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Better known as a theorist than a composer in his own lifetime, Vicente Lusitano is also possibly the first mixed-race musician to have a collection of his works published (he is described as mestizo in a posthumous source). His 1551 Liber primus epigramatum contains a number of works based on Josquin motets, of which the eight-voice Inviolata is arguably his crowning achievement. Expanding Josquin’s original five voices to eight, Lusitano preserves the plainchant-derived canon at the heart of the motet, spinning mesmerising webs of polyphony around it which culminate in the almost hypnotic waves of repetition that begin the final section.
TEXT
Inviolate, whole and chaste are you, Mary: you are the shining gate of heaven. O kind mother, dearest to Christ, accept our faithful hymns of praise. To you our hearts and lips cry out: may our souls and bodies be pure. Through your prayers' sweet sounds grant us forgiveness for ever. O kindly one! O Queen! O Mary! you alone remain inviolate.
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