Excuse the live commenting but damn 3:50

Rock on! Thanks so much for the super thanks! Really appreciate it. Thrilled this video was helpful. And luck may have it that I did do a video on the Deco here: Unbelievable Tones with My NEW Always On Pedal | Strymon Deco v2 kzfaq.info/get/bejne/nd6DatiWudeaj30.html

It's a keeper for sure! So many great tones!

Wow thank you for the generous super thanks. The growth has been consistent which is nice. Just gotta keep trying to improve the videos bit by bit. Thanks for the kind words as well. Appreciate the continued support! Cheers!

@adavies3 you took the words right out of my mouth. By far and away the most underrated guitar/music/gear channel on KZfaq. Thank you Alex!

Thanks so much, Nick! It is an amazing pedal with so many tones hidden inside. Cheers!

Happy New Years! Thanks so much for watching my friend. Do you have the flint?

What a generous compliment. Thank you so much for watching, bagle! Have a great weekend!

Thanks Jarick! Appreciate the kind words. Have a great week!

Thank you!

People are sometimes surprised I spent so much on a reverb pedal, but it offers so much from a writing and production perspective. Cheers!

@@SuperdangerStudios It certainly seems like you're getting a ton out of it!

Thanks for the sub, Tom! More to come!

So much on this little thing! It’s such a fun writing tool. Cheers!

This made my day! Been a huge fan of your channel and your keen insight and knowledge for a while. Thank you for sharing your experience with us mere mortals! Cheers!

Too kind! It's an amazing pedal. So many good tones! Cheers

Thanks so much for watching! SO many little tricks hidden in this pedal!

I still love this pedal! Play it almost every day.

Haha thank you! Gotta get the crowd moving yknow?

Man that is a top tier pedalboard! Right on!

haha. It needed to be said!

Very versatile!

Hi Anthony! They are actually sound diffuser panels here: www.sweetwater.com/store/detail/London8Bk--primacoustic-london-8-black

@@SuperdangerStudios but what is the actual pattern part, is that part of their range? Thanks

haha right on! You wont regret it!

Hi Marcus. haha yeah it was an investment but I've had the Blues jr for almost 25 years and didn't want to put any more money into it and knew I would get more use out of a great reverb pedal which I also needed for more ITB work I was getting. But it wasn't cheap that's for sure. The telecaster is actually an old Fender 52 RI. The truss rod broke and I needed to replace it, and ended up replacing a bunch of other stuff with it as well. Lollar pickups, gotoh bridge. I did a video on it here: kzfaq.info/get/bejne/fLCSgamQzb_Wqp8.html I love the ASATs though but I realized that G&L necks end up hurting my hand bc of the string width. Bob Clearmountain and Bryan Adams created one of the best albums of all time and I constantly look to it for inspiration on mixing, writing, and how they use space/depth. Reverb is a weird thing right? It makes you feel something very different than an overdrive or a phaser. It makes you feel small in a way. I think there is a lot to explore there in terms of how we interpret noise. Enjoy the weekend! -Alex

@@SuperdangerStudios That Tele is really something, so it IS a '52 reissue. I see those old butternut bodies and always get a Roy Buchanan vibe from them. That Warmoth flamed maple neck is purty! Looks like it plays like butter, checked out the vid, nice chops and it's quite versatile. It's a shame that you had to spend the extra money but hey, as you mentioned you have exactly what you want and that makes it worth it. Wasn't aware of the string width issue on G&Ls, that's a drag. Yes, "Reckless" is one of those iconic albums,. it's mixed brilliantly. What guitar tones! "Cuts like a Knife" isn't bad either. Great rock songwriting. I really agree with your take on reverb, there is something intrinsic about it that makes the music breathe. As you mentioned, our cave dwelling days may have an influence on how we like to hear sound. I wondered what happened in the late 90's and into the 2000's, it seemed like everyone was going "roots" oriented with these ultra dry recordings. Dry vocals after awhile tend to grate on my nerves, unless the singer is incredible. Put a little 'verb on them and they are even more incredible-ha! One album I've always loved is "Surrealistic Pillow" by Jefferson Airplane, it's positively drenched in reverb. It sounds gorgeous, the vocal harmonies are excellent and the music has so much depth and space. Luscious! Another album I've always loved is "Avalon" by Roxy Music, produced by Rhett Davies. Moderate use of reverb but it is lovely and the clarity and warmth of the mix is beyond belief. And, of course, I've always loved Peter Green's playing--he used reverb so well. "The Supernatural","The Green Manalishi" and "Albatross" are so haunting, heavy and dreamy. Speaking of reverb units, I must have about 20,000 trackers (ha ha) on my laptop. I check stuff out and the "suggestions" with pretty pictures come through en masse. Perfect for those like me that have that "shiny object syndrome"-ooh nice! Magpies and crows have nothing on me! I saw this Walrus Audio Slo Multi Texture reverb and checked out the demo. I'm sure you've heard it--I liked the slow Rise effect and it seems to have some unique settings with a good mix knob so you can make it really subtle if you so choose. The Flint is a better pedal though. I bought a Wampler Ethereal sort of on impulse awhile back and it was pretty nice, but didn't really knock me out. It seems a bit limited. There certainly is no shortage of pedals these days, eh? Hope you had a good weekend-Cheers!

It is in power amp mode. I am doing an in depth video on the revival drive next so I will go through my settings and IRs. Thanks for watching!

The Flint is a great pedal. There are actually many different places to put it depending on what you would want. If you are playing into a clean amp or modeler then you can put it last in the chain before it goes into the amp. If you have an FX loop on your amp, then you can put it there but after the delay and modulation. If you are playing into a modeler with an IR built in, then you can put it after the modeler like I did in this video. Just make sure the room sound is at zero. Additionally, you can disable the IR and put the Flint after the Iridium and then add an IR in your DAW or via a two notes cab M+. Hope this helps!

Haha I wish! Just a big fan of their product line and ethos!

Haha right on. The harmonic trem is that good!

Haha it is tough! If I could do it again I’d get the v2 just for the midi functionality. It’s such a great pedal and having the ability to sync whether live or recording would be ideal

Unfortunately not on the v1. On V2 you can though!

Yes that’s correct I put the flint after the iridium. the studio reverbs like the plate in the hall would typically go after a cab anyway when recording but I probably should’ve used the spring reverb in between the preamp to simulate an amp. That would’ve been more authentic. In the videos I’ve done after this I put the spring river in between iridium in the IR to create a mock effects loop

@@SuperdangerStudios Fascinating. It would be great if the iridium had an effects loop

This is the v1! Pretty sure the only changes are the midi functionality and a slightly slower setting on the 61 tremolo. Cheers!

@@SuperdangerStudios Has new processor and converters. Hoping those add some definition in the long ambient tail resolution.