Perfected fantastically

That is true. Ub Iwerks was the inventor of the multiplane camera while working at his own studio after leaving Disney in 1930. It was considered a prototype and it was originally made out of car parts.

The slight difference here is in the separation of levels to achieve a depth of focus impression and a sense of depth with a moving camera that separates image elements. While Lotte Reiniger had her cutouts on raised levels of glass, her camera was stationary. It never moved towards or away in the scenes, which is what the true Multiplane processes done by Iwerks, Fleischer, and Disney did.

@@robbiefarabee6954 Iwerks came up with a Multiplane process in the same year as Fleischer did with The Stereoptical Process. Both systems came three years before Disney's Multiplane.

@@dylandarcy1150 And in the beginning, Iwerks was a third partner with Disney until Pat Powers lured him away to have his own studio. While Walt felt a great loss with the exit of Iwerks, he was big enough to welcome him back and let him work in the Special Effects Department where his contributions help further advance the Disney Studio, winning an Academy Award for the Sodium Blue Screen process used in Alfred Hitchcock's THE BIRDS and MARY POPPINS for Disney.

It goes to show you Walt gets way too much credit at times.Yes he was brilliant but he gets far to much credit for shit

six years ago, back when Second Thought was fun

Walt Disney certainly didn't feel that his art should be limited to what had brought him success. Unfortunately, the moviegoing public of the 1940s _did_ feel that way. The "failure" of _Fantasia_ to be the biggest movie ever just to recoup its budget pigeonholed him as an artist for children (as was the case with animation more broadly) and he became very disillusioned by that, which is why he was a lot more hands-off with the movies after World War II.

@@SamAronowhe accepted his fate but he also brought his own downfall by doing fairytales which are commonly considered to be kids stuff .Also the art style was very cutesy and Walt also removed a lot of the edge from the fairytales .Heck look at Cinderella in the original book the step sisters cut there heals off to try and fit into the glass slippers

Animation wasn't looked at as mere kids entertainment back then. That's why. That stigma only really began to arise in the 60s and 70s when a lot of the stuff being made was made squarely with kids in mind.

It actually goes farther back than that. Walt Disney took animation seriously and wanted it to be seen as a pure art form (hence the existence of Fantasia and its planned-but-unrealized sequels), but even all the way back then his films were seen by critics and the general public as "kiddie" or family entertainment. It definitely got worse in the '60s, though.

Not weird at all considering that Gulliver’s travels is a political satire that is often mistakenly labeled as a children’s book.

Studley D. Muffin How exactly?

Ike Okereke How what?

This guy takes swings at Ralph Bakshi? Oh hell no, brother

Main characters are great examples of rotoscoping, imho. But everybody else pretty much suck, due to budget and time constraints.

omi god but it is

@@SplendidCoffee0 Bakshi's LOTR just sucks. Better to accept it. I'm surprised the authors of the video didn't show the Balrog battle instead. "Hey, we have this media of infinite possibility, how can we use it? Well , put a 4 dollar costume on a guy and trace over it!"

Marcos Nogueira don’t tell me what to do.

1:52 And that's not Gerdie the Dinosaur -- that's his cousin

@@omi_god I hope you're being ironic... :,)

@@omi_god Christ what a crouch

In a manner of personal preference...you referred to someone better.

archive.org/details/recollectionsofr00huem (Source)

which page?

page 59/60

Considering that McCay's earliest animation is from 1911, and even Gertie the Dinosaur is from 1914, I'm not sure what you mean by "a long time". 5 years?

​@@macsnafu Gertie wasn't in Pose-to-Pose. In 1928 he said at a party he discovered a new way of animating (Pose-to-Pose) but the rest were already using it since 1915. So 13 years I guess

ILRH

Gag reels for morbid younger audiences.

Not to mention it’s small budget (for animation) of $4 million. Rotoscoping was almost a necessity for it to achieve any movement that was remotely believable and smooth without sacrificing the more complex designs that would be necessary to separate the film from it’s extremely cartoony peers at the time.

Snappy Dragon have you seen Vampire Hunter D Bloodlust? this movie only had $1 Mio and didn't use rotoscoping whilst having amazingly detailed characters.

@@mjrhmekssh How do you know the budget was 1 million?

All histories credit HUMOROUS PHASES OF FUNNY FACES (1906) as the "start" of cartoon animation, although it was more of an experiment in Stop Motion photography of line drawings and cutouts. For all practical purposes, Emile Cohl deserves the credit for being the first originator of animated cartoons since he made individual drawings to achieve movement in FANTASMGORIE (1908).

it was the first that was marketable and was a hit with the general public. EVERYBODY watched snowwhite, but earlier feature films were obscure, experimental and, to be honest, quite forgetable, though revolutionary. They changed animation foverever, while snowhite changed cinema forever, that's the difference.

it's also probably the most lucrative animated feature film at the time given how widely it was screened and for how long. It got animation taken more seriously by a lot of folks

yes, as I mentioned in the comments, the first animated movie was a political satire of all things, so you can see why Snow white was the one that stood out

Nickolas Barmenkov Early animated films had a huge impact on cinema, popeye and betty boop were icons well before snow white hit the screen, and those are just minor examples. Yes they were short films but they were treated like feature length films at the time and had full house showings all over the western world. Now Snow White did indeed have a dramatic effect on the industry, but it showed a bit to late to say that it changed cinema. It was the result of a change, not the cause of a change.

It was the first cell animated feature film

Trembich Moving Moments Sie können halt nicht unser "ch" oder "r" nachmachen 😂

Croc yup. he was part of the same group of german avant garde artists reiniger and koch were into -from which there were also fischinger, wegener, weill and brecht, among others; pretty ironic, when ruttmann later went on to direct propaganda documentaries on nazi weaponry under riefenstahl

Croc she was certainly almost completely devoted to fairytales, but she got her beginnings by making special effects for The Golem, credit sequences for Fritz Lang... she was also going to make an animated sequence for the Madame Bovary movie directed by Renoir -Renoir was a good friend of Carl Koch and when he was attacked in fascist italy and fled the country Koch was left to finish the movie Renoir started. Id say that despite making quite conservative stories based on childrens stories Lotte Reiniger's movies had a lot of technique and artistry to them. Achmed is almost certainly her best movie, imo, because of the effects and how fresh and creative it must have been in its time

Disney taking credit for the multiplane camera is not a steal or plagiarism case. As the same time Reiniger developed her film, Disney was occupied with running his Laugh-o-Gram's cartoon shorts, subsequently losing the studio to bankruptcy, then establishing the Disney Brothers' Studio in 1923 and producing Alice comedies. There isn't any recorded incident of Disney or his immediate team traveling to Germany, much less "spying" on Reiniger in her garage studio. The multiplane camera and animation desk is a case of simultaneous invention, where people invented similar devices within the same time frame. During that time (1920s - 1930s) the communication and information media that we have today did not exist and the developments made by animation studios were kept secret, so as not to give an advantage to the competition. There are multiple cases of simultaneous invention, including the radio, modern flush toilet, calculus, theory of evolution, telephone, and theory of relativity. It was only attributed to a person when they visites the patent office. Walt wanted to make his first feature film as realistic as possible, so while he already had a patent for a mounted camera on a table he called the Art of Animation, he needed a camera with more freedom to move. So it was refined by introducing the ability to adjust the position of the camera itself, making it technically superior than any other version and making Disney's multiplane camera the most sophisticated and technologically advanced of that time, creating a beleiveable sense of perspective and depth.

he's the guy who made every frame a painting. which is considered the best video essay channel on films, but he suddenly stopped producing content

it's a joke, this guy's name is Andrew

He wrote a whole essay on why he stopped. He does work for Criterion Collection now

Can you link me to that video? I never saw it

Jacob Brown its note a video it a post on his patreon page

yup thats frank thomas

Oops. Shoot, you're right. Dunno how I messed up on that.

it looks like it is though! lewiskeee.blogspot.fr/2015/10/

The Royal Ocean Film Society Quite all right. U oughta check out Frank's reel. Just type Frank Thomas Animation on this site.

*coughs* Rosebud *coughs*

Isn't that the first cartoon?

Good point, but there isn't a lot of frames in it to allow for fully fluid mouvement, does it?

@@omi_god Who is to say Disney Studios wouldn't simply be called Dansey Studios, under a different suit?

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