Love these videos bro. Keep the 🔥coming, and thanks for the shoutout!

Dude your studio setup is so clean, I love it!

Enjoyed the comparison/surprise at the end. Cine2 was my go-to on the a6600, but having just picked up the a7siii, it’s time to try these out!

Hey, put your luts into the creative tab and after that correct the shadows and highlights and other stuff before the lut from the Basic Correction tab. The important thing in the creative tab is that you have control over the intensity of the lut.

Again the video I was looking for! Great job as always, and you were right, now the skin tone is better 👋

Good stuff man... one suggestion, maybe some outdoor test shots in the real world without the studio lighting etc. Keep up the good work

Thanks for all the 7siii vids this year! Your content has been so helpful and insightful, keep it up my guy!!!

Amazing production quality and content, super helpful!

Thank you for these videos Sean, I’m learning a ton from you brother! 🙌🏼

cinetone look more natural, more cinematix

Nice surprise ending! I was wondering what you did w/ Cine2. In your examples, I thought SLOG3 had the best color. I noticed a background light on screen-right was more noticeable. Consequently, I liked the SLOG3 the best. But I understand your choice of Cine2. Good video.

Hey Sean, just want to say I love your stuff man! Even at a beginner level I'm picking it up and you're helping me understand some pretty technical concepts. Thanks a ton and keep them coming! I feel like I'm an early subscriber to something big! Cheers.

Everyone agrees this is the cleanest talking head shot ever. Subbed

I've watched soooo many videos on this, I did not expect walking away from this and seriously considering cine2 lol. thanks for sharing, great video!

Thanks brother...please keep imparting your knowledge..I'll be updating my mark 3 to S-cinetone today..

You're gonna grow to be big soon! Got in here before you reach +500k subs before the end of the year.

Hey, great Dual Base ISO guide for the A74... THANKS! - Is there one for the FX30?

Great video man. Funny / I tend to enjoy PP0 esp for run and gun. After the destruction of internet compression etc, it fits my needs fine. Enjoy s cinetone but after tests with a poll, surprised to see everyone pick the PP0 image over Cinetone! Overall really like all the options we have. It’s such a great beast able to do almost everything you need.

Outstanding video Sean, very helpful!

Love your studio setup and lighting, crispy and clear!

What about a7iv? I'm reading different base isos lol some say 125/500 and some said 500/3200? I'm confused as to understanding what's the true base isos for the a7iv for s cinetone.

Another great vid brother & congrats on new Subs! No wonder as you're doing amazing work and I'm happy seeing you doing well 👊 Cinetone seams nice and Slog seams like a lot of work, I'll try your variation to see that magic 100%, thanks for doing that research for us 🙏

You ended up clipping your highlights down to about 94 in order to match the SLOG3 to the Cinetone :( I think your understanding of scopes and correction can still be expanded, but damn dude your lighting is ON POINT.

Your video backdrop aesthetics are unmatched on YT right now🖤🦾

Another excellent video man. Thanks for doing the legwork on these. Would you be interested in sharing some of your professional A7sIII work? Would love to see it.

S-cinetone +s-cinetone color +Black Gamma Middle at +5 +Blacks at -5 +Saturation at +3 +Color Depths B +2 G +2 all others stay at zero. Obviously Detail should be dropped some. Produces some great out of camera footage at base iso of 100 and even at base 2000. Exposure for skin at +60 and all other highlights can work off of 109+.

Beautiful work bro, love the work you do keep going 💪

Man, your picture, sound, editing and animations... so much envy!!! So professional!!!

Thanks for the hard work! Great videos

Great vid Sean! Production quality is impressive with the animations and info cards in the video! Have you noticed any problems matching S-Log to S-Cinetone in regards to the baked images being different? For instance, some kind of compromise for using S-Log to achieve an S-Cinetone look with slightly better dynamic range, perhaps at the expense of the smooth highlight rolloff. Would it usually be possible to replicate as long as the dynamic range is greater? It's a difficult concept for me wrap my mind around still, haha, but it's in theory about being able to make an S-Cinetone LUT for S-Log without compromise. Thanks for your insights in the video! Have a nice day dude.

Great video Sean! Your picture quality looks absolutely stunning. What fps are you shooting in?

And... subscribed.

This is really really good stuff, man. Love the set. Solid video work. Solid graphic work. Good tips and examples. Sub’d.

SAME exact situation with me and my black walls. S-cinetone made my in studio shot look more dull and un fulfilling.

Amazing video man! so helpful

Dude the desk setup is smoooth 👏🏻👏🏻👏🏻

slog3 based on contrast is my guess. i cant get slog3 to look graded

I love your works this my 3rd video in your channel and I absolutely fully love your works 🤍

I am new to the camera world but I got an a7siii. Lol I've watched a lot of camera reviews and you have explained iso and picture profile easier than anyone has for me. I love how gerald undone color grades and it seems you have the same style. I don't know much about color grading but I will try to follow this and see. I'm using it to vlog, talking head and Skits. So I need to have a quick go to picture profile for talking head and movements in both low light and daylight

Great videos bro. Your setup looks clean and simple with great lighting and colors. What are your thoughts on s-cinetone for low light?

Loved your attitude man, blessings from India

Can you do a video on how you color grade your cine2 profile?? I think it looks by far the best out of the three, the skin tones looks really good.

2nd iso is just 20x the base iso. Pretty easy to remember that way.

Such a clean look man!

Definitely add some more diffusion to that keylight and wrangle your iso in cinetone and up your keylight power

Great video dude, thanks!

so if i need a little bit more light for s cinetone, and se the iso to 200, or 320 or something..then what? the amount of noise would be like zero noticable , if any..no? base iso just meants it is better to shoot on it, but no big deal if u go 1 stop 2 stops higher lower..no? its like a 3500k camera..how bad would be that be..

Thanks for the Video Sean. Quick question about the A7S III firmware update. Does it automatically add on the 1/48 shutter speed or will I need to download the separate DCI license to get 1/48 to work?

Very interesting. I've come back to this video after a year or more to consider again the differences between sLog and S-Cinetone, and, of course, your modified version of the latter. But one question strikes me now, about 'base' ISO. When you demonstrate how the noise vanishes in sLog at 12800, the noise seems still to be pretty well controlled at a stop higher also, certainly in comparison to how it looked at a stop lower (i.e., 10000). Does the stop above the higher 'base' ISOs benefit in some way from proximity to them, or is this just an accident of this particular picture profile? I hope I'm making that question clear! Many thanks again, either way, for a very helpful video

Great video again. How are you grading your Cine2/S cinetone profile? With a LUT or custom grade?

I loved the Dual ISO setting's explanation but when it hit 51200 it introduced a lot of noise right ? So I wonder how some people shoot and process it even at the max ISO 409600 !!!

It still looks too sharp

Very good, thank you!

Great video, thanks for sharing! I have one question: Is cine2 gamma compatible with s-cinetone color mode theoretically? I thought that a certain gamma is designed to be used in combination with its corresponding color mode?

What happens at 13:44 in the video? It suddenly gets lighter like the gamma was lifted, then it seems to fade back to the original look at 13:51 or so. I that your new look because you said you'd, pop it on" of something else?

Awesome stuff! If you were to use a diffusion filter like black pro mist 1/8 would you still drop the detail to -2 or leave it at 0?

Great video!!! Thank you!!!

What are the Native ISO i can use when using cine2/s cinetone on A7siii?

How did you grade it/fix it up afterwards? Looked easy? Sorry. New to this. I think the cine2 footage was amazing. Exact look im after

Interesting fact: my Sony A1 pp11 (S-Cinetone) comes preset to detail -5

S cinetone has some green tint to it, seems like slog 3 wins in this one

Isn’t Slog3 in P8?

Thinks to self- why not just use HLG3?

how about S-log3 Gamma + S-Cinetone Color Mode？

Does anyone know if you buy the phantom luts if it’s compatible with any editing program ? I use Vegas pro 19

S cinetone still seems to have the slight Sony green skintone straight out of camera. But not as bad as previous cameras/profiles. I think your Combo actually has the best skintones.

Great video! I’m new to this world but have a A7siii. If I’m going to a sunny tropical island will S-cinetone work for me?

When you say "Expose to 65% and you set the lower limit to 65. Does that mean that after we set it to 65, we have to wait until we see the Zebras to know that we have exposed it correctly?

S cinetone is not exposed correctly. The shiniest parts of your skin are overexposed and you shirt as well on some parts.

Do you think you'd bring the detail down if you recorded landscapes?

Ima say s-log + cinetone .... I guess we will see

I doubt you'll leave slog3 as you don't seem to mind post processing

My guess is s-cinetone

Are you using these settings on the ZV-E1?

Hi Sean, from your video you mentioned s-cinetone with creative look! Can you use s-cinetone with creative look on a7s3 or fx3? I though it can only use either PP or Creative look... Please let me know!

guess: Slog3 with S-cinetone color space. Yeah?

Are you overexp +1.7-2 in s log3 with Phantom luts?

Phantom LUTS, what happened to the Leeming LUTS?

Hey Sean, I didn't see the DUAL ISO Values for S-CINETONE on your table, would it be then that only ISO 100 is 'native' is that PP ? Great Work BTW!

I am going to take a wild guess (only 1 minute in the video) and say you're filming in S-cinetone.

Why did you leave the M1?

De Wispelaere, Flemish roots?

yea fuck the fan noise.... 5k and its louder than my dryer

S - Cinetone

Ha ha! It’s obvious you didn’t give S-Cinetone a fair shake and couldn’t wait to play around with all those bullshit phantom luts. Not at all a fair objective comparison so why bother then . I have seen several great videos on S-Cinetone that did it justice. Shooting at ISO 100 and dimming your light down to 11% and then being disappointed with the result really??? Many experiences videographers rave about S-Cinetone but they did their research and experimented with it over some time not 10 min like you. I USE S-CINETONE A LOT AND HERE’S WHY: Cinematic look right out of the box! S-CINETONE was first released in the Sony FX9. A high end video camera and was used to model the colors from the Sony VENICE which is Sony’s premiere cinema camera. It has less dynamic range than the SLOG variants but also comes with a much lower noise floor, stronger contrast in the shadows with a more forgiving curve in the highlights. S-CINETONE is designed to be a perfect happy medium. Don’t worry. SLOG2 and SLOG3 are not going anywhere because when shooting on larger productions, series projects, etc, you will want the most flexibility over your image. Even if that means spending the needed extra hours dealing with noise, massaging colors in place, and creating a “look” rather than the built in Sony Venice look and feel. Sony took the characteristics of s709 and created S-Cinetone, which provides images with a more cinematic look in tone and color for the video world than Rec.709. There really is no clear winner when it comes to Sony SLOG3 vs. S-CINETONE. It’s up to the user and what the shooter is after for their creative process. S-CINETONE for a faster, pleasing and more efficient experience, and SLOG3 for the best results possible although quite time consuming.

💯

bro , your stubs is causing moire to my poor eyes

slog technology will die soon, color look grey!!!!