Once you have been in a school production of The Mikado, you never forget it. 🤩🎵🎵🎤🎎
@keithsoifer30793 ай бұрын
My parents played G&S daily.
@williamrowley2019Ай бұрын
My school did a beautiful production of the Mikado.
@widowrumstrypze97059 күн бұрын
My late Dad was in The Mikado when he was in high school, back in the learly 1940's. He talked about it all the time! I was brought up on G&S, but didn't have the voice for music, but Dad encouraged my theatre career, regardless! I ended up working for the largest musical theatre house on the West coast, and a donor to the local G&S Society's Youth program. We gotta keep it alive!
@rtrevalexislarue3515 Жыл бұрын
I was fortunate to see this Production 3times and was enthralled,absorbed, and delighted with every careful detail that was employed to make this not just a nostalgia moment, but instead a delight with what can be seen through new eyes WITHOUT losing the universal satire and GENIUS of G&S THANK YOU FOR PRESERVING IT !! ❤️❤️❤️❤️👍👍👏👏👏👏👏👏👏👏
@phildunn319511 ай бұрын
Yes, brilliant. I've tried very hard to find a copy. It seems to be available at Altiva, but perhaps it's defunct.
@65NART9 ай бұрын
I saw it when it first ran in 1987 at ENO with Lesley Garrett and Botone Bonaventura. Fabulous.
@aaronjclarke19733 ай бұрын
❤❤❤
@mrkiplingreallywasanexceed83113 ай бұрын
@@65NARTme too!!!!!😂😂❤❤ In fact I also remember Jonathan Miller being interviewed about it and will never forget his response to what he thought of the opera and he said "well of course it's not remotely Japanese is it, it's just English people tit-arsing about!" Which it is😂😊
@janetallen50786 ай бұрын
Bravo. My goodness, from the sets, costumes, orchestra, and talent, this is one of my favorites of all the Mikado productions. You either love G&S or you hate them. I ❤️ them all. But, this one does stand alone. 🎉
@user-nm6rd2mb2gАй бұрын
OMG!! I fell in love with the young man who played Nanki-Poo!! As soon as I heard him sing. I was so curious to see this revival. I didn’t think I would like it, but the talent is undeniable. Bravo to this wonderful cast!!! And orchestra!!!!
@AC-xh3pn Жыл бұрын
The last time I was able to find this brilliant rendition was right around the start of the pandemic before youtube took it down. Glad to see it's finally back! Thank you for the re-upload AC Vancouver Canada 17/6/23
@bettyottman1718 Жыл бұрын
We adore it. 💖💖💖💖💖
@Scuddee Жыл бұрын
Thinking the exact same thing!!
@philiphoel4290 Жыл бұрын
I would've loved to know what the totally arbitrary KZfaq police censors found so objectionable about it that they felt like they needed to censor it. Somebody must have gotten all butt hurt about non Asians playing Asian characters.
@bettyottman1718 Жыл бұрын
@@philiphoel4290Show some Respect to Cultures please.
@enzorebelo98305 ай бұрын
Act I 0:00 - Overture 6:00 - If you want to know who we are 8:35 - A Wand'ring Minstrel I 13:51 - Our Great Mikado, virtuous man 19:33 - Young man, despair 22:59 - Behold the Lord High Executioner 27:38 - As some day it may happen (I've got a little list) 34:08 - Comes a train of little ladies 36:18 - Three little maids from school are we 40:33 - So please you, Sir, we much regret 45:45 - Were you not to Ko-Ko plighted 52:41 - I am so proud 1:00:41 - With aspect stern and gloomy stride 1:02:43 - The threatened cloud has passed away 1:05:25 - Your revels cease! 1:08:58 - For he's going to marry Yum-Yum 1:10:24 - The hour of gladness 1:13:08 - Ye torrents roar! Act II 1:15:50 - Braid the raven hair 1:19:30 - The sun whose rays are all ablaze 1:24:31 - (Madrigal) Brightly dawns our wedding day 1:31:11 - Here's a how-de-do 1:37:04 - Mi-ya Sa-ma 1:38:17 - From every kind of man obedience I expect 1:39:55 - A more humane Mikado 1:45:00 - The criminal cried as he dropped him down 1:53:44 - See how the Fates their gifts allot 1:58:14 - The flowers that bloom in the spring 2:00:10 - Alone, and yet alive 2:06:27 - On a tree by a river (Willow, tit-willow) 2:10:08 - There is beauty in the bellow of the blast 2:14:40 - For he's gone and married Yum-Yum 2:15:25 - The threatened cloud has passed away
@bettyottman17185 ай бұрын
🎼🎼🎼🎼🎵🎵🎵🎵🎵
@bettyottman1718 Жыл бұрын
It's Back. I Thought it was in 2017, please don't reject it, We love it.
@catherinejones9396 Жыл бұрын
This was absolutely marvellous. Thank you, very much. Some of Sullivan's music qualifies as being like the best in grand opera. Terrific thank you,
@bettyottman1718 Жыл бұрын
Stunningly Beautiful.
@WilHenDavis Жыл бұрын
Many thanks for sharing this stunning performance! What a gem! 😊😊😊
@bettyottman17189 ай бұрын
Like a Precious Jewel.
@Poisonturtle44 Жыл бұрын
Been looking for this for two years now. God bless you, mate.
@abiwardani3944 Жыл бұрын
REALLLL
@bettyottman1718 Жыл бұрын
Don't reject it please, We love it.
@drr5117 Жыл бұрын
Is this one available on DVD?
@phildunn319510 ай бұрын
@@drr5117I saw it on Altiva's website, but they seem to be out of business as I got no response. LMK if you have better luck.
@steeleye2112 Жыл бұрын
Undoubtedly brilliant performance and the only reason it's not my favourite of all time is due to the comparison with the original cast which is hardly fair. That cast was a once in a lifetime gathering of many of the best performers to have existed, with direct input from Miller, who was without doubt a genius.
@mamascarlatti3 ай бұрын
I saw that original one too - it was hilarious
@christophesingio9801 Жыл бұрын
Unique !!!!!!!! I attended this production at ENO-London on 1986.
@bettyottman1718 Жыл бұрын
Truly inspiring.
@steelcrown7130 Жыл бұрын
Me too!
@MrUngy Жыл бұрын
Eine tolle Aufführung! Die Musik ist wundervoll und super gespielt !
@bettyottman1718 Жыл бұрын
❤️❤️❤️💋💋💋
@davidparmet603 Жыл бұрын
Yay! It's back! This time I'll download it before it vanishes again.
@bettyottman1718 Жыл бұрын
Covid-19 is Gone Forever. So we can watch it.
@onthebrink4735 Жыл бұрын
@@bettyottman1718 Nope, COVID is on the rise again. Apparently you haven't heard yet. I know, so much going on in the world lately makes it kind of impossible to keep up with everything anymore.
@hanagloriaedelblum5693 Жыл бұрын
Brilliant production in every detail! What a joy!
@Dianaemanuel Жыл бұрын
A joy! I adore this production. :-)
@joebeck1888Ай бұрын
That's a fabulous production. From a professional point of view the set, costumes and lighting were amazing. Thank you. That was great. 💞
@bruceweaver1518 Жыл бұрын
Having loved Gilbert & Sullivan since I was a little boy, my love finally culminated in my first play about the Team. This production, based on The Peter Cook version, is handsome, well-acted and professionally presented. The orchestra is excellent, and the principals have voice and comic talent. I wonder though why the production was not done in Japanese dress? Some things other than these also command attention. Gilbert. Himself, used to re-write his own lyrics for updating. However Gilbert did not re-write his “Little List” completely but slipped the re-writes into the original lyrics. While this revision is clever and updated I wished that some of the original lyrics were reinstated. All Gilbert & Sullivan is bright, funny, and enveloped in high quality which guarantees good entertainment.
@douglassutherland-bruce1098 Жыл бұрын
I think you'll find this is based on the Jonathan Miller version - there is on KZfaq, a programme of his actually directing it from audition to opening night. - fascinating.
@GrahamBrown-tc4jn Жыл бұрын
In addition, Miller always maintained that The Mikado was essentially an English story wrapped in Japanese clothing. He decided just to mount the production as a purely English narrative.
@treesny Жыл бұрын
He was right. A brilliant production. @@GrahamBrown-tc4jn
@stevenmathers6661 Жыл бұрын
"Based on"? It IS the Jonathan Miller production.
@bogirrasmussen48839 күн бұрын
My favorite of the Mikado !! ❤
@steelcrown7130 Жыл бұрын
This is bizarre. I am watching, from Australia, in 2023, the same production, even down to the sets (the circular white seat for example), the accents ("Lord Hay Executioner" in "Young man despair") of the English National Opera production I saw in London in 1986. Directed by Jonathan Miller. Looked it up. I'm right. A very nice revival, but a revival of a 1986 production it is indeed.
@danfelder80626 ай бұрын
Yes, this is the 14th revival I believe.
@johnpayne8251 Жыл бұрын
Best ever Thank you great cast.
@58christiansful Жыл бұрын
I am familiar with the original production with Eric Idle (as KO KO) but this is nearly as brilliant. And as bright and polished as a new button. And a good updated Little List.
@davidlauder-qi5zv2 ай бұрын
Original production of the Mikado? That would be the Savoy Theatre production in London in the 1880s by the company of theatrical impressario Sir Richard D'Oylie Carte, surely? The version with Eric Idle was a little later...
@58christiansful2 ай бұрын
@@davidlauder-qi5zv I meant the original JONATHAN MILLER production.
@user-hw5oo8vt9v5 ай бұрын
This has all of the best interpretations in this excellent production and outstanding performances.
@user-hw5oo8vt9v5 ай бұрын
This has all of the best interpretations in this excellent production and outstanding performances. It’s so much fun!
@user-se5co1ob5c Жыл бұрын
Absolutely fantastic thank you sharing this
@Ian-lx1iz Жыл бұрын
Jonathan Miller is just a GENIUS* What brilliance to stage a comic opera set in Japan in a Riviera setting? Such innovation! To hear the players at the beginning all singing 'We are gentlemen from _Japan_ ' in a clearly Western hotel lobby really adds a certain _je ne sais quoi_ ...a level of contrivance to which even the great WS Gilbert could never have aspired. How truly fantastic and unimaginable to strip the production of every vestige of emergent 19th Century Japan and pivot instead to an episode of Hercule Poirot? What sort of mind even _imagines_ that? Sadly, Miller never got to stage any of his _other_ G&S adaptations. _HMS Pinafore_ - but elevated away from the Victorian Navy and set firmly instead in a _Kwik Fit Fitters_ in Slough. _The Pirates of Penzance_ - ditching the _English Riviera_ setting, to parcel the entire story within the confines of a _Greggs the Bakers_ on Romford High Street. *decidedly NOT!
@gregfolland6569 Жыл бұрын
😂😂😂 ….. 👍
@luckybag68148 ай бұрын
Excellent comment.
@josephcollins6033 Жыл бұрын
THIS IS SPECTACULAR!!!!! I cannot believe the money and talent going into an operetta. Wonderful!! So much better than half the junk the Met has produced for the past 30 years! Thank you!!!
@johnslimko6938 Жыл бұрын
That's a bit presumptious old boy. SO puffed up !
@josephcollins6033 Жыл бұрын
@@johnslimko6938 You are at least comical. And, I should have said MOST of the junk...
@samueljaramillo4221 Жыл бұрын
The Met does not produce junk!
@josephcollins6033 Жыл бұрын
@@samueljaramillo4221 It's fine for you to believe that. Enjoy what you like. You don't know much at all about singing and production. But, that has nothing to do with the joy you get from the productions.
@65NART Жыл бұрын
@@josephcollins6033and you do about singing and production? Puffed up much………?
@r8chlletters Жыл бұрын
A divine treat 🤍
@myrnahuichapan76245 ай бұрын
You are my new favorite G&S friend!!! What a delight! Thank you! Thank you! Thank you!
@proinloin5 ай бұрын
Brilliant production. Comic Operetta at its best. The sets are beautiful and the costumes to match. superb orchesta,
@z.l.burington11836 ай бұрын
This production is incredible. Some parts had me in tears.
@franky.378 Жыл бұрын
that was amazing! first time for me and i can't wait learn everything about this play :D
@BookshelfQBattlerАй бұрын
I’ve watched this a hundred times and keep missing how Poo Bah ends up with Petti Sing
@Panwere3611 ай бұрын
This is a perennial favorite live production of mine, one of only three done in this century that I find very true to the material in spirit and character portrayal. A wonderful and ever so subtle bit of nonverbal acting comes from "Pooh-Bah", who slowly straightens up on "Ko-Ko" realizing that an affidavit would be all needed to satisfy as "proof of an execution.
@abiwardani3944 Жыл бұрын
LMAO ITS BACKKKK THANK YOU SO MUCH
@bettyottman1718 Жыл бұрын
Wow. Please don't reject it.
@mrcdad Жыл бұрын
That was spectacular!!!
@josephcollins6033 Жыл бұрын
Thank you!!
@robertfitzpatrick42083 ай бұрын
Absolutely 'spiffing'. Great setting and singing.
@johnyelcick4572 Жыл бұрын
A wonderfully staged production. The vision of a roaring 20’s grand resort hotel is unique. A large and talented cast. The surround sound mix is amazing - I watched it with a friend who is legally blind; she was grateful to “be in the concert hall.” Interestingly I saw a production at the Lincoln Center in 2003 or so, and the same orange menace was at the top of the executioner’s list in this production, too!
@tomshea83824 ай бұрын
It's actually supposed to be the 30's, in the spirit of the Jack Buchanan movie musicals of the times, like "This'll Make You Whistle."
@johnyelcick45724 ай бұрын
@@tomshea8382 thank you for correcting me. I always thought of the 30’s as the Great Depression Decade and lead up to WW2 for the US
@tomshea83824 ай бұрын
@@johnyelcick4572 You are correct about all that. Less so for the British.
@user-wf4gy5ll2g3 ай бұрын
из фильма "Кутерьма" я поняла, что успех "Микадо" во многом состоял в том, что место действия и сюжет перенесен в средневековую Японию. Но современные постановщики вновь поставили все с ног на голову, в буквальном смысле очередная кутерьма.
@zelalife25593 ай бұрын
这就是自以为是的“创新”,十分愚蠢
@brian401153 ай бұрын
Outstandingly brilliant!
@davidedwards65504 ай бұрын
I want this dvd with Mary bevan
@Wanamaker1946 Жыл бұрын
This was excellent!
@bettyottman1718 Жыл бұрын
How Precious.
@heatherschroedermullen2923 Жыл бұрын
Never have seen a better Pish Tush
@bettyottman1718 Жыл бұрын
In the Original one in 1987, he had bright Orange Auburn Toupee.
@FenrirWolfganger Жыл бұрын
This evening I found out my BFF had never watched any G&S (never, not even hardly ever), quickly found this on KZfaq, Thank You from both of us for a really enjoyable evening. (Next time we're off work together we're getting The Pirates of Penzance on Google TV).
@Gravelgratious Жыл бұрын
I honestly like this 20's version more than the original, but I do miss Eric Idle.
@bettyottman1718 Жыл бұрын
Yeah, The Monty python Star, which film of the Mikado you prefer The 1987 one or the 2015 one?
@Gravelgratious Жыл бұрын
@@bettyottman1718 1987 minus the the eye squinting at the beginning.
@xdashlydia Жыл бұрын
@@Gravelgratious Indeed...that almost ruined the whole film for me...and if they're going to do karate moves in that number, they could at least be proper karate moves.
@marcopolo9146 Жыл бұрын
You preferred the original? You were so fortunate to see the D’Oyly Carte production on March 14,1884. I am very envious.
@johnmortley1533 ай бұрын
Saw the original with Eric Idle!!
@stephenlord9 Жыл бұрын
Perfect. Best production ever. Seen it many times. Where was this performance from?
@timelordvictorious3 ай бұрын
Takes me back to when I was in pirates of Penzance at school also so HMS Pinafores
@NancyW726 Жыл бұрын
Was this performed on a stage in front of a live audience, or just made to look that way? Also is this a London production?
@MrAlexsegal3 ай бұрын
When this was shown in cinemas it was described as performed on a stage in front of a live audience - in a London theatre, the Coliseum.
@nts82111 ай бұрын
Little has changed since 1987
@judithhopes151 Жыл бұрын
S enery Scenery costumes, brilliant.
@bettyottman17189 ай бұрын
Breathtaking.
@tristanross3895 Жыл бұрын
Is there any way to get this, not the Eric Idle version, on DVD?
@QUEfrang11 ай бұрын
23:09 27:38 34:09 40:36 45:50 52:49 1:00:58 1:15:07 1:19:27 1:24:35 1:31:13 1:36:52 just some random blue numbers hope you don't mind
@christopherorta87556 ай бұрын
I'm absolutely in love. This is the first, and so far only, Gilbert and Sullivan opera I've ever seen. Does anyone know where I can find a soundtrack with this particular cast?
@bettyottman17186 ай бұрын
Precious Jewel.
@christopherorta87556 ай бұрын
@@bettyottman1718 is that the name of a website where I can find the soundtrack with this cast?
@GruskyBaseCamp Жыл бұрын
An absolutely masterful performance, but I must admit, I'm a bit disappointed with the "updated" sets/costumes.
@TueSorensen5 ай бұрын
Can we have some details about this production? Which theater, which country, what are the main cast's names?
@judithhopes151 Жыл бұрын
Woncerful
@bettyottman1718 Жыл бұрын
The Part of Evil Katisha's Entrance gives us the Shivers down our Spine at the end of Act one.
@marcopolo9146 Жыл бұрын
This production makes no sense without the Japanese costumes. If you have seen the movie Topsy Turvey you will understand the profound impact the first glimpses of Japanese culture had on W.S. Gilbert in particular and European Art generally.
@fredasterical2 ай бұрын
It makes no sense *with* the Japanese costumes either. The music is 19th century European and the libretto is a satire of English customs and politics. With or without the Japanese garb, one must suspend their disbelief. This production is wonderful.
@BookshelfQBattler2 ай бұрын
White people can’t perform in Asian costumes without being chased by the torch and pitchfork crowd. They’re already pushing it keeping it set in Japan. There are productions that call it the MacAdo now and set it in Scotland.
@BookshelfQBattlerАй бұрын
Doing without the Japanese garb was a compromise. It looks like no one can really do the play at all anymore given the political climate. I’ve heard some companies have set it in Scotland and called it the MacAdo.
@mrkiplingreallywasanexceed83112 ай бұрын
If you dont mind me saying, although I love this Miller production, the conductor is taking everything at a hell of a lick - even Koko's 'List' speech felt a bit rushed - as indeed did the love scene between Yum-Yum and Nanki-Poo. A final criticism would be that during that same scene - supposedly one of tenderness and intimacy - it was all hustled through AND shouted. In fact, there was almost no dynamic variation whatever - even the "I woukd kiss you thus ..." barely saw a ritardando. With this cast/director, was disappointingly lacking in much nuance and the jokes felt forced. Having subsequently seen the beautifully done Topsy-Turvey, my favourite film of all time, so many times, perhaps it's just that I've been spoiled ....🤔
@RosscoeDownunder Жыл бұрын
Grrrrreat !
@bettyottman1718 Жыл бұрын
Truly inspiring.
@aarondaguio71797 ай бұрын
Bummed they didn’t get Eric Idle to play Koko again.
@BookshelfQBattler2 ай бұрын
Larry David must have invested heavily in opera songs. How many of his Curb hijinx have been set to Three Little Maids?
@stephenlord9 Жыл бұрын
Is there a cast list? Conductor?
@bettyottman1718 Жыл бұрын
Talented Conductor isn't he? 🎼🎼🎵
@stephenlord9 Жыл бұрын
@@bettyottman1718 and a fine colleague
@judithhopes151 Жыл бұрын
Suler choreography.
@robertd.carver62405 ай бұрын
Why re-set this G&S gem in the 1920s in the English seaside resort town of Brighton? Couldn't they acquire the rights to Sandy Wilson's "The Boyfriend?"
@erinharkiewicz72392 ай бұрын
In order to be able to still produce the show in the current climate regarding DEI, critical race theory, and shrieking about "cultural appropriation. This is now the standard approach of all G&S companies.
@fredasterical2 ай бұрын
@@erinharkiewicz7239 Not true at all. There was a Japanese-costumed production of it here in the UK about ten years ago. Further, this is a revival of a version that was first produced in the 1980s (with Eric Idle as Ko Ko). Yes, the conversation (not "shrieking", btw) about cultural appropriation has entered into the main(ish)stream since then (and often misunderstood), this production had absolutely nothing to do with that. People have been re-imaging popular theatre for many years. Shakespeare often gets a funky update.
@JohnnieAshtonАй бұрын
25:03 enter Tim Wonnacott in shorts. The man himself would make an ideal Ko Ko, and probably is already word perfect🤣😂🤣😂🤣😂 Anyone for Bargain Hunt tee hee hee. Quite an imperfect production, but then I was amused to see, the name Jonathan Miller. My late Aunt was a friend of Alan Bennett the playwright back in the 1960s, and went 'Back stage' at the Fortune theatre where she met all the ~Beyond the Fringe~ team. Dudley Moore was funny, Peter Cook was a little snobbish. She couldn't remember Jonathan Miller, bland🤣😂🤣😂🤣😂
@smoath3 ай бұрын
The assumption of an audiences politics.
@BookshelfQBattler2 ай бұрын
Trump jokes are always easy. I saw a KoKo diss track that dumped on Trump, Bernie and Hillary equally and thought that was fair.
@rolloadams8 ай бұрын
Sorry, I might be missing something, but why are they saying the Lord “Hay” Executioner? Is it some kind of joke?
@MrAlexsegal3 ай бұрын
I think the idea is to evoke a very posh English accent
@rolloadams3 ай бұрын
@@MrAlexsegal Thank you!
@mandeepgogoi92764 ай бұрын
Tenno Heika Banzai!
@malcolmdale Жыл бұрын
Defer to the neeble Lord Hay Executioner?
@cathydyer3774Ай бұрын
🙂🙂
@Shyamanic5 ай бұрын
1:45:05 that stutter tho
@nuriamilamolist2818Ай бұрын
2:14:41
@willcoleman20142 ай бұрын
Prefer the colourful Japanese sets and costumes. And slower tempos…
@bettyottman1718Ай бұрын
The British style version is Spectacular.
@Luke-hq5zd6 ай бұрын
27:48
@timwillson7490 Жыл бұрын
Singers are not with the conductor too often.
@user-nm6rd2mb2gАй бұрын
Also, I have to admit the Japanese costumes would have made it more authentic. I was also disappointed in The man who played Ko-Ko. Sorry!!
@samueljaramillo4221 Жыл бұрын
Bad stagings. It was not composed this way. Flappers 1920?
@bettyottman1718 Жыл бұрын
I think it's Stunningly Beautiful.
@dianetheone4059 Жыл бұрын
*****
@dougbarker3019Ай бұрын
A fantastic production almost ruined by some ridiculously fast tempi from a conductor who obviously doesn't understand the idiom.
@virginiafry9854 Жыл бұрын
Having seen a live performance by D’Oyley Carte, this version is not my cup of tea! Please note that anything with spoken words is an operetta and not an opera!
@johnpickford4222 Жыл бұрын
@virginiafry9854: Oh Virginia, I think your brain is fried because your comment is an uneducated and stupid one. Bizet’s CARMEN and Offenbach’s THE TALES OF HOFFMAN, in the original Opera-Comique version, both utilized spoken dialogue and are MOST CERTAINLY OPERAS, NOT OPERETTA as your comment states. Please listen to CARMEN recordings by Cluytens (1946 EMI mono), Burgos/Bumbry (EMI), Solti/Troyanos (Decca) and THE TALES OF HOFFMAN by Bonynge/Sutherland (Decca). They are excellent and the booklet explains the reason for creating the works with dialogue. Now please find a topic you really know about before posting post.
@jurinac Жыл бұрын
You mean like FIDELIO?
@65NART Жыл бұрын
No one ever said it was an opera.
@jurinac Жыл бұрын
I'm pretty sure that Gilbert and Sullivan did. Weren't their pieces routinely called "light operas" when new?
@luckybag68148 ай бұрын
Quite correct. And they have always been referred to as "The Savoy Operas". Perhaps the word "opera" was used playfully, but early operas included spoken dialogue.
@nts82110 ай бұрын
I'll spoil your gay gambado.
@D.E.P.-J. Жыл бұрын
That Republican contender who behaves just like a chump building golf courses and skyscrapers that none can ever Trump...
@timber72 Жыл бұрын
That Democrat pretender who is really just a traitor, sitting in his office stolen like a fascistic dictator...
@baribiernsedar34812 ай бұрын
This is a travesty. The set, costumes and choreography completely undermine Gilbert’s original vision and render the satire toothless. Unwatchable.
@scot4u Жыл бұрын
crap moden rendition .Why carnt they leave G&S alone
@65NART Жыл бұрын
Don’t like it then bloody jog on.
@scot4u Жыл бұрын
@@65NART you log on
@scot4u Жыл бұрын
@@65NART you jog n
@renzo6490 Жыл бұрын
@@65NART This is a place for making comments. Someone expressed an opinion that you don't like. Your response is to tell them to shut up. Not very adult of you.
@65NART Жыл бұрын
@@renzo6490whatever.
@gabriellew6467 Жыл бұрын
The emperor’s new clothes: A collectivist mindset in the comments jubilates over an early 20th century transmogrification of a Japanese town into a British seaside hotel, a chorus of very British gentlemen declaring themselves to be gentlemen of Japan, a heavily made-up Nanki-Poo with kiss curl whose dedication to Yum-Yum may well be doubted and a bewildering array of chamber maids and bell boys (please insert “persons” where appropriate) prancing endlessly and senselessly. What may be next? A Chinese Othello in Lederhosen? (And yes, thank you, I used the “off” button)
@erinharkiewicz72392 ай бұрын
The simple facts are (1) the Mikado was always about the Britsh, but with charming costumes and sets from Japan and (2) it would be absolutely impossible, in the 21st century for any one - from a national opera company down to the lowest amateur company - to stage a production of Mikado actually set in Japan. They would be "cancelled" in the blink of an eye. This is absolutely the standard approach for those brave enough to even touch Mikado (many no longer even approach it)
@fredasterical2 ай бұрын
@@erinharkiewicz7239 Oh dear. You really need to calm down about this. What you say is false. (See my replyon one of your other such rants.)
@erinharkiewicz72392 ай бұрын
@@fredasterical As someone who has been involved with two G&S groups over the last 10 years that endured incredible hostility from local press and social media when we did Mikado, I submit you don't know what you are talking about.
@fredasterical2 ай бұрын
@@erinharkiewicz7239 Sorry for your bad experience. My point was not that it doesn't happen, just that it doesn't always happen, as your sweeping complaint implied. And forgive me, I must admit it was the sweeping nature of your comment and what felt like the kind of culture-war rant one hears these days from people who feel threatened by what is actually some long-overdue cultural reflection. Personally, I don't mind the traditional productions (and, as I said, you can still find plenty of them), but I do see the issues at play and respect them. I know it can hurt when you feel your good work is unfairly criticised. I can relate. Just try not to echo the noxious claims about so-called "cancel culture". They come with a heap of some pretty unpleasant baggage.
@erinharkiewicz72392 ай бұрын
@@fredasterical I don't know - when (1) a county commissioner attempts to force a vote at a meeting as to whether your group's contract to use a county performing arts venue should be terminated 4 weeks prior to the show and your group should be forever barred from using the facility, and she admits she is doing so because she has been "educated" by Facebook posts from professors and student groups from nearby colleges, we were feeling pretty "cancelled" (thank God the County attorney pointed out that under the First Amendment, they couldn't do that, and (2) when, in addition to that event, the G&S club at my private university alma mater - with which I've been involved was told by the student government counsel that their production of Mikado could go on as scheduled, but that unless they changed their bylaws to say they would never again in the future perform the show, they would lose all funding from the student activities fund, those kids were feeling pretty "cancelled" too. There, the First Amendment couldn't help the kids directly, and they decided to go along and reduce the pool of their future shows from 12 to 11 rather than turn the majority of the campus (and thus their audience) against them So, I've already experienced plenty of noxious baggage and feel there is nothing "so-called" about cancel culture. Although thank you (sincerely) for your sympathy.
@redheadreviews80015 ай бұрын
I'm all for artistic liberties and new ideas. I saw a production of the Mikado where it was set in modern day Japan and it was fantastic and hilarious, but this is straying WAY too far away from the original material in terms of direction set and all around premise...... make it make sense. But the casting is great, the performers are hilarious and the music (as usual) is beautiful! Ok it got even worse as I watch it..... why is this getting so much praise??? Besides the musicians and performers, this production os terrible. It's like the director didn't read the plot or read the lyrics. Is this for race and PC purposes or something??? Can we please keep it set in Japan. They say it's in Japan, but I sure af don't see it.
@zelalife25593 ай бұрын
There are too many idiots who can't even spot the Swiftian humor, and the show is meaningless without the Japanese touch
@erinharkiewicz72392 ай бұрын
"Is this for race and PC purposes or something??? " Yes, exactly. "Can we please keep it set in Japan. " No. Any company - from a national opera to your local high school would be crucified by the Woke cult if they tried to do so.
@jameswebb45933 ай бұрын
Nothing Japanese about this production.
@richardbayly3993 Жыл бұрын
This is a very pale rehash of the original
@blokeabouttown2490 Жыл бұрын
The original? You mean the 1885 version at the Savoy Theatre in London?
@bettyottman1718 Жыл бұрын
The 1987 stage movie was ok, but the 2015 was really vibrant I must say.
@johnlawrence2757 Жыл бұрын
@@blokeabouttown2490well: D’Oyly Carte company did attempt to preserve the character of the 1885 production right through the first half of the twentieth century- I saw many of them myself at the Streatham Hill Theatre. After that they seem to have become exhausted and the copyright expired so it was free for all sometimes for good sometimes not so much
@lostados2795 Жыл бұрын
I agree entirely. I enjoyed it thoroughly, it is quite a beauty in its own. But an all too much well behaved version!
@johnpickford4222 Жыл бұрын
@@blokeabouttown2490: I would rather watch a production utilizing Gilbert’s original lyrics and stage directions than a weak attempt to enlighten it by changing the time, setting and references. I don’t think they’ll be missed, no they won’t be missed.