This is the kinda stuff we need. I feel like a lot of these types of topics aren’t covered a lot or talked about in the painting community. It’s usually just “hey let’s paint this model”. Same goes for varnishes and how to properly apply / which brands to use. I feel like varnishing is such an important step and a lot of products frost your miniature. I want to know how GW always gets that smooth finish with the metals intact.

The fact you used your own line AND kept it objective has me blown away. Definitely good to see that you think each type and brand of paint has own use that’s best for certain jobs.

Sometimes you don't have to used things as advertised, It's just great to have different types of paints for you to experiment with in your toolbox. Great guide as always!

Almost 18 minutes of straight to the point info + examples. Thank you!

I’ve always found that concept and technique videos are more valuable to the hobby than step-by-step/color-by-color videos. I can use techniques and concepts with whatever colors I have on hand instead of following someone else’s interpretations.

Duncan, you have been an utterly invaluable resource for me as a new mini painter. I’ve always wanted to start but it’s only now I’m 30 and financially secure that I can really dive into it guilt-free! I know there’s no replacement for straight up painting time; however, I definitely feel like I’ve picked up an unbelievable amount of information in quite a short time from your videos during painting downtime. The KZfaq community for mini painting is amazing on the whole but you and a few others have been my go-to for easily digestible information. After each video, I find myself eager and inspired to go back to my minis and try new things out!

I heard you quit GW because contrast paints couldnt be done in 2 thin coats.

I dont comment on a lot of videos, but this was one of the MOST informative I have seen. Awesome vid :)

I have found contrast to be useful for creating smooth transitions from recess to flat surface on large textured surfaces (animal skin for example). The 2-in-1 basecoat and shading over white does not really work nearly as well as advertised in my experience however.

I like the prospect of this kind of educational video. Duncan has always had an unusually fantastic vocal pacing, and whoever does the writing for his ticker is spot on. If he's just going adlib then no wonder he has his own academy. I'd enjoy seeing a video on the concept of wet blending. Is there any interest in throwing up additional visual aids in future? Things like graphics showing interaction, hand motion, etc?

I already knew the difference but watched the whole thing anyway. You're our hobbies' Neil Buchanan / Bob Ross. Keep being awesome DRPA.

I really like these types of videos. Showing us how different paints work and when to apply it helps gives context to different techniques that we can use. It also helps to understand if we mess up how to fix those problem areas. Great job guys.

I love contrast paints because I use them in a specific way that suits the effect I'm trying to achieve. My favorite is to use Blood Angels red over bright silver metallic and you get a great red color with a metallic sheen.

I also use contrast as shades, but thinned down. You can use Contrast Medium if you still want it to act like a contrast paint, or if you use a colour that you don't have in the shade-/wash line (like yellow or pink, which isn't really common in wash-form), you can use water to thin down contrast paints as well, and it will behave a bit more like a wash than it would with the intended thinner. I recommend people just try both/all thing they can think of, as you can find a use for every single texture/effect you discover. That "torn skin"-lpok you mentioned if you touch the contrast-pool too early can also have its uses for certain effects, with different undercoats etc. It's insane how much the contrast/wash lines can be used for, it's really just about exploring and your own fantasy is the limit!

This is an amazing video Duncan, please make more of these.

This is really helpful -- especially the detailed look at recess shading with contrast paints vs. washes. Thank you!

The first 3 minutes of this video is what I've been wanting to know since the day I first heard of contrast paints. Thank you so much for this post, it really did answer my questions.

Thank you for that very clear description of the differences in the paint and the techniques of applying it. Very useful, thanks again.

The comparative examples and detailed explanation of the application were beautifully effective. Thank you!

I like how you're straight to the point and display and explain exactly what it is you're doing to achieve different results. Very well done bro! 🤘🏼

Amazingly systematic and comprehensive tutorial! Thank you for creating this.

Now these are the videos that I have been looking forward to!! Thanks a ton!!

I'm a beginner with painting, but so far I've found that dark contrast paints can be really useful, and in general all contrast paints are pretty good for organic/ fleshy surfaces. For anything else though I find it too unforgiving to work with.

I think the intense staining thing you mention for contrast paints is why nearly every painting tutorial that I see that uses them says: "Now, take your XYZ contrast paint, and we're going to thin it down with Contrast Medium. About 3 to 4 parts contrast to 1 part XYZ." To really lighten up on the staining power. I haven't seen many that use the contrast paint without at least a little mixing with contrast medium.

This is ideal. Literally went into GW the other week to ask about it after watching and wanting to follow the iron warriors video you have!

Very helpful video. Thank you. Keep up the good work.

Thank you for this video. Thank you for all of your videos as well.

Big thank you!!! Especially the quick point about how the brush should be handled. Im a noob and those basics are still somewhat foreign to me and those quick talkingpoints are often ignored.

Ooh this is definitely a very interesting and captivating format of video. Especially since we're hearing this from an expert no less!

Great summary and appreciated the live examples. Thanks.

Excellent vid. Thanks for showing the different uses for both

See a lot of people use contrast for wet blending these days. And reactivating speed paint on purpose for better blend. The breaking to the brown was fascinating. My problem is I always seem to overload my brush and get very dark colors. Great stuff!

I appreciate the clarification, thanks!

Do have to say that "Skin tearing" you showed off on the skeleton would make a great worn leather effect.

Im a beginner painter and the thing about overloading your brush was a good lesson. I genarally feel like the most basic stuff is overlook (or hard to find) when it comes to painting. Good job!

Great video, very informative, I will keep using the old base color technique but am now open to use a contrast paint here and there when needed! Thank you! Also I second a varnish tutorial, have been working on a KO army and I am afraid of loosing the metal I've accomplished!

Proper stoked for your line of paints

Very clear explanation, thank you. This noob recently painted some grey-primed Zombicide zombies with Citadel washes, to try for a speedy muted effect. Took two coats of each but it worked well enough (for me, noob expectations!) But it left me wondering what Contrast/SpeedPaints would do differently. This timely video was the perfect explanation. For me, I'll stick to normal acrylics + washes, as the repair efforts look simpler.

Love your videos mate, thank you so much for all the tips you provide.

Thanks for this, I can't wait until the DR set comes!!!!

Thank you this was perfect to understand the differences

Great tutorial DR. Paint

This was a really interesting and very helpful video. Many thanks

Keep up the great work D. Love your videos :)

Thank you Duncan, that helped me a lot.

Super helpful, thank you!

Great video very informative, keep up the good work. I would love to see a video covering the proper usege of a medium while painting as i haven't the foggiest on how to use it. :D

for that necron trick, I use it for my alpha legion and you can use a large brush with the contrast and apply it like a drybrushing all over the mini and it looks pretty good

That was one classy intro! top notch!

Thanks Duncs, very informative!

Really useful, really great, thank you.

Excellent content, so informative and exciting! Been wondering about using space wolves contrast to recess shade my Fenryka army. So this settles that and I can't wait to get started. Thanks, Duncan!

thanks so much Duncan! 👍🏽👍🏽

Started a death guard army for the express purpose of doing the whole thing in contrast. This was a great source of info, so thank you for this

Thank you for this video!!!

I just got my Two Thin Coats Paints in the mail and I can't wait to start using them! The gold and silver are so vibrant!

Loved this. I would be interested to know about the compositional differences between the two, i.e. what mediums/additives make them different.

As always top notch advise thanks 🙏

As always, great stuff, thanks for tge help ! Fellow Raptor reporting for duty.

Great video topic!

Just started up painting warhammer 40k again after 25 years. Trying contrast paints for the first time on orcs and all your guides have helped alot. Ty

thanks Duncan

Very helpful for helping me understand how the contrast paints work. I was having troubles getting them to go on right cause I was applying them more like a wash... haha

Thanks this helps my friend who's painting up his Lannisters.

Very Helpful!

Thanks Duncan

Yes they are different but ive been enjoying taking a opaque base paint and then enhancing it with a contrast paint. Example being Mournfeng Brown and then Snakebite Leather. Or Mephiston Red with a Flesh Tearers Red. Another one is Lead Belcher plus Basilicanum Grey. THE LAST ONE. Corax White. Then Yriel Yellow. Then AP Zealot Yellow. Instant Flame jobs

For me, contrast paint was THE savior to create leakage and oil stains on my grimdark space Marines, I also used it the same way on my neurons. It gives Gold also a great used look (I am talking about something fur - contrast ), really helped to create this darkish used artstyle

Awesome guide

I know the difference, I'm just here to listen to Duncan's voice.

Wow I didn't know you can read minds! Perfect answer for what I've been wondering! Thank you!

Duncan; some ideas for your next videos. Necessary modeling and painting gear, brush care, modeling and painting processes.

Another thing to mention is that I ONLY use contrast paints to create glazes. If you mix them with either glaze medium or a lot of water you can use the colours to tint other colours to create new ones! really interesting to experiment with

Awesome video you should maybe review the speed paint from army painter to see if they're comparable to contrast etc.

Good instructional. Out of curiosity when is the two thin coats range available to buy? 👍

09:00 I would have thinned that contrast paint as much as 50/50 with contrast medium so it flows better and creates more of a highlight/depth effect rather than looking like just a regular black paint application.

Excellent video! Duncan looks a bit exhausted tho. Hope you're doing fine.

Thank you , DRPA. 🐺

Duncan, would you consider doing some videos on the qualities of particular paints in your new line? I can always look at a picture of the color, but without having the viscosity, coverage, finish, &c explained by a painter actually showing off the paint it’s difficult to know exactly what products I want to buy.

Awesome video Duncan! I’ve just started painting and like it a lot. One thing I’ve noticed from watching a ton of videos is some painters prefer recessed shading as opposed to all over. Is that just cause they don’t want to layer the base coat back on after? Oh also is there a video or tutorial on layering? I think I understand it but I’m not 100 percent sure. Do you paint the basecoat back on over the shade? Any help from anyone would be appreciated. Thanks for all the tips! They are very helpful.

If you added flow improver to the contrast paint would you get something like a wash - more intensity in the recesses and longer drying time?

On a related topic: inks are neither washes nor contrast-type paints, they're their own thing as well. You can use inks to mix your own wash/contrast-type paints at the desk... but pure ink behaves like neither. I think a big part of all the confusion stems from 'wash' being a technique 1st vs. a paint type... the paint type was in fact formulated to be the best fit for an established technique, but the problem is people still do the technique with other types of paint, including inks, contrast, thinned down oils, & stain varnishes. With stain varnishes it gets even more complicated, because we have good old AP strong tone... which is a stain varnish but sold in the AP washes product line. Compound that with an annoying tendency in the model community to ignore nuances in both material & technique... & just say 'contrast is just a wash', or 'I've done slapchopping(*) for years with inks & it's really grisaille'. The reality is while all this stuff has a LOT of similarities, there are also differences... that can ruin your paint job if you don't understand them. You slapchop with pure inks you're NOT going to be happy with the result, as the paint job will most likely end up a really shiny, runny mess. Use pure contrast or inks as a wash, you'll likely have painted over all of your original detail you were trying to shade. Those differences are also why I will strongly argue that the 'slapchop' technique is actually new & novel, albeit a natural, obvious evolution from the introduction of contrast-type paints rather than the invention of a certain youtuber whose used it for notoriety & gave it a stupid name. You try the technique with inks, stain varnishes, or wash-type paints, you'll likely be unhappy with the result. The fixes for getting a happy result with those types of paints either involve acquiring additional skills... or altering the paint thru the addition of mediums. It only became an easy 1-2-3 step process with reliable results when we had contrast paints... which were basically designed for a very similar technique. And that's why the technique suddenly became a big deal a few years after contrast paints hit the market. * = Just to be clear, I hate the term slapchop, but I'm using it here for the sake of brevity. Or in other words, don't at me bro - I agree with you :p

My favorite use for contrast type paints is as a first overcoat over a solid base of a similar color. I find it gives a richer smoother result, generally better than a similarly colored wash for many of my purposes. When I just want to get something done: Base Contrast Lowlights/details Dry brush Probably done

you can use contrast like a filter and wash for leather after you painted a base coat of for example brown, depends on the effect you want

Question, I painted a marine more or less white/light gray, and I used the Agrax Earthshade Shade over it and it’s pretty much turned all the white a dirty brown color. It looks pretty dope actually but it’s not what I was going for. Are there different Shades that are better for brighter colors?

Could you use the tearing of contrast paint to make blood stained cloth? I know there’s wet blending, but I feel that the effect it did on the skeletons robes could make a good stained/worn cloth.

Duncan u can use tamiya panel liners for power armor.

Hi Duncan, do you plan to make any comparisons of 'miniature' products, with these coming from more scale model origin? Especialy enamel stuff, they're sooo easy and quick to use. Tamiya panel liner makes pin washing a 1min/miniature endevour, and it tooke me literally moments to weather death guard infantry with streaking grime and rust stuff from AK (subtractive painting here). Also, they're kinda reversible with a bit of white spirit/lighter fluid, while acrylics you basically need to overpaint every single time.

PS. Fantastic video!🎉

So it seems like this is a direct response to Goobertown and EbayMiniatureRescue who said that they thought the '2 thin coats' wash line was closer to a contrast than a traditional wash. I like the video and it is good info to have but it also just feels like a knee jerk "they said our wash wasn't perfect, quick make a video explaining that it works as intended!" All that being said, love the videos Duncan and i am still eagerly waiting for my Sir Coates' Oath set from the kickstarter.

Excellent video; do you recommend using only one type of paint on a model? For instance can you use contrast and regular layer paint on the same model, or does the difference in finish look odd?

duncan...how would u make agrax earth shade gloss?? gw aint doing that anymore and my trench fighters have that on their bases to make a wet muddy feeling

Could that tear effect from breaking the skin of contrast paint be used constructively? The example you gave looked fairly close to old parchment

Great video mate! What pallette are you using? I'm assuming it isn't a wet pallette but couldn't quite tell. I've read that you shouldn't use contrast paints on a wet pallette or with your good sable brushes.

There is a third alternative, and that's just to water down your regular acrylic paint and apply that as a wash. That way you can control the opacity yourself without fear of fouling up the finish. No need to buy GW contrast paint!

7:01 ngl that mistake texture is actually a gorgeous parchment

I want to know Duncan's tissue brand, it always looks so pleasingly absorbant

I over-did it with the agrax earthshade on a black templars castalan. It....looks terrible. I havent touched it for a couple of weeks because I'm not sure what I should do to fix it.

I wonder what your feelings are about the recent revision of nuln oil and agrex earthshade. Maybe recommend a viable alternative. I sure do miss the old versions especially agrex - may as well stew up an old tea bag and drap it on the mini for five minutes - would be more effective than the new version.

So I am having problem recess shading ultramarine with null oil so you are suggesting to use black templar that i have around?