Just hearing and seeing her play her trem craft slowly! .... Is going to inspire thousands of people! To take their playing to a next level...

Her brilliant technique and execution of high-quality, difficult and fantastic works... proves that she is now at the lonely peak of her career 🙏❤

The sound gallops with 3 fingers. 2 are more staccato and pronounced, I agree. I think it's a little easier too. Ana your a good teacher.

Such a beautiful Cheat sheet lesson from one of the best trem artist in the current field!.... I still have not heard anyone play trem like she does..... she's soo unique!

Wonderful and incredible, as usual is Ana Vidovic. Thank you.

How can such a lovely sound exist? I weep with the joy 🥲

Andres Segovia, Tarrega, and friends would love this video. Thank you Ana & Siccas Guitar 💐

She has one of the best sounding tremolo...

I am glad I found this video. I have tried to work on my tremolo from time to time but I have always given up on it because my ring finger's nail doesn't sound great and I have tried shaping it up in different shapes so many time but I was not able to get an even sound. This two finger tremolo will help me so much.

Always a gift from the music deities when Ana bestows some of her tradecraft.

Such an interesting video. Thank you Ana for your lesson. Fascinated to see the a finger used as an anchor when possible as well. I'll certainly try this.

Wonderful player. I enjoy listening to your performances.

Beautiful. Thanks for sharing ! Bless you !

Listening to beauty herself talking about the beauty of tremolo technique can result in beauty overdose.

Great and very useful lesson! Myself I tend to use pimi rather than pmim, but anyway you have to train the a finger too in order to achieve a "happy" well developed right hand. The flamenco tremolo ( piami) can only be achieved with 4 fingers - iami😀

Excellent video lesson. I struggle with PAMI, so I’m going to practice PMIM to see if that is more comfortable for me. Thanks for sharing.

Many thanks Ana! For a lifetime I stuggled with my Flamenco tremolo (PIAMI) and PMIMI works perfect for me! Now it’s perfectly powerfull, even and I can control it on EB and G string!

I couldn't do tremolo for years because of my nail disease, but it was great that I learned this technique, now I can play the alhambra again, thank you very much.

*Smooth as silk.* Love 💕 her technique.

This. THIS is the only tremolo i've been able to get to sound fluently and natural. She is probably not the first person to have done it this way but I will call it Vidovics tremolo from now on if somebody asks me 😆

Such a wonderful artist.

I'm gonna try this out. Thank you Anna.

Daría hasta mi alma solo para que la hermosa Ana me enseñe a tocar la guitarra❤

It's so nice to learn from Ana ......

Thank you for suggesting simplicity. Always been struggling with p i m a. Away with finger-wrestling as a tremolo-technique. Now I should practice...

I use p-m-m-i pattern while I play with m in both directions. It allows you to keep sustaining tremolo irrespective of the thumb. You can then play with the thumb whenever you want.

Played the dotted when listening to your concert. Amazing classical picking

great information !!

That was VERY helpful!

Useful tips on Tremolo. It a technique I still not good at, and now it even harder to get it with trigger fingers condition on both my hands.

What is the name of the piece at 0:17 ?

Thank you very much Ana!

Having used PIMA all my life just tryiing PMIM it feels very odd but I can hear the difference! Will try it for a few days to see! PMI sounds good fun too!

This is insane. She makes master level music sound so logical and straightforward. She conquered guitar musicmaking with her mind first, her fingers second. After listening to this explanation I feel like I have a 100 percent shot at learning Recuerdos De La Alhambra properly. Thats how crazy scary her understanding is.

Any tips from the top are greatfully recieved thanx 🎉

Love this young lady ...... such a talent and the ability to express it ...

Thanks a lot ana vidovic You are a legendry player🔥

Анна , вы прекрасно играете на гитаре !!! Браво !!!

Grande Ana.

My absolute favorite classical guitarist. ❤

Wonderful!!!

Great lesson . I used to play this piece when I was younger .But over the years my A finger has developed a hook in the nail making it almost impossible to play tremelo. I really need to use her technique.

Highly talented. More grease to your elbow and more wisdom always. Amen

Sweet! I will attempt that maybe this afternoon

Thanks Ana, and Siccas for this content. 👏☕️

I noticed that she was muting the hi-E string with the third finger (by the m-i-m tremolo). That was really interesting. It may be some basic thing for experienced players, but not for me. I will try that too

Um that's another topic ...so let's embrace the spirit of the music..... excellent sound with verry little or no talking.....wow! That is definitely it at the moment.....thank you for the hard work

She have the best tremolo I ever seen!

Very inspiring

Thanks for this amazing video. There was a debate in a classical guitar group in Korea regarding the 2 finger tremolo, so I wanted to make a video myself explaining and analyzing Ana's thoughts about tremolo to the korean community. May I use some photo image and short clips on this video? I will explain where I got the source from, and I will link the video, so more people can hear and see for themselves, what Ana had to say. If it's not okay, it's still fine. I'll find another way to explain.

I used to play tremolo with two fingers and felt very comfortable with it, until a teacher told me that it was wrong xD. Now I play with three, but I never feel as comfortable as when I play with two...

Great!

Thanks Ana.

Good morning. Thank you

Ana V, Le trémolo le plus précis Je n ai jamais entendu un trémolo aussi parfait. Ana fait partie des meilleurs Guitariste dans le monde de la Guitare classique ❤❤❤❤❤

Master thank you so much for showing us your magical skills, your initial advice helped me develop an idea of the whole technique of using 3 fingers, and also my own rhythm for tremolo basing myself on your technique, im now using pimi - well it sounds acceptable and quick enough for me, after trying PIMI 15 mins and PMIM 15 mins, i then rested. And developed conclusions, im a Physiotherapist, Anatomist. Well first of all the whole idea of using 3 fingers, isolates in the nervous system the P =cubital nerve, I = radial and M =medial nerves, the moment, i or m touches the string , thumb has time to recover and isolate its function up and down very quickly, the concentration increases, we have a stronger potential of action, a stronger spurt of energy on that left side of our right hand, at some point once you find a " Neuronal Pattern " What we can call a Neuromatrix pattern. it becomes easier, better. I actually tried also PAMA -and PMAM(i was impressed by how well they came out) ( and all of a sudden i realized, possibilities are many or infinite) I also did PMIAM PIAM PIAM*** continuously, and PMIAM-IAM-IAM-IAM very quickly to access 9-15 notes very quickly) so we have many patterns, but then the question arose, if i confuse myself i wont grow, i need to focus on 1 only. Practice, Rest, Breathe- allow the nerves to absorb, with my eyes closed, picture the movement while resting. Integrate it into my hand, fingers. When i went back to it and i tried PMIM , i still had a lot of difficulty to acquire a decent quick tempo, it seems at PMIM - ( at the last M = medial nerve ) by my own built in reflexes, and of my own hand, my thumb(P) is unable to strike back quickly, returning to P quickly seems locked for me ( P = Cubital Nerve) inside my brain/mind, my neural order of muscle utilization, P is too far away from M = medial nerve, so its unable to respond in time, in my method i need to chain each nerve one after the other, for you it seems easier to do it this way, with PMIM, to produce extension of thumb right at IM - And then go back to PMIM, not for me. (lets remember our fingers are doing, flexion, extension at all times, the moment it stopped flexing, it extended (im also counting this) When i tried PIMI again, after resting. I managed to do it veeery fast and precisely, with a better sound. In my mind from the reflexes i've built as surgeon, martial artist, Doctor, guitarist - PIMI, is chaining 1 finger next to the other. This works for me perfectly. PMIM, is skipping 1 finger from M back to P PIMI - is chaining Index with thumb- pulgar, who is right next to it . (this modulation/pattern is more reasonable for me, its how i actually do other movements in surgery, guitar or martial arts, or in life, in general as artist, one joint, after the other, or chaining as much as possible with the closest one, with each other, PIMI - all fingers are being used one after the other. Wow your lesson here in 3 minutes allowed me to discover myself further. Now im a PAMI , PIMI , PIMIM-IM-IM, PMIAMI, PMIAMIAM, user, the possibilites opened so much, my brain and speed opened, improved . and when i need to chain tons of notes like 6-9 straight , i use PMIAMI or PMIAMIAM, or PAMIMI, pure PIMI (I will never understand PMIM or the PIAM that spanish flamenco users do, not in my patterns ahaha. Amen. Thank you somuch God bless you, i loved your 2nd movement of Aranjuez

Amazing Musician

Thank you so much. I have issues with the PAMI too and I did all these other excersises to get it to work. This is helpful. What finger pattern would you reccomend for Quintuplet tremolos?

I've never even considered that you could just use two fingers. I've always struggled with tremolo. This is a game changer

Ana... i love you....❤❤❤

Very interesting to see her resting the A finger on E1 when playing B2 string with I and M fingers. Avoids the risk of hitting E1 on accident

Ana, what scale book would you recommend? I've played electric guitar my whole life. Now I am practicing classical guitar and know the importance of scale practice. Fingerings for scales and all of that confound my thinking currently.

I just imagine with p a m i of a horse in a floating gallop with the movement replicated by the right hand. That's just me but you are a Goddess of the guitar. Thanks for your insight.👍.❤

So informative and very easy on the eyes😊

Where can one purchase that corner arm rest to keep arm off the top?

I just want to say here that 2 finger tremolo is worth the effort to learn. I was unable to master the hammer on/ pull off measures with 3 fingers. With 2 fingers I can do it with precision and clarity. But it took a while to master...about 6 weeks just to make the pattern automatic...and SLOWLY with a metronome is a key to success. When you take the a finger out all the work falls to I and m which work much harder. Patience in building up stamina and speed definitely pay off and two finger tremolo is a technique worth learning

Sweet!

When I was in conservatory, I used recuerdos for practice, but played the whole piece with pima, piam, pmia, pmai and paim before pami, which always worked best for me. As usual, slowmo, half to quarter the time, and then also rushing and a tad too fast. Also did some flamenco tremolo piami, which helped a lot. I hear exactly what you mean, many elite guitarrists have a tremolo, which isn't really round. Even the great David Russell, if you listen carefully. I like to believe my tremolo was really nice and also my teachers told me so. But I think, that with pami you have a different right handposition than usual, so it also comes down to nailshape, which can either be optimized for tremolo or the 'regular' position. In this regard your pmim could have a real advantage. 🤔

Ana Vidovic avoids"à" finger in general

Excelente

Love you 😘

Great tip. She is the queen 👑

You have unlocked the mystery of tremolo playing for me! I could never get the three finger way but P M I is amazing! Thank you!

Ana, thank you for saying that the "a" finger can be a problem!

Can someone explain what she is talking about with pimi and pmim?

Inspiring as heck

Thanks I got something from that

About tuning: why does she tune the guitar half step hight in this video??

Wana hear the best ever tremolo Find Karin Schaupp playing an som for the Love of God. Thank u for the hints Anna. I do pama pmam but am going to try Yours too for few mnth.

❤❤❤❤

Can anyone tell me whats that piece name she just played on the 18 sec time...at the beginning....???... please

What is the piece at 0:16?

I have tried pmim, pima, pimami, and pimaeami. It's a skull crusher

What was the opening song

Ana""" your Amaziiiiiinnngggg'"''!!!! I like.......!!!

what guitar is she using here?

Cool!

PMIM and PAIM sounds exactly the same to me.

Mestra!

Àdoro quando à beleza deliciosa deste sotaque se liberta dó silêncio interagindo com às notas musicais soando como mel nó calor dos desejos de meu coração 💃🎤🎸🍧👁👁💋❤🌴🌹🏵🌷🧜‍♂️

I love the The way she’s is just beautiful 🤩

I've really struggled with this technique...not sure I'm making any progress...and I'm not sure why.

What song was hard to you did play, Ana?

Magnifica.💣💣💣💣💣💣

all rock players are forgotten when you see a good classical, flamenco or jazz guitar player

Lekker ding Ana V. !! 😘

Nice! wondering why the guitar is tuned an half step higher?

💎💎💎💎💎💎✨👍

🌀🌀👍👐

Why do I feel like I'm in love?