kind folk, who broke it down here on YT like 12 years ago, but that quiet little break is just a nasty thing, i don't understand it Love this song as well

they already did! look it up ! very good stuff

@@ianthompson926 Very very good stuff with the orchestration.

Its Paul on guitars and the moog. George plays bass in this song

Yes, the song's the thing and when you have songwriters like John and Paul and sometimes George the song is everything! That's why the Stones sounded better with either Brian Jones or Ronnie Wood than they did with Mick Taylor even though Mick is an amazing lead guitarist.

Well Eric certainly didnt butcher Guitar Weeps, yes George was the best player for them.

@@kerrymcmanus9188 Hi Kerry, yes, you make a good point. But I would say, even though i am an Eric fan and especially a Jeff fan, those guys seemed to come out of a mindset where the guitar was the medium of showing a virtuosity. Gently Weeps was a song built for that type of thing - fair enough, and Eric did a lovely job. Still, that approach on so many Beatles songs would have made a mess of things - says I. On 'Something' George's solo is a bit more Clapton style, but his notes are so well chosen and his playing is like a mini-composition. Closing my eyes I can hear that solo now, while much of Jimi's playing sounds like a bit of a mess to me. Soaring, inspired, yes...and messy. Thanks Kerry, please stay well.

@@frankfrank7921 Very much agreed Frank. George always played the song. I guess I come from an era when one seemed to hear these lists of "greatest guitarists" where George was never mentioned - damn frustrating. As you say, he played the song and he played so beautifully. George had the humility and musicianship to play the song and, as you say, what songs they were! Stay well Frank. Cheers.

@@deanwallis183 Jeff & Jimmy are both messy to me,i think Eric has the the ability to fit into any style.George & Eric together are beautiful,Badge,All things,Cloud 9,live in Japan ect.>for the Beatles George was the man,never overplaying.Thanks for getting back to me Dean, & you too stay well mate

No, it doesn't. Band on the Run was a mini moog.

It has to do with the glide or portamento between notes. Both were Moog synthesizers, but the Minimoog used in BOTR didn't still exist by the time of AR.

Yeah I just found out with the new release but I'll put it in the description

yeah must be for the basic track it was paul on piano and vocals, george on bass, ringo on drums, then paul overdubbed everything else. george played bass on a lot of songs on abbey road since paul was playing piano

@@jkbeatles Are we sure this is Paul and George? How can we tell?

Funny how many people want to credit "poor George" for things McCartney did. Lol

@@chipgaasche4933 you are the only one who mentions that.

lol

Yes 👍

John is an idiot..he hates all Paul's stuff..whoever hates this song is dead

curt greco calm down. If it wasn’t for John the Beatles would’ve never happened.

@@jsmith5840 l gotta tell ya..ln a hugh Beatles fanatic..the more l learn about John the less l like him as a person past tense...his musicianship is not even that good, he knew just enough to write those great songs, and they were great..but he wasn't really that good of a musician, just got by..fortunate for him he took what he knew and did it very well..but he ranted Macca relentlessly...not to mention he hit women, was panic stricken around disabled children..was a hypocrite...and a pompus ass..loud mouth..raging temper lousy drunk..he's an icon..for sure, his legacy is iron clad..but as a person...not so much..

@@curtgreco1725 ye I guess so.

@@curtgreco1725 He has a condition because of his mother's death.

You can probably figure it out quite easily, these patches aren't that complex. To get you started I'd say the first one is two saws with with different envelope speeds on the filter and the second one is a square wave with a pretty low cutoff and some vibrato created by a LFO on the pitch.

@@JeanSuki I don't think those are LFOs I think they are the oscillators drifting out of tune.

@@Rhythmicons I dont think they drifted out if tune, I know the Moog had issues but it probably wasn't that bad. I do think that you might be right that its not LFO but that the OSC's are tuned apart. The rate changes based on the pitch and this could be a good indication, but it does sound very clean, something that you wouldn't totally expect from such a patch.

@@JeanSuki It sounds like a tracking issue to me. The lower they go in pitch they slow down towards zero beat. My Moslab 921 oscillators are like that. I was under the impression though that the 901maintained a constant phase between them during tracking but it could be urban legend vs my spotty memory vs a potential calibration issue on that particular day, on that particular 901a. I certainly am no expert! We're probably analyzing it way more than they were at the time. They could have very well gotten a couple of the 901s "close enough" in tune to each other that the phasing was more pronounced that it would have been be if they threw it on a tuner and hit record before the AC turned back on. I don't know if Bernie Krause was on that session or not or who programmed it. It sure sounds really good isolated like that, I've never heard it that way before.

@@Rhythmicons Yes you might be right! The tracking on the Moog had some issues for sure, like the falling pitch during the here comes the sun session! They where for sure not thinking about synths the way we do now.

McCartney !

William Powell - Can you?

William Whats with this request?

Pretty sure George played the moog. He's the one that played around with synths the most.

@@RossStern no it was Paul

Yes, it is most definitely two parts recorded seperately. If you put on some headphones, you can hear each one slightly panned left and right.

@@gasolineandwine ok, thank you!

I'm pretty sure it's George doing both, as well as the bass part. I'm not sure what Paul plays

paul and george both on electric guitars and paul on the moog.

Paul is credited as playing synth.

I definitely would not say that. The moog is a cool sounding instrument; a $100 keyboard making weird sounds wouldn’t sound nearly as good

No, it wouldn't really. The Moog was a powerful engine.

You are crazy ? That Moog today, actualy is a beast hardware !

C covid19 does it. The ultimate isolator.

@@foxontherun4754 it's appreciated...thank you. Are you editing audio? or obtaining stems?

these are ripped from beatles rockband, a game from 2009, has the song divided into main stems and other instruments, ome of poor quality due to the lack of actual isolated tracks because of the 4 track limitation. however, abbey road and let it be were recorded on an 8track so we can get actual isolated tracks because less sacrifices had to be made. you can get these stems as .mogg files (oggs with multiple tracks to be opened in programs like audacity) from a google drive somewhere in the internet. abbey road, sgt peppers and i think rubber soul are the only albums that are in its entirety in the game

It's gotta be the Fourier transform.

Which part?

Which one?

It's Paul

Clotilde: "The Moog was Paul". (instead of the walrus)

@@philipclayberg4928 George.

Yeah it's two (:

Def two. Put your head between the speakers, listen for timing differences. Sounds great though! And so bright...!!!

@@powerpopaholic876 paul and george on electric guitars

Not much.

News Finders that part is magical

@@user-cn9sn7zp1m yes, sounds great doesn't it!

News Finders Absolutely

It's a V7 chord (specifically, A7 in the key of D major). I agree with you that it sounds purposeful. It's like a tension is created that gets resolved at 2:05 when the second half of the bridge completes on the I chord. I think a V chord could have technically worked in its place, but the V7 just has that little bit of extra playful/mischievous edge that just makes it so perfect for the song. It's the kind of classic subtle thing that makes the Beatles so incredibly amazing to listen to over and over again!

Based on steven reddick’s reply, I’d say it’s definitely George playing one of the guitars. That V7 chord genius is pure George guitar wizardry. It’s also jarringly off at 3:03. George had a thing for the “naughty chords” as he called them.

is it a d7 shape a7?

The outro is the Moog by a ribbon controller ejecuted by Paul McCartney !

When im 64 Honey Pie...and...

@@raymundomelendez6521 Martha My Dear I guess.

@@raymundomelendez6521 Your Mother Should Know, too

but honestly the “granny songs” are some of my favorites.

They were all guilty of writing the occasionally granny song.

Esto fue escrito hace más de 50 años...

@@matteolimacoelho sí lo sé, pero suenan mejores estos efectos delante que los puestos.

No, no: The Theremin is a totally different instrument! en.wikipedia.org/wiki/Theremin en.wikipedia.org/wiki/Moog_synthesizer

@@Krabadaque thank you!

@@vdkylo7251 Moog did make theremins though before producting their own synths

It's not that the song is bad is just the song is about murder

Fohn. F. Fanchez.