Hi James I played Haley in 1991. I come from the East End. I absolutely love Ridley. You were Presley. Raw and believable. After Pitchfork I saw 'The Fastest clock in the universe' at Hampstead Theatre in 1992. This young actor who I hadn't heard of called Jude Law was playing the part of 'Foxtrot Darling' I am subscribed and will check your other work.

Hi James, this was so deep. You’re so interesting. I want to ask you something about the subtext: “she never did” because Presley’s mum died before she could buy a new one right?

Hi James I’m currently a bit tipsy while writing this so apologies for any incoherence. Tipsiness brought me to reminiscing theatre. The first proper monologue I delivered to an audience with an awaited response, was Haley from The Pitchfork Disney. Watching this made me fall deep into this play again. In love and curiously with it but more than anything feeling something from it. Which ultimately I think is every playwright and actors dream, to make someone feel something. I personally was given a small modicum of escapism from this and can already guarantee you will do great things in the theatre world. I’m sorry this time wasn’t the time for you, but I honestly believe, like you say, that everything happens for a reason. And I fully believe that’s because something even better is waiting for you

I like the way you suddently stop and do facial expressions, it is quite realistic and makes it very dramatic.