Adding onto the scene you guys talked about at 16:00 - the older brother locked his younger brother in the greenhouse and made a hissing noise mimicking a gas chamber.
@moviehusbands6 ай бұрын
I didn’t notice this til the second watch! Great observation
@jeanvolante73766 ай бұрын
The scene where the boots are washed has a different meaning then you ascribe to it. When the camera cuts to a shot from above, you can see that the servant is washing blood from the boots. The visitors do not need to remove their boots because theirs are not covered in blood like the commandants. The girl in the night time scenes is based on a real person. Jonathan Glazer met her. She recently died, and the film is dedicated to her. Although she was just a teen, she wanted to try to alleviate the suffering of the prisoners. The music she played on the piano was written by a prisoner, smuggled out, and left for her to find.
@marshathrash11165 ай бұрын
I did not know ow this about the boots. That is SICK.
@mistressmozart6 күн бұрын
yep exactly regarding the boots. Plus it was a prisoner who came to clean them
@naomixyz7188 ай бұрын
Excellent analysis of the film. Just wanted to point out that in the greenhouse scene, the older brother makes a strange hissing sound after he locks his younger brother inside. The hissing sound mimics the sound of gas.
@myong22067 ай бұрын
omfg….
@luciaizzolo39206 ай бұрын
i noticed that..
@secret.dog.powers6 ай бұрын
OOOF
@mlawniczak33685 ай бұрын
"A Polish girl who lives near the Höss family risks her life to smuggle fruit into the camp. Filmed on a thermal camera, we watch her as she leaves apples and pears in the trenches for prisoners to find. Director Jonathan Glazer included this character after he met a real-life 90-year-old Polish woman, named Alexandria, who brought food to the Auschwitz prisoners when she was 12 years old"
@MeghannMonroe6 ай бұрын
I believe the mother could smell the bodies while the family was immune to the smell. She was chugging that alcohol trying to bear it but couldn’t.
@katliven5 ай бұрын
It was the baby’s nanny drinking the alcohol, she was Jewish and trying to escape the horror of what was happening.
@KikiMav5 ай бұрын
@@katliven The nanny was German. I was curious about the ethnicity of the staff and read the screenplay. It is stated there that the nanny is German. Back in Germany most of the people knew of Jews being prosecuted and apparently deported but didn't really know what happened to them. She had to live with this truth daily and pretend to be a happy nanny in front of her employers.
@007nadineL3 ай бұрын
@@katlivendaughter told the mom they didn't let jews into the house. The house workers were local girls .
@plantgayforlife7 ай бұрын
amazing how at the end he takes one last look down down the dark halls, maybe for a moment wondering how he will be remembered. which side of history would he be on? and ironically history forgets people like him, and honors the victims that the nazis tried so hard to erase. brilliant.
@debrabutler33846 ай бұрын
And then he walks down into the pitch darkness.
@agn8555 ай бұрын
TBH, I can’t imagine that Josef Mengele will be forgotten at the same time his victims, little children BTw, will get "honored"?! Right, Höß hasn’t become a household name in specific regions of this planet when it comes to Auschwitz/Birkenau - especially for lesser educated people - probably more for those ones (that D.J.Trump has proclaimed to love) bc they are staunch supporters of white supremacy?
@HitorMissHallmark10 ай бұрын
I watched this at TIFF and could not shake it from my mind. Jonathan Glazer's choices in this film, are genius. To start with 3 min of black and just have the sound, was such a simple, yet effective choice that lets us know, this is a film we need to listen to, literally. Throughout the film, there were a number of times I thought, "I can't believe this actually happened." The whole film felt surreal to me.
@eurasiervondendreiexen26486 ай бұрын
Wonderful review. I am German ,62 years old, and we need never to forget!!!!
@trao19386 ай бұрын
They diidn't need to take off their shoes, because their shoes weren't coverred in guts and blood.
@tpiety6 ай бұрын
Exactly. The servant washes off blood.
@marshathrash11165 ай бұрын
I didn’t know this about the boots
@charlesmills79806 ай бұрын
In regard to the flash forward to modern day Auschwitz … the thing that struck me was the people cleaning. Glazer doesn’t show us just the buildings and personal items of those murdered. Those horrific images could have been shown with nobody else in them. They are juxtaposed against the cleaning staff going about their mundane tasks. It came off to me like he was trying to say that even with the physical evidence right in front of you, people will still put blinders on and ignore the horrors of war and genocide.
@keyboardwarriorrose6 ай бұрын
That is the best theory I have heard about this part!!!
@FilmFallon6 ай бұрын
Oh my word. Absolutely nailed that mate
@tylermoore44296 ай бұрын
The retching implies Hess felt remorse, but that is not what I get from reading accounts of him after he was captured and imprisoned. To the last he saw his actions as right and justified. So this sentimentality feels like a loss of nerve on Glazer's part - shying away from reality's unsatisfying ending. Regarding the choice to focus on the cleaning staff going about their duties, I am puzzled. Why the cleaning staff? Why not the throngs of visitors to the museum? If the former suggests forgetfulness, the latter does the opposite. By selectively presenting the former, Glazer is forcing a meaning upon the audience. I say all this in a spirit of intense engagement with the film, not to denigrate Glazer, who absolutely made a masterpiece or near-masterpiece here. I just happen to think that the ending, along with other elements, remains cryptic and will spark many more interpretations in the coming months.
@corra76 ай бұрын
Sad how world horrors end up as “tourist” stops…..thinking about Hiroshima and 9/11 museums….hate man’s inhumanity to man!
@ryanfliegelman31666 ай бұрын
@@tylermoore4429in regards to him retching at the end of the movie. I did not interpret that as remorse but rather no matter how much you compartmentalize things commiting such atrocities will inevitably take a toll on your body. I think this is supported by the doctor visit scene shortly before where he is having his stomach inspected. This to me signified that he is having physical problems as a result of his job. There are many people especially in law enforcement or the military where ( in the rare case ) that they take someone life in a justified circumstance that the officer or soldier still has a very strong physical reaction. Depsite being legally or even morally justified. For the scene with the cleaners i do not think the only two options are having workers as a symbol of forgetting and tourists as a symbol of remembrance. The entire movie is about how humans can be desensitized to their actions. This can not only be in extreme ways like commiting a genocide but on a slower societal or even personal level. Watching the nazi "workers" throughout the whole film and then switching to the modern day "workers" made me think about how those people compartmentalize their own jobs. As a jewish person myself i cant imagine wiping the glass of those displays everyday without breaking down. Let alone to do it with such a nonchalant nature that they might as well been closing an ice cream shop.
@wordscapes56906 ай бұрын
Possibly the most perfect film I have seen in decades.
@SAM-MME7 ай бұрын
I have to say this is one of the best videos on this film that I’ve seen yet. You just gained a fan/subscriber. Great work!
@01denese5 ай бұрын
Him going down the stairs is him dying and going to hell. The museum maintenance represents us not forgetting history and maintaining our memories.
@007nadineL3 ай бұрын
White washing / cleaning .
@lane62165 ай бұрын
I just watched it last night. I can’t let it go. It perfectly shows the quiet horror and how it affects each member of the family. The oldest son being groomed by his father on horseback, then beginning to practice on the younger brother. The baby that is being neglected and can’t stop screaming for help. The youngest daughter who sleep walks. The mother that has to detach from everyone in order to keep her “dream” real and going along. The father who does the same, but still feels for his children the way the mother cannot. The grandmother who speaks in a blasé way about losing when bidding on a Jewish woman’s items. The same woman she had cleaned for, and the same items she has secretly coveted. It shows how far this family has come, and the way they have had to literally climb over dead bodies to do so. Then the grandmother when faced with the true horror of her daughter’s living situation, chooses to take flight instead of directly confront it. This movie is absolutely perfectly dreadfully done. It treats the Jewish people with the utmost dignity by not showing their suffering full on, it seeks to not exploit them in that way. Rather, it forces the audience to have their faces shoved into the full reality of the situation. It should be a must watch for everyone. Especially now. We are no better than the very well educated and sophisticated Germans at that time. We have to keep talking about the way true evil can quietly exist next to the banality of life, or we may find ourselves reliving the horror.
@ThomasKirby-ub4vy8 ай бұрын
A film which reminds us that heaven and hell are not otherworldly in some far afterlife…. Heaven and hell exist right here on earth. A film that also reminds us that beauty and decay will always exist simultaneously. Is it right ? No. Glazer is not looking to change anything with this film but to remind us that every day we live we are AWARE of the atrocities that go on still today. This house just happened to be the perfect metaphorical representation of that. Don’t look over the wall.. look at the flowers, look at the garden. Life continues as beautiful as ever never mind the smoke rising or trains coming in. Those people aren’t you, you’re safe inside your little zone your safe space protecting you.… yes we know what’s going on but… who cares? Of course this is the view of the main Nazi characters but even though we did not commit these atrocities the people watching the film…. Is going to a museum to take pictures to keep the memory going on and containing these atrocities behind a glass make it better?
@moviehusbands8 ай бұрын
Well said, thanks for sharing!
@temmietaft25526 ай бұрын
Very good point!
@yylevans6 ай бұрын
I just saw this movie. I just needed to hear some discourse about it. The sound in the background (the trains, dogs, gunshots, yelling and industrial sounds as well as the natural) was like a character itself. The Mother in laws note...I want to know what she wrote. It looked like the mother put it in a safe? The fast moving river where Hoss went to get his sandals and address his wife was oddly relaxing. At the end as he descends the stairs , retching at every floor was him descending into hell. Challenging movie. I really liked it.
@moviehusbands6 ай бұрын
Love the descent into hell take, so much built into that moment!
@icameheretocomment84496 ай бұрын
It wasn't a "safe". The thing you saw was a terracota stove. It's a type of heater that people would use to warm up the rooms during winter in that part of Europe or Balkan area. It works by burning wood, and those flames would then dispersate and warm up the house. In that scene, she put the letter in there so it would be later burned.
@katliven5 ай бұрын
Haunting because her burning the letter mirrors what is happening in the crematorium that is over the wall.
@pfscpublic6 ай бұрын
I'm a regular cinema-goer and this film demands I return to piece it together now I have a better understanding of the soundscape, the visual aesthetic and the underlying themes. It's not Son of Saul, so there is no moments of shutting one's eyes, to the contrary the film repays looking & listening harder and paying attention. The night scenes with the girl are beautiful, and moving offering some hope out of the darkness. I understand she is based on a real character and had met the team. A worth 'A' score, and I'd recommend it to anyone who loves cinema and where it can take you if you are willing to participate.
@marshathrash11165 ай бұрын
I watched it once and after these comments as watching again.
@SweetypopsDK6 ай бұрын
Great review! At the party and he called home at midnight to the wife. Didnt he say that he thought about how to gas the people at the party? His own “coworkers”?
@thomassmart40885 ай бұрын
mind just set on problem-solving
@marshathrash11165 ай бұрын
Yea he was thinking about that as he was looking down
@007nadineL3 ай бұрын
Always be closing .
@yvonneplant94347 ай бұрын
I have a map of the Auschwitz complex. The Hoss villa was right next to Auschwitz I which is the older part of the camp.
@rubengonzales12087 ай бұрын
Have yall seen The Act Of Killing? I’m almost positive the main character gagging at the end is a nod to the end of the documentary, it’s pretty much the same thing contextually
@moviehusbands7 ай бұрын
Yes I’ve seen it. Glazer also confirms the allusion in the recent LA Times profile. www.everand.com/article/698583359/The-Zone-Of-Interest-Took-A-Decade-Of-Work-Its-Director-Will-Never-Be-The-Same
@cb_28876 ай бұрын
Great job to you both on the analyzation of the film. I saw it and had some questions but both your breakdowns and perspectives echoed just what I was thinking and questioning and you both clarified my thoughts. This film is an experience. It's meant to be analyzed, questioned and learned from. I've seen most of the Best Picture nominees and this one currently stands out amongst the rest.
@tunelowdwn6 ай бұрын
Excellent movie! Great review. I’ve watched several reviews and explanation videos. No ones seems to have touched on the infidelity of both the husband and wife, also during the 2nd negative scene where the woman hid the apples. Why was there a pig walking next to the camp at night. Very deep film.
@marshathrash11165 ай бұрын
Two things invoking coldness of their marriage: when they are in bed talking. No touching, no affection. And when he calls her from the party she is eager to get off the phone. I thought that. It hid those things showed their coldness to each other. Yet he did try to please her.
@richardpoulain74228 ай бұрын
Absolute masterpiece! I saw it for the second time tonight, with Mr Glazer and his team, it Is a fantastic movie, will be a classic forever
@juliangabrielsantos92246 ай бұрын
Wonderful analysis! It's a shame I won't be able to watch this masterpiece at a cinema since they wont be showing it where I live. I feel like this is among the few new films that truly deserve a cinema-going experience.
@marshathrash11165 ай бұрын
I watched on prime video
@garrybye44157 ай бұрын
I’m trying to find somewhere reasonably local to watch this film, but great review - you’ve reassured me that the film is going to be exactly what I’m expecting.
@007nadineL3 ай бұрын
8:34 when boys says better not do that again, i thought he was telling himself not to peek out his window anymore...
@jpoznoid6 ай бұрын
I disagree that he is trying to display total evil, I think it's the normality of these people and the dichotomy! The whole movie displays dichotomy! It's how seemingly normal people can have horrible effects on the world. This goes to the nature of people, it's not unique to the Germans in 1943, this is replicated among human history
@David_Best7 ай бұрын
I couldn’t help but see parallels to current day - specifically how so many people have just fallen in step behind yet another megalomaniac. Need I call out the orange-haired guy by name?
@cdjoy72997 ай бұрын
Interesting take. I see different parallels that don't include the orange-haired guy at all. The parallels I see include blind following of governmental personalities/policies, companies, and media--you know, "harmless" entities like that...
@femto-kun4 ай бұрын
the parallel is to gaza and the west bank and “israel”
@David_Best4 ай бұрын
@@femto-kun And to others as well.
@femto-kun4 ай бұрын
@@David_Best yes many others. but if you understand the genocide against the palestinian people and the close proximity that israeli colonial settlers have to the atrocities being committed only meters away, you understand that the most pertinent parallel lies within the need for palestinian freedom.
@David_Best4 ай бұрын
@@femto-kun As bad as it is for the Palestinian people, they are not the only peoples in a plight against tyranny.
@marshathrash11165 ай бұрын
I agree with everything you said. The movie could easily be boring. It doesn’t have a typical “plot”, but this powerful and the audio does play a HUGE part in this film. As evil as it is, I really liked it a lot. I am now researching everything I can find on the family, Auschwitz and anything related to the film. I’m so glad I saw it.
@curtc21946 ай бұрын
Totally agree when you mentioned the culmative nature of this film...saw it with my sister and the terrifying mundaness really hits you by the end. Hopefully more people will see it via word of mouth. Under the Skin is one of my all time favorites in the science fiction/horror genres.
@mistressmozart6 күн бұрын
there were some details in this film that i think the average person with not much knowledge of Auschwitz might miss. Yes it's implied that the coat came from a prisoner (and it was) but you see her searching the lining. A lot of people hid money and jewels in the lining of their coats so I feel she was looking for that, which also tells us she's done this before and is familiar with it. The women chatting talking about getting something from Canada. This was the section of the camp which had the warehouses full of clothes, shoes, personal effects, and other objects that were taken from the prisoners. They were sorted by other other prisoners. At the end of the movie when we see modern day Auschwitz, we see shots of shoes, and crutches and personal belongings, all of which would have been found in Canada when the camp was liberated also about the MIL, she definitely had a reaction but I read somewhere that Jonathan Glazer said not to take that as her having some kind of moral transformation or pang of conscience just that she didn't want to be close to it. some other points: the girl leaving the apples was not Jewish, but a local Polish girl. I thought she was maybe one of the young women working the Hoss house. Maybe not. But, she most certainly didn't sneak into the camp. That would have been absolutely impossible. But prisoners were often taken outside the camp to work sites so this was probably it. Locals would sometimes give them food. When the little boy is looking out the window and witnesses the man's punishment/murder being ordered, they say that he stole an apple. I wonder if he was one of the prisoners who found the hidden apple. brought it back to the camp and was caught. Another thing i noticed is that the dog and the kids show clear signs of distress. The dog was always nervously pacing, whining, didn't want to be left alone. The baby constantly crying (the mother also ignoring which showed us that she's used to hearing crying/screaming and not reacting), the little girl is found sleeping in odd places or sitting in the dark, the older son locking the little brother in the greenhouse and laughing and hissing, the little boy watching from the window saying 'don't do that again' - the way he flicks the curtain is so disturbing. it's definitely a thought-provoking film.
@webbstar3036 ай бұрын
cool video of a phenominal film....very rare to go into a cinema and a movie from begining to end had the whole audience completly silent and hooked. With the opening shot a 3 minute bank black screen and the minimal beginings of a great eerie soundtrack that fades into birds sweetly singing..............the pace and tone was set the whole audience was locked on silent and spooked......with one collective heavy heart..
@regisnyder2 ай бұрын
The movie does touch on who the Hösses were as far as coming from a background of struggling financially prior to the war. Whereas that house was once owned/occupied by a Jewish family. Mrs. Höss talks about it with her mother about the house and its back story. As well as Mrs. Höss is the one who provides details of their lives prior to their current lives (i.e. the “agreement” of her tending to the children while he strived in his career). It’s very clear that they believed they struggled financially due to the Jews (propaganda), so they weren’t merciful of their actions because they felt they deserved the life they were living.
@Blue_Grass_Girl6 ай бұрын
Slice of life meets horror. The sound will haunt me for quite some time.
@katyaford13866 ай бұрын
Great review! Thank you. This movie is a masterpiece.
@abhiezibran96546 ай бұрын
This is like a direct companion piece to COME AND SEE. More like Stay Back and Hear. I'd love to know what filmmakers like Oliver Stone, Martin Scorsese, Dennis Villeneuve and Christopher Nolan think about it as they also hv made films about human atrocities or pure evil.
@LynneJordan118 ай бұрын
I can’t wait to see this film. Oh my! Thank you for your review.
@wyattpowers47076 ай бұрын
Thank you for your review/ it helped my experience after watching just a few minutes ago as I came out with zero emotion and was conflicted as to why
@katliven5 ай бұрын
An observation too is that after the mother’s note is burned, Mrs Höss says something absolutely stomach churning to the maid. It shows her innate anger and hatred and supports further the character’s indifference, class divide and that assumed superiority. What she is really trying to get rid of is her mother’s judgment. And in the scene where she’s fighting about the transfer, she very subtly mentions their modest beginnings. That seemed to show this need to achieve financial superiority too and that is one of the reasons she is so attached to the house, the garden, and her status, even if it means living next to a murder camp.
@luisadrianlara55616 ай бұрын
When the kid locks his little brother in the greenhouse he makes hissing noises as if he’s gassing his little brother.
@kooltom47 ай бұрын
Fantastic review guys. Doesn't come out in my country until February but I couldn't make myself turn off your discussion, your analysis was excellent. Sounds very different from the Martin Amis book (which I'd recommend, too).
@rorrt6 ай бұрын
I watched the film last week. And haven't stopped thinking about it. The way the style matches it's subject so perfectly.. It's incredibly mundane or banal. And that reflects the subject. Just ordinary people. Doing their jobs.
@MsTree132 ай бұрын
At one point in the review the question arises ‘what leads up to something like this happening?’ Question answered would be to watch the brilliant, “Cabaret” I would watch as a companion piece before “Zone of Interest” Everyone in Germany thought they were safe as long as they were not Jewish. Wrong.
@deeptimnm6 ай бұрын
I don’t feel sympathetic towards the perpetrators very easily but somehow this film made me feel like that and made me understand that the it’s weight is actually on the perpetrators. The fact that Rudolf Hoss died in 1947 just 2 years after the Holocaust speaks a lot. This film for sure helped me forgive some of the perpetrators I know in my like towards whom I’ve been feeling this strange hatred. The weight has been lifted off of my chest. What a great film!!
@JohnLemieux5 ай бұрын
The sounds of the crying children and it’s never clear if it’s their baby or one of the children in the camp. The scene in the garden where there is a dog growling and barking and you see the wife chastise their dog and then it cuts to show their dog but their dog isn’t barking. This was legitimately one of the most bone chilling cinematic experiences I’ve ever had.
@Destiny931346 ай бұрын
Jonathan glazer is a master film maker.i cannot wait to see this.
@CompetitivelyAwesome7 ай бұрын
I like this format! And jealous you got to watch it already. Keep going 加油!
@robbie_3 ай бұрын
I was transfixed by the film, though I have to say watching on Prime I thought there was something wrong with the streaming from the opening scene. 😂 I had previously read a lot about Höss, especially his complete absence of imagination. If there's one criticism I have of the film it's that it showed him as more contemplative than I think he was in real life.
@rammyram123457 ай бұрын
by far the best review of such a dark viewing
@ryanfliegelman31666 ай бұрын
In regards to the workers in the house while i guess technically this is a class divide but i believe those were jewish slave laborers. At one point one of them is told that they can have her husbands ashes spread across the river or something along those lines. And in reverse i dont think the local girl is jewish because she plays the note as music rather than reading it or singing it. Putting a note for each word. Unless the note also had sheet music for it. Also the likelyhood of a jewish family hiding within biking distance to auschwitz at this point in the war doesnt really seem too great.
@dlc24796 ай бұрын
This highlights one of my criticisms of the movie and virtually every media depiction of the Holocaust. It's important to remember that Jewish people were not the only victims of the Holocaust (although they were the majority). Political prisoners, Polish, Roma, gay ppl and those who've had abortions were among the prisoners. I agree that the staff were slaves but I don't believe they were Jewish. Hedwig even implies that she wouldn't want Jews in the house, only outside like the guy who cleans the boot. Auschwitz is in Poland and Hedwig tells us that they're local girls so it's not a reach. Also, the girl who's r*ped by Rudolf, is likely not Jewish either, in real life she was an Austrian political prisoner
@nadaluna47456 ай бұрын
Great review and detailed analysis. I was never bored, the description of domesticity is full of details and every scene tells several stories that make us understand the characters, the situation, the context. No drama needed. That's how we all live life, simply and in denial of other realities. Those scenes of d girl leaving apples while d children are being read d hansel and gretel story (d witch ends in d oven) are powerful and chilling. She existed in reality and rhe fact she helped prisonwrs gives me hope in humanity. I read she was part of the polish resistance. Technically, the usage of that black and white with the shimmering fruit is genius. Ans hunting D end was a punch in d stomach. This movie opened a lot of questions in my mind, including who we are after we die, and d objects that tell our story. Best movie in a very long time for me. But sad and somber, and that's how we should relate to that horror or any horror
@Guero_7076 ай бұрын
have not seen the movie yet cause its not in town’s theater yet. but i read and some say its more darker than schindler’s list
@TheFifileigh5 ай бұрын
nature's perfection vs manmade destruction and inhumanity
@altowaimage8 ай бұрын
Great analysis!
@douchemonkey448 ай бұрын
I really like this channel. I hope you both continue your reviews because i would like to see much more!
@moviehusbands8 ай бұрын
We have plenty more coming
@007nadineL3 ай бұрын
I highly recommend it... . . .
@Stillwater19677 ай бұрын
Excellent reviews! New subscriber. “Come and See” I’m sure you’ve both seen it. Would love to hear your opinion or connections
@moviehusbands7 ай бұрын
I have! Horrifying film - one I likely won't watch again. That sequence in the village towards the end especially... You're right to draw the comparison though. That film similarly uses pummeling, innovative sounds to add to a sense of visceral, gut wrenching horror, and certainly deals with notions of history and legacy in its final sequence. They're interesting counter points in that Come & See is about what you see and Zone of Interest is about what you don't.
@denisehay88956 ай бұрын
I'm trying to decide whether to see this film or not.
@spencerhjalseth72886 ай бұрын
Best analysis of this film on youtube. Subscribed.
@4bobbyt5 ай бұрын
An alternate, ironic title for this film might be BANALITY.
@LynneJordan118 ай бұрын
And what are you guys drinking? 😊
@moviehusbands8 ай бұрын
It’s called a Whiskey Sling. 2oz bourbon, .5 oz simple, .5 oz lemon juice, 2 hard dashes angostura bitters, shake and strain over large ice cube.
@ktom52628 ай бұрын
What's "simple"?
@moviehusbands8 ай бұрын
@@ktom5262 Simple Syrup. 1 to 1 ratio of water/sugar
@LiteraryPicks8 ай бұрын
movie gave me heavy foxcatcher vibes great vid classy stuff subscribed
@miamicool6662 ай бұрын
The banality of evil.
@007nadineL3 ай бұрын
20:38 I wish she had approached the character as someone scared and going along to avoid being killed themselves. Also #careerism. The Germans would have been browbeaten into compliance, silence, etc. Like we were during covid and forced vaccines.
@Alastor-h4x7 ай бұрын
When are we going to get a movie about the Jews living peacefully while children in Gaza are being slaughtered next door? Too soon?
@moviehusbands7 ай бұрын
I actually mention this in our year end video - that it’s hard not to think of Gaza when you’re watching the film. I don’t think it’s lost on Glazer either, who has mentioned it in Q&As
@mindysollisch21137 ай бұрын
Oh, you mean the movie that will show how Israel defended the innocent Israelis, including Thais and Arabs, who were killed because Gaza-supported Hamas terrorists slaughtered, raped and held hostages including women and babies and protected themselves by entering a territory where Hamas uses children as human shields?
@flamingosaregreat7 ай бұрын
Not sure they are living that peacefully in Israel since the terrorist attack. And also the premise of the film is the commander of Auschwitz making the decisions and planning the murder of Jews in the gas chamber. That doesn't really align with the average person in Israel 'living in peace ' I would suggest your comment has undertones of anti semitism thus the movie is clearly lost on you.
@calilove57587 ай бұрын
GO ISREAL
@cdjoy72997 ай бұрын
Be careful. Genocide has a clear definition. What happened during the Holocaust is the epitome of a systemic genocide in every sense. What is happening between Israel and Gaza is not in the same realm. The USHMM frowns on such comparisons.
@femto-kun4 ай бұрын
free palestine
@ericimi5 ай бұрын
Movie was ass and did not deserve best sound.
@gevorkgk6 ай бұрын
This film was absolutely terrible! No plot at ALL!! Also extremely boring
@deeptimnm6 ай бұрын
That’s the Irony. You want to be entertained from a Holocaust story.its not meant to entertain you. It’s for you to hear the sounds of today that you’ve made yourself oblivion to.
@spackretired6 ай бұрын
The film seems boring to me. I'll probably take LSD before I see it in the theater.