That last area is so good. It really captures the childhood idea of games being endless if only you could get out of those boundaries

Mario Odyssey has areas where it kind of feels like you're somewhere you weren't meant to be. Oftentimes, Nintendo would put a pile of coins there just as a wink and a nod, letting the player know that those locations weren't an oversight. A lot of that is due to how versatile the Cappy mechanics are in that game. It makes me think that might be a good choice for an Odd and Unremarkable episode.

I only had the demo version of this game, and that itself gives some weird vibes... You can complete all of the first homeworld, but the balloonist will never take you to the next world, and says you must wait. But the demo lets you keep playing, so you explore for hours in that first homeworld. Nasty Gnorc will never be stopped, but it's not so bad with the beach and nice green paradise to explore.

You have described a feeling I thought I'd never be able to feel again. I had the exact same feeling about the upper level of Stone Hill when I was a kid. I always wanted to break through the barriers and explore the vast hilly plains beyond. Thanks for the brief trip back to my childhood

EVERY level in Spyro the Dragon is a weird space once you've cleared it of enemies. They're so empty.

I remember finding the beach in Stone Hill when I was a little kid and losing my mind. Finding that made me determined to 100% the game, something I rarely did at that age. I couldn’t get past Wild Flight and Tree Tops and I couldn’t save my game due to a lack of a memory card.

You awakened a core memory in me, I was obsessed with the out of bounds area of Stone Hill as a kid. It was such a strange feeling, I did genuinely believe the level went on and on beyond the barriers. I wanted nothing more than to break through and just run around those huge green hills, it really captured my imagination. At one point I even thought to myself that if I were ever dying, I'd use my Make A Wish to implore the developers to remove the barrier so I could run on those hills like I'd always wanted to. It's silly now but I've never forgotten the feeling I had when I looked out at that skybox.

My personal theory re: Mario 64, all of the levels feel a lot more compact causing them to never feel particularly empty except for maybe Wet Dry World. Spyro lets you see vast expanses and landscapes that feel a lot larger than anything in M64. Hence the different vibe

I don't imagine you'll ever see this, but on the level "Misty Bog" on the outskirts of the level map, there is a little shack with collision on an island surrounded by purple death water that you can only reach with full health and three perfect glides. If you haven't been there already, you would love relaxing there for some time.

this was MY odd places game growing up, so many little corners and misc areas

I also spent hours in stone hill trying to find a gap in that barrier. HOURS I TELL YOU. My favourite spot in Spyro 1 is in the High Caves level. You cross the moving wizard pillars to get to a room which once you clear of treasure, is just like a room to chill in. You can go through the window to get back to the main area with the fairy trio and the other side just gives a view of the sky and mountains. I used to imagine it was like a throne room or like... Spyros apartment carved into a mountainside. Speaking of rooms. I'm reminded of Spyro 2 aswell. In Summer forest there's an orb behind two doors and you have to use the windows to get to it. Well once you get the orb it's literally just a room with a platform inside. Nothing going on at all. Again I imagined it was Spyros secret room, hidden in this palace only accessed via an underwater door. It was all just so intriguing for my child brain.

The feelings concerning that last area are very relatable to me. Considering Spyro was one of, if not the first 3D adventure platformer game like it that I played, it introduced many gaming concepts to me. Such as the concepts of "out of bounds" areas, level limits, invisible walls, developers knowingly creating "secret" areas, etc. Like, it simultaneously introduced concepts, then immediately introduced futher concepts that contradicted them. Finding an area that you "weren't supposed to be in" that then suggested a seemingly infinite area of rolling hills, only to find an intentionally placed barrier stopping you from proceeding, was baffling to me. It would be like somehow discovering an ancient tomb in the woods behind your house, but the hallway past the first room is blocked by a toll gate. Surely there was more? But there wasn't. Felt like coming across an impassible barrier in a dream, you'd expect to be able to get past it somehow, but no matter what you do, you just... can't. It felt so strange, so novel. I miss the novelty of childhood.

"When you're a kid you're dumb" absolutely describes my friend and I playing all of these games. We would spend way too much time trying to achieve things in spyro and lego starwars that, in hindsight, are so obviously not possible. But that was FUN, and I miss it.

I always talk about the stone henge upper level as an example of great level design. Kids aren't dumb for trying to get past the barrier - quite the opposite. Even if it seems quite clear it is an illusion, only by testing can we ascertain the devs did not hide anything there. As for Mario, I think getting atop the shine gate in Mario Sunshine counts as a place that feels like "cheating"

It just dawned on me that I think one of the reasons these unremarkable and odd places are so intriguing is because they are... authentic. In the real world and in the videogame industry, everyone is concerned with polishing off rough edges. Making everything crisp and clean. But nature isn't like that at all. And when humanity's creations contain some of that natural arbitrariness and chaos, the result is magical! And it's real! And it's art! And this fully clicked in my mind due to your videos, Any Austin. So, thank you!

It would be cool if someday this series got big enough that you invited devs to comment on these unremarkable locations

I recently played Half-Life 2 and found a lot of unremarkable places. There was one in the end of the Sand Traps chapter, right before entering Nova Prospekt. It was one of those little turret bases, which stood out a lot to me because of just how square it was, just a grey concrete texture and 90 degree edges when it was not pointed towards the coast. Another interesting place could be found in Highway 17, where a lot of mountain rocks are actually revealed to be floating when you approach them.

Reminds me of flying around back when I had a demo disc with this and Medievil.

That last little section about just getting past the barriers makes me wonder if that's a large part of the appeal of Minecraft - you can just see something off in the distance and know "Hey, that's real. I can go explore that if I want to. Hang out there. See what it would be like." It answers a childhood wish of "What's that?" with "Come find out" and I think that's pretty neat

You mentioned in an early video that you talk about weird places in video games as opposed to real life because more people have the game experience in common, as opposed to the bench in your local park. But would you consider doing a video about your real life spots anyway? Might be cool to see why they make you feel weird personally, even if you have to tell a story about them!

Love the feeling of "breaking the rules" and getting out of bounds. I like to find that feeling in real life also. Would love to see a video of "places that feel like you weren't supposed to see them," or something along those lines, for other games you enjoy.

I'd be interested to see you revisit these areas in the reignited trilogy and see how they compare.

I love this series. One of my favorite things about YT is the fact that people deep dive into things that nobody else would bother to waste their time on otherwise. Good stuff

With all the talk of water I was expecting you to mention the area in one of the dream weavers levels where theres no collision on a single pool of water allowing you to walk on it

Yes! I loved the feeling of feeling like I "escaped" the level in Stone Hill and was in a secret place up in the hills.

The Jacques level as a whole always felt strange to me because the enemies are largely humanoid and don't seem violent at first. The ones in dresses in particular seemed that way, given how they held flowers and walked delicately. It's only once you approach that they seem hostile, like they have a nice little society there and you're invading. Also, it took me years to figure this out, but he's called Jacques because he's a jack-in-the-box. Jacques-in-a-box.

I can't tell you how alone I felt I was in my feelings about the top of Stone Hill for years. I wasn't sure if anyone felt the same way as I did, but the way you articulated my feelings about it was positively perfect. The moment you said "I can't tell you how many hours I spent running around here trying to break out of the sides... I figured there MUST be some way... when you're a kid, you're very dumb, so you assume that there IS stuff out there, even though there's not," I instantly connected with that. I, myself, wanted so badly to break into that damn infinite expanse of rolling, green hills, never knowing that that was all there was. Being an adult really kills a lot of that mystery, unfortunately!

I just wanna express my continued support of these kinds of videos. I quite enjoy your content as a whole but these videos in particular are 👌

Spyro’s skybox tech is pretty unique. It appears they use vertex coloring instead of bitmap textures to convey forms on the horizon and in the sky. It’s really effective. It gives it that smooth almost n64 vibe since there’s no nearest neighbor, and there’s a lot of artistry in crafting these since you’re not simply drawing a picture on a bitmap or whatever. I want to go meet the technical artists that worked on Spyro and commend them for making something for the PS1 that actually looks great so many years later.

The landscape in Spyro has always been inspiring for me, and this video highlights some of my favorite things about it.

Seeing those empty rolling green hills look like a backrooms level, with nothing but those odd sub-columns separating you and them, that is probably my favorite area I've seen on the channel yet. Fantastic showcase!

The Stone Hill plains are so special. It’s like you’ve “broken out” of the level, letting you view the different pieces of the level from the outside and even glimpse the secret area. And since it’s the first level in the series it sets the tones of exploration, vastness, and thinking outside of the box.

Finding that last area as a kid felt so magic and surreal. I could never forget it. Great video!

Second half of cliff town- where you glide to from the top of the fort. That whole area feels like you aren’t supposed to be there. The secret area at the end of the ice caves level, the hidden left path at the beginning of wizards peak, and the well in beast makers home world that has the bonus level in it all kind of give this vibe as well.

This will forever be my favorite game. That last area on Stone Hill is great. I did the same thing as a kid. I wanted to explore those Hills. Another good place is in Dark Passage. After you reach the Home portal, you aren't done, you have to go to a side area and there is a spot on top where you overlook a long jump over an abyss. Once you clear the enemies and realized you forgot a jewel somewhere so you run back through the whole level. When you get back to that long jump, staying at the top and looking down and seeing that swirling pink and purple abyss was terrifying as a child. It made me contemplate life and death a bit more fiercely.

Killing all of the enemies in the Magic Crafters hubworld gets really weird because it is usually super active and noisy with all the enemies chanting manipulating the terrain. Then suddenly it just becomes quiet with normal ground that doesn`t move so it feels so incredibly different.

When I was a kid, sometimes when I was alone I used to jump into the multiplayer of GoldenEye. In the Temple level, there is a large open area where you can look up and see the sky. I used to position my character to look straight up and move towards the wall to make it look like it was the floor instead and that I was facing a tall doorway to the sky. I just remember leaving my character positioned there for maybe ten minutes and kind of getting mesmerized. I also remember experiencing an earthquake effect that spooked me when I was doing this (happened a couple of times). But I bet I was just messing with explosives (like timed mines) and forgot about them. Also go check out that island on the Dam level.

I know that feeling, trying to break out of bounds and explore the wide open plains. Even as an adult and knowing that it ends fairly quickly, I still have that urge. One of my favorite things to do in a game is go to places the developers never intended me to. But seeing these odd and mostly unremarkable places within the levels themselves give me a taste of that 'vibe'. That's why this is my favorite series you do. I relish each and every upload.

Your videos have the most comforting vibes ('scuze the overused word but it's accurate). Watching these genuinely feels like being transported to a childhood sleepover and gives me the magical feelings of curiosity and marvel that video games used to spark. Super stoked for my 'i appreciate skyboxes' t-shirt to arrive.

The unpolished natural openness of Spyro makes it seem like there is more to see and explore than what is inside the box of the level. It is the reason I keep coming back to these games again and again. Some areas that exude this atmosphere of unpolished natural openness to me are; the egg thieve side area in Icy Peaks, the ocean area of Aquaria Towers, the beach in Agent 9's Lab, Anywhere in the super bonus round in Spyro 3, and the distance sky in Dino Mines.

The cat show thing is so true. It does sound like those people that really deeply describe those cats

I have been waiting for this video for a while now. I know this game so well and it's one of the few games from my childhood that I'd sit and just soak it all in. I really like the stillness of it, because it's that sense of accomplishment that there is just NOTHING left. Every level feels fully complete.

Water kills you instantly but lava will give you several chances to survive

This has probably been my favourite video of yours so far! The last area had me nostalgic for the time I was really young and only had the demo for spyro 1 and the first time I caught the egg thief in that area, I ran outside to tell my mum I’d caught the thief but the demo had timed out by the time we returned, but I felt so accomplished for finding that area

7:55 YEEEEEESSSSSS I would spend so much time around these portions of the levels especially the one you showcased. Another favorite were the invisible walls on the desert level with the cauldron soup ladies. The horizon truly felt endless. Thank you for showcasing these. Unrelated to the invisible walls, my favorite level to experience that odd stillness was the level in Magic Crafter's homeworld with the giant bugs you needed the power up to defeat. It felt huge and empty in my childhood and was a great spot to just sit and enjoy the music and look around for what felt like hours.

Aside from trying to get past that pesky barrier in Stone Hill, I always remember trying to glide to the purple mountains in Town Square at the place where you chase the egg thief.

This guy is that one friend... And I'm here for it

I think that boundary area is great and something it's crazy more games haven't copied over the years. Like, it sits on the edge of being a diagetic border that makes sense in the setting of the game and just being an invisible wall that is obviously there because the devs can't let you explore an entire planet. It very clearly communicates "this is the edge of the play space" without having much impact on your immersion. I suppose part of why it works is that Spyro is both a magical setting and a game that isn't trying to convey a strong sense of realism, so it gets away with being playful about this kind of thing, but even in games lacking those qualities all you would really need is something that communicates to the player, in the way those pillars do, that the developers put a border here, without necessarily being something that would communicate that kind of thing to the in-world characters.

I'm so grateful I found your channel, you're really describing all of my childhood feelings when I was playing some video games, especially that first Spyro. I feel the same vibe in some other places throughout the whole game and I totally love it. It makes me really glad that I'm not the only one!

Love the content!!! The first area reminded me of a nostalgic feeling/memory of driving along diddy kong racing. One of the cove levels before you get to the big pirate ship? If you're familiar with Diddy Kong racing, that might be a good game to do next :)

I also spent so much time as a kid trying to get past those invisible walls. The vibes in all the levels in the Artisan world are so nostalgic and comforting to me. Cliff Town has another area similar to Stone Hill! I spent a lot of time trying to break through those walls too haha

The amount of times "vibe" has been said in this show is such a vibe.

Any Austin and Boundary Break should team up to find unremarkable and odd places out of bounds.

In the original Fable, outside of Knothole Glade is a Demon Door. I can't remember what is inside originally, but after you collect your treasure there is nothing but some exploding mushrooms. I used to walk in that demon door, pop an arrow at the exploding shrooms, and just walk through the sizzling spores falling around me. On the original Xbox version the frame rate would plummet, making the moment feel even more magical. Just a nice place to relax. This video made me remember it.

Thanks for making this video! I very much anticipated your take on Spyro. That last area you covered in Stone Hill was an area I hung out in a lot as a kid, as well as that desert hill in Cliff Town.

i was obsessed with that barrier area in stone hill as a kid! getting up there (and the little beach in the same level too) always made me feel like i had done something i shouldn't have but like, not in a bad way. i loved how the vibes felt and i was a big fan of the sound effect that plays when you hit the barrier, and i definitely spent hours trying to see if i could find a way behind the barrier. if i remember right there's an area similar to it that evoke the same vibes for me in a desert themed level later, i can't for the life of me remember which level it was but the unreachable desert beyond the pillar barrier had an incredible vibe to me

8:25 YES! I knew you were going to talk about the edge of the wall where the egg thief is and you’re staring at what feels like an infinite Windows desktop background

A neat concept (I think) for videos would would be a reflection/exploration of different boss arenas from classic and modern games during and post fight. Maybe even a comparison of similar boss fights i.e. the fire dragon from Ocarina of Time vs the Dragon from Ark. Getting good footage would probably be a pain though what with the boss trying to kill you and whatnot.

Spyro's facial expressions look like they're in a state of liminal flux. There needs to be a mod that exaggerates Spyro's facial twitches by like 300%.

Not only do I love this kind of content, I love any video game content that truly strives to bring out something new or esoteric. Great video, always excited to see this cross my feed.

I don't think I've ever stumbled upon something that so thoroughly encapsulates such a small and esoteric but fondly remembered part of my childhood like this. For me it was the little underground area in the dark hollow level in Spyro 1. I was pretty young when I played it so I wasn't such a thorough explorer, but I liked to replay levels a lot and just look around them. I had somehow missed that little side area in dark hollow despite playing the level a bunch, so when I finally found it I was totally mesmerized. I would boot up the game just to go down and chill in that last little underground room with the purple pool in it, and I would call it my secret spot lmao.

I love how both this vid and your Eggbusters EX vid on Spyro from over half a decade ago are labeled here on KZfaq with Ripto's Rage instead of Spyro 1. That's the kind of continuity and deep lore that other channels can only aspire to

10:20 It's interesting because in Ratchet & Clank 1 and 2, both made by Insomniac just like Spyro, this feeling also pops up sometimes. And I actually love it. From 3 onwards this feeling kinda goes away since later games are so full of life and dialogue and marks and lights and items and npcs haha

I remember the tony hawk games always had a bunch of these kinds of places. In Underground 2 there’s a THPS3 level (LA) where u can trigger an earthquake, set a respawn point on a building near the broken freeway, restart the session and then use the respawn point to get on to the fixed freeway and skate out of bounds

Notable too is this wooden shack in misty bog, beyond the giant tree. The only way to get there is to trudge through the mud and completely exhaust a full-health sparx. But you can get there. Nothing much is over there but the remoteness is its own reward.

Yes please make more content like this. All of these places i spent so many hours in as a kid. Never knew anyone else felt the same. Great video. Love the vibes lol

Really love these videos. I always used to go hunting for areas like this in games. My little sister and I spent ages on the Rayman games (especially Rayman M and Hoodlum Havoc) just exploring. Also love that you give us a different song every episode, you're a really talented musician!

I love the ending of this video. The grainy dying slow motion Spyro taking up only half of the screen, and the patreon link bridging into the dark half of the screen. Feels like an unremarkable odd place you aren’t supposed to find.

I'm so glad I found this channel, I thought I was the only one who obsessed over these random areas filled with nothing

I think GTA3 has some good locations for this series, the front garden area of Salvatore's mansion is pretty large and if you go off the road towards the cliff edge it feels quite isolated. The other area that struck me is the area you have your garage in Staunton Island, it goes back a lot further than the garage you use and no pedestrians will ever appear there. Even the police won't enter the area if you have a wanted level. Even moreso in Liberty City Stories because you don't even get a garage there so it's simply a large unused space.

Hello. I liked this video. Wet Dry World in Mario 64 and the defeated boss rooms in Majora's Mask give me those weird vibes. Oh, the grassy moon with one tree in Majora's Mask, too.

That feeling of breaking the rules was quite intentional on the part of the developers, especially consultant Mark Cerny and engine programmer Brian Hastings. Spyro was the first game of its type to use level-of-detail technology to allow levels to be big and sprawling without exceeding the limited processing power of consoles at the time. Spyro was the first time that players could actually access the far-off places in the distance that would just be set dressing for any other game, and before it pioneered level of detail, 3D platformers would have to either take place only in closed-off areas (like Croc) or in areas that seem to float in empty space (like Mario 64, especially levels like Lethal Lava Land and Thwomp's Fortress).

If you like the water in Spyro, I highly recommend checking out the 'Dragonfly Falls' realm from Spyro: A Hero's Tail. That entire area is tropical, secluded & beautiful. It was so cosy and when I was a kid I would play pretend as a dragon living in a cave with a pool. Go out hunting for the piranhas.

I had that exact experience with the upper level in that last world! As a kid I totally felt like I had gotten somewhere special! In Mario Sunshine I had head cannon about the invisible barriers at the edge of the world. That wasnt a video game thing, that was because Mario was committed to cleaning up Isle Delfino and his internal moral compass wouldn't let him leave. I called it "the passion of a Mario" and I got decent milage out of that explanation lol

I really love these videos! I feel like there are a lot of very odd and uncanny areas in Donkey Kong 64 that feel really empty, and I'd love to see a video on that game!

i've thought about spyro throughout this whole series because there are so many of these places in those games, for whatever reason, and i feel like they are a big part of the overall vibe of spyro.

this is such an awesome concept for a video, these are all areas i've noticed and liked for these reasons but i never really knew how to articulate it. it's cool to see such a thoughtful look into these areas like this!

the last area in this game eas the first area i thought of when i first saw one of your unremarkable and odd videos. glad it features prominently in this video! I spent so much time as a kid in this area and it fostered my own love for finding places that fit this odd feeling in any game i play now

Please keep making these!! They are a joy to watch and listen to when I get baked, especially the skybox appreciation vids

Can't really explain why, but the final area really reminds me of the atmosphere found in Death Stranding (specifically the grassy areas). Maybe Death Stranding could be the subject of one of these videos? If we were ever going to do a newer game I think it would lend itself nicely to a video that looked at Vibes lol

I love this video!! Stony Hill always felt so special and sneaky! My fav level (or one of them, at least) was always High Caves. The fairy-assisted flying felt so strange and good, and the spider cave was like a secret lair. Such a good game.

This is the kinda content I didn't know I needed in my life

Funny you mention the thing about levels feeling dead without enemies. Mario 64 always made me feel lonely when I played it, especially certain levels like Wet Dry World, where it feels like something should be there but it's just not, you just have some water bugs and the things that throw you. Spyro levels feel very lived-in, and they are full of colorful and fun enemies with a lot of character corresponding to the level theme, and it does feel really empty and lonely after you kill all of them. Like imagine Clock Town in Zelda with no NPCs. I think Spyro kinda avoids some of the empty lonely feeling of early 3D games because of Sparx too, wherever you are(if you have full health at least) Sparx is always there with you, kinda like Navi or Tatl, Mario has nobody with him in 64

Always loved Spyro 1. I think you really get a feel for how empty the levels can get if you happen it miss a single gem and have to backtrack through everything all over again. Happened pretty often to me both as a kid and as an adult.

A modern day game that I love in a similar way to this is Slime Rancher and its sequel. You’re rewarded for successfully going to places it doesn’t feel like you’re really supposed to with rare items. It’s a great feeling - true adventure!! I recommend it a lot!

I had very similar feelings in Banjo Kazooie to the last segment. B&K also has a drifting horizon linevthat fades into the background, especially in Mumbo's Mountain. I really *really* wanted to get over those walls and see what was in that gradient

There's so many odd places in Spyro 1 I couldn't even begin to list them all. Fewer in 2 and 3 since the levels are so much less abstract/more specifically themed, though a few that come to mind from 2 are: - Getting to the very top of the Autumn Plains castle. Obviously a developer-intended secret, but one of the most breathtaking secrets for me as a kid. - In Zephyr, the beanstalk and cow quest areas always had a weird feeling to me. Probably because they're entirely optional areas that are physically larger than the actual main level. - Getting on top of the walls in Colossus and making your way along them almost back to the starting area. Also, another commenter already mentioned this but a video/series about how levels feel after you've cleared out all the enemies & collectibles would be interesting.

They need to put some No Man’s Sky tech into a game and just not tell anybody so that if you manage to escape a level there’s an entire universe.

REALLY enjoyed this, very relatable content. the edge of the desert on the cliff town level on top of that plateu with the fence and the barrier made me feel the same way, but I remember that barrier actually being escapable. one of my fave experiences as a kid was finally making it out after watching a video

This series is so oddly cozy, I really enjoy watching it. I never got to play Spyro as a kid, but it always looked like a game I would love. I recently picked up the Reignited trilogy for Switch, but haven’t started it yet; I think the uncanny spots like you’ve shown won’t really have the same feeling in the remaster, so it’s cool to see this. I can’t remember if you mentioned it in your OoT video, but the spot behind the windmill in Kakariko always felt like an area you should be able to reach and I was sure it stretched on further than you could see (though I know it must just cull out and there’s nothing). It’s fun to know other people had their imagination sparked in the same way :’)

This unlocked so many memories. I remember my friend got mad at me when we were like 6 because he was like “hey wanna play spiral?” And I was like “what’s that?” And he showed me and I was like “hahahaha its SPYRO not spiral” and he got mad at me. Same thing happened again only with Tomb Raider, which he called Tom Brander. Good times. Oh hey there’s an idea, unremarkable places in the first Tomb Raider.

Its funny you mention the beach area in the first level. its my favorite area in the entire game and the first one that awed me as a child. The last time i played spyro the dragon, when i beat the game, i put Spyro & sparx to chill out over there, in case i never get to return to the game.

That random Breaking Bad "Ahhh... wire!" reference caught me completely off guard. I now have tea in my nose, thanks.

Great video Austin! Love Spyro, I'd love skybox appreciation videos for the three games, the skyboxes in that series informed what colours I love to this day 😅 Also I don't know if you ever played Ape Escape for the ps1 but I was replaying it recently and I kept thinking about how you might love it, it has loads of beautiful detailed skyboxes and because the game has a really small draw distance you're often just looking at the skyboxes right ahead of you, and as I was replaying it I kept finding odd unremarkable locations that you'd enjoy, the game as a whole has this odd feeling about it, like the music and level design all doesn't quite match up with how it should feel, it's also just a fun game :D

that second ocean makes me thirsty for blue kool aid or something

The wierdest thing that happens in this game, besides the odd places, happened in the last one in this video, where if you let the level music play out a few times, a different song that doesn't play elsewhere plays. When that happens, especially combined with how empty the levels feel when you get everything, it all but emphasizes that "breaking the rules" feeling you talked about.

Amazing that this type of content gets dozens of views, it's exactly what I like to do in games and always wanted to see someone do videos like this and talk about it too

I had the exact same vibe on that last area! Amazing I knew exactly where you were before you even showed how to get there. Love these videos ✨✨✨

Thanks for the video! I will say, these weird type of areas in the Spyro games really pushed my imagination as a kid. I remember making up stories and drawing pictures of what I thought extended past the boundaries of the levels. I wanted so bad to keep exploring that unknown. It is neat to know that I was not the only kid who craved that boundlessness.

I definitely feel the same way about that last one. Getting up there just felt so special and exciting!