There's a cutdown version for Agnostics.

😆

@@Kkidzz Ok... Doors open for a classic Joke..Though not relevant at all , You hear about that bloke who was a Dyslexic Agnostic that badly suffered insomnia? .. . . . . . . . . Stayed Awake all night , wondering if there really was a Dog.

No, because this product exists.

@@harp_attack GOLD!

Damn, well said man..

I couldn’t agree more. A Professional chef doesn’t need off-the-shelf spice mixes because he knows what he doing, he doesn’t need a quick fix, he is well trained and well learn. He can take a dead tasting meal and turn it into a delicious meal. People at home can’t do that because they are not patient enough to take their time and learn it well. Most people don’t have enough time. I prefer to learn how to do something to come up with my very own style than just using or eating what everyone is using or eating.

A chef uses anything that makes his dish a hit, including an off-the-shelf spice mix. And this particular spice mix was designed by an American "Paul Bocuse". Voilà, bon appétit ! 😂

perfectly said

umm, if jaycen joshua uses it, that means even the most professionals can use it

I have the Ozone 5 & 4 presets, it feels like the same vibe for sure but the god particle adds some fair amount of highend on default. I like the way it sounds but generally I think I will keep using the Ozones because it's what I am used to now and I have more controls with them.

Could I get the ozone 9 preset, pls

Also probably the soft clipper from his lavry

@@kosiokoli7856 I 2nd this, I'd love to check out what your talking about there.

I found the preset for ozone 9 here 2probeats.com/product/2projjozone9/

Sounds like what Gullfoss does, a spectral multi band compressor/expander.

@@kalidesu NOT even close. YOU clearly don't know what you're talking about. lol. 🤦‍♂️

Exactly 50% or less is what I found to be just right, anymore is overkill. The limiter section sucks though. It seems to do great on vocals by themselves as well.

it is NOT a mastering pluginl, dude...

Yeah it's lovely, Sunny Days by Adelyn Paik. The plugin doesn't seem bad too :)

I've been scrolling for over 10 minutes trying to find this exact comment. THIS is exactly what i plan on doing. Leaving the limiter off and slapping my SmartLimiter at the very end.

you beginners need to understand - thsi is NOT a mastering plugin.... this is a mixes simulator... ..I'm giving up...

Who pays for your comment 😂🤣😂

100%!! These were also my initial thoughts. Something like Pro-L2 or Elevate/other high quality limiters and clippers would be more beneficial.

@@nicholasriley4729 yeah, we have access to SUCH great limiters now. I didn’t like this one once it started getting pushed, it kinda fell apart quickly. But for 2bus mixing it’s not a big deal to bypass it because none of us should really be pushing a master limiter hard at that stage anyway ;)

I’ve seen a lot of mastering engineers lean toward closing the very top high end of a track instead of widening. They do it for the purpose so that highhats and other high percussion won’t get lost in a mix. Personally in my ears it makes the high end a little bit harsher opposite from pushing some stereo width thus becoming softer. Do you have any tips with messing with the stereo width in the high end ? I’d like to achieve solid highs with presence without the harshness !

@@razzerraw1108 I notice in a lot of my favorite edm tracks, the side channels have the highs rolled off and darker, which makes the main elements pop out more. I guess this is the opposite of widening the highs.

@@gulagwarlord oh nice, I noticed that in Virtual Riots productions as well if you listen to him

lmao why you lying you cant load nothing

O

Another paid comment 😂😅🤣

Not paid, I was just dumb. @@a-gain9043

there is no need for a demo the plugin is only that what you see volume and automatic dynamics sou people who use it will never know what is doing and its not a replacement for a mastering chain people will never get loud masters whit that what people need is to buy compressor limiter plugins whit mastering grade and the rest is eq thats how you get loudness correctly

@@valgimorais602 My dear fellow colleague, you are so wrong! It's not about a compressor or a limiter, the loudness is done in a mix, with some saturation, distortion, overdrive, clippers, tapes, etc. You can use compressors for envelope shaping but not for reducing transients, same goes for a limiter, you don't do that with a limiter. With a limiter, you can process some vocals, pads, atmospheres, and other low transient material. Drums are better processed with a clipper. Short transients are mostly in the higher freq range thus clippers are ideal for that kind of a signal.

@@RP-vq4wd So what is this thing a clipper, limiter or compresso?

@@RP-vq4wd ​ @R P you missing the point im not wrong dude why do people want this plug in for loudness you wont give me lessons about it they state did he use only that plug in on is mix bus Coupled with the adaptive limiter section, you can be certain your dynamics and transients will be preserved, all while achieving competitive commercial loudness. all of those steps you talking about i get it all whit different brands and plugin suites, console one weiss ds1 mk3 kelvin unissum life line console and much more this are mixing mastering grade tools they all enable you to go there and further in terms of levels people want to use that to have louder masters and for your lesson learn did one plugin on now days is composed by many other plugins to become one sou all of them have saturation tape clipping compression limiting sou stop whit your crap you re not giving me a lesson for instance an example softube british console native on promo the same price of the god particle and it has a built in drive eq limiter compressor head room phase invert and you can mix and master a song whit that do you still wanna give lessons i know how to get loud proud and clean whit various complete tools upgrade your grade tools and if you go and buy lisa from plug in alliance you can master a track whit that dynamic eq multiband whit opto compression per band drive mono maker stereo tmt for mix and mastering just some examples teacher and dont worry i know how and when to use plugins

@@shinji1264 It's a bunch of things automated together, mostly borrowed/stolen from ozone.

Did you leave it at 100% or mess with it more

I would argue you’re more than likely need a clipper after it, just in case. That’s what I would do.

Close enough for government work

@@Gabeconstantinemusic HAHAHAHAHAHA that's a good one fr

It's Sandstorm by Darude.

@@haslo_ 😂

I would like to know the name

😂😂😂

Jaycen mentioned the 'high' multi band reading is basically broken, to be fixed

I thought I was the only one, I watched the add and some tutorials and not one person clearly defined what it's for.

@@southhour5241 It's actually very straightforward, it's about Beyonce something something... passion something something... attention to detail... being selfless while creating... algorithms... clarity...god particles.

@@rodrigodelprat I see, my bad I'll watch some buzzword tutorials on youtube. I will be 80% better at understanding meaningless jargon this year i swear to God! :)

@toto mov9969 Buy this and you will get grammys too. Lots of grammys. I never actually tried it so I have no opinion on the sound, but the marketing is cringe, as is the whole concept of "artist plugins" or whatever these sorts of things are called.

Yes, I tried it on a 2 tracks; one was alt country/folk and the other was orchestral. It basically just makes everything distorted. I can see this working on the aforementioned genres, I just don't happen to produce music in those genres.

you ask a question & answer it all in the same comment. amazing

Right, but they can't hear you because their ears are cooked from mixing on plugins like this.

Mastering is the most overrated process in the whole chain..... If your mix is dogshit mastering can't work wonders... But that's how it is sold... And this is really annoying....

Proof you're trying to hog it all for yourselves lol

Lol

THANK YOU for this comment! Not sure why theirs so much hate....I feel like most the hate comes from people who haven't even been making music for a decades time so they simply don't understand what its doing "under the hood" and just quick to call it "snake oil"

@@EliteOnTheBeat exactly! I honestly didn’t want to like it because Jaycen acted like a snob to me before on Instagram lol but I’m never biased with products. In my first experience trying it, I did an instrumental mix with one of my favorite hardware chains… API 5500>Blackbox>tla100>crane song STC8 and got a great mix in about 10 minutes. Then I took the dry instrumental, slapped God Particle on it , turned a few knobs and got a better sound in literally 10 seconds. That alone told me it was well worth the $80. I was kind of upset at first that an $80 plug-in beat the 20k hardware chain I worked so hard for but I think they designed to not think about music and just get a quick sound by feeling and that’s pretty how I always try to create. The simple interface and minimalist layout is perfect for quick results especially when you want to just get a nice export. I don’t think it will permanently replace hardware of mine but I find myself reaching for it lately just for its ease of use.

Facts..Definitely one of the best plugins I bought in a long time

you're using this for mastering?

why you would use oz9 on your mixes anyway?

Same here, maybe that's because this demo is applying the limiter into an already limited song

As I like Jaycen's mixes and as I followed the plugin developpement through his socials (he started teasing it 1.5 years ago I think), this was an instant demo for me. And well, I can safely say that after thoroughly testing it, feeding it multiple types of materials... that this is one of the most useless pieces of junk I have ever installed on my computer. And I've installed MAAT FiDef. It's just a mediocre multiband processor preset, with a very restricted amount of control.

Where did you get the info on Serban using ml-4000 ?

@@moscoenterprise8586 from his assistant John Hanes. Go and check out his treads over at gearspace, he gives out a lot of useful info about serban’s methods

@@wald3287 Thx for the info. I actually read some of it like a year ago when he started doing it, I guess he is still sharing new info. Also I heard Manny was using C4 (as weird as it sounds) - do you remember where you heard about him switching to fabfilter mb?

@@moscoenterprise8586 you’re right he does use the c4. I was at a mix with the masters & saw him using both actually. The fabfilter was used to massage the high mids transparently (only sometimes with super dense arrangements)

@@wald3287 that’s great! I envy you in a good way) & thx for confirmation

no thats not a threshold slider. It´s a marker to show how much highs should be pushed into it. Just like the input gain marker

You use this and Ozone together?

I'm personally gonna leave the limiter off then use my SmartLimiter after it. 😏

I have to be honest, endorsements like this one are what makes me avoid those plugins like the plague. From my experience, producers and mixing engineers in those genres, either have no idea what they're doing, or refuse to question what they're doing (it's not like it has stopped them from making boatloads of money, since industry networking and marketing matters a lot more in the long run)

@pointpi 1900 called. They want your outdated ideas back. Honestly the only thing people should avoid like plague is ideas likes yours. If you think people who produce and mix those genres has no idea about what they do then it says more about people you hang around with rather than the genres themselves. If you don't like the plugin don't get it. No one is forcing you to get the plugin but don't be saying dumbshit like this

Best comment. Exactly what I was thinking

Do you really still chase loudness with a limiter or a compressor? JFC

Exactly! I was looking for the same thing.

@@RP-vq4wd how do you push loudness?

@@1chaft Look into soft clippers