My pleasure!

Nice to see a spaceship from Eve again, so thank you!

Thanks. Es110 it is!

Glad it was helpful! :D

I found it helpful too. Watching this video again properly on my headphones, the electric piano roads tone was difficult to listen to on the Roland. It kept switching between my left and right ears and wasn’t pleasant. The ES110 truly surprised me here. The Yamaha didn’t have a nice roads tone in my opinion.

No worries!

Glad it was helpful!

Wow, thank you!

Super glad! Thanks for watching!

See, Roland's action has a lot of potential in my opinion. It is very sensitive, like you say. Dynamic response is OK. Everything happening on the way down, like I said, is great. It's just not responsive enough to play fast passages efficiently, and in that way it feels like the player is fighting against the action to make it do what they want it to do.

What did you wind up going with? I'm debating among these three as well.

I also bought ES-110. And pretty happy comparing to rattling Yamaha GGS keyboard.

Agree!

Hope you like it!

Here is a video of the DGX 670 kzfaq.info/get/bejne/iap4hrh6p8q9mqc.html that I recorded while on the west coast. I do not own a DGX 670, but have reviewed both separately.

@@ThePianoforever Thank you ☺️

Exactly.

I didn’t even consider the ES110. Well, now I will. Totally impressed! Great review. 👍

In a straight line, it will not work. Kawai has no USB. You will need an adapter or sound card with Midi.

You bet!

In theory, yes, but the FP-30's action is slow and clumsy, and therefore not very pianistic. The ES110 has a much more musical response, and while its action is lighter than nearly all acoustic pianos, its nimbleness is similar to the responsiveness of an acoustic piano. Because of this I feel that the learning curve from "ES110 -> acoustic piano" is less steep than "FP-30 -> acoustic piano".

@@ThePianoforever Thanks a lot for the quick and useful reply!

Hi Manuel - i remember the horror of being at music college and having to practice on awful cheap tinny "easy action" upright acoustics - then having to do exams on a concert grand ( Bechstein & a Yamaha ? too traumatised to recall 😣)- with no prep time. Driving a smart car does not prepare you for driving a huge truck.Building muscle strength and flexibility in the right way is absolutely key to a happy life time at the keyboard and i agree with you 100% that if you train on too slick an action, you may think you can play faster, but these skills are unlikely to transfer to a serious, traditional acoustic instrument. The weight ( you can adjust these aspects also with the app ) of the roland is one of the reasons i chose it. I recently purchased the FP -30X and after 2 and a half years of no playing piano at all, deboxed, and still surrounded by packaging, played 5 hours solid such was the desperation and delight. I could 'feel' the lack of practice in my old hands but no "pain" and was ready to up and go next day for same. Much fun with the Bach well-tempered volume 1 D major prelude and fugue.😍 Maybe I'm too late - if at all possible, go try out and go with your gut. Sorry must go - good luck and much joy on your journey !

Hi Stefan - what a lucky girl she is ! When i was tiny, every time I heard classical piano I'd go hide behind the sofa and weep and weep at the inexpressable beauty - because i couldn't understand or know what to say if my parents asked what was wrong. We weren't so well off monetarily that time. Just as i turned 5, my dear old pappa wheeled an old upright along the street in the night that he'd bought from a neighbour who was moving away! 😍 In the morning i came downstairs, sat at the piano and in the end we (piano and me ) were moved into the wash house cos i couldn't stop playing. At first i listened to all the notes, and then found out which sounded good together then learned simple hymns and songs i knew by ear. My father played loads of classical music, and we sang together ( he was a beautiful warm light baritone, and he'd take me with him in the car if he had a job during school holidays involving a journey).We sang for hours- just anything and all sorts - simple enough for me to join in. Over time, i practised extemporising harmonies spontaneously, which all fed into later musicianship. I only had a few teachers before music college, and the last took me thru grades 5-8 ABRSM - i still feel a debt of gratitude and love for her supreme devotion and gentleness, and IMPORTANTLY, a direct understanding of the female anatomy - male tutors at college seemed unable to grasp that a smaller hand just cannot stretch a third above an octave. They caused pain, upset, and eventually when i just stopped lessons and practiced alone as my old teacher had taught me, they all actually agreed the result was much better. Sorry to ramble on, especially since you didn't ask me - but as a female musician who has suffered somewhat, i feel a responsibility to all young lady pianists. But, basically, involving yourself in her explorations, dance with her, sing and make noise freely - as I'm sure you do.. Keeping the experience going, even just playing music on in the background.. Encourage her listening ( even just play a note or 2 and see if she can copy...it comes up in exams later on...) Never force it ( pretty sure you wouldn't ). You know her best... if she's unhappy take action, but please don't take her away from a teacher she likes without damn good reason... Know she will forever treasure your love and support, and the special gift you are giving her... Just well intended thoughts from a female perspective. Bless you both.

yeah, the only downside I can see in this beautiful keyboard.

Yeah, it's not the best choice in my opinion.

No problem :)

I've played some of those console pianos from Kawai and liked all the ones I've played, they have good actions and sounds in them. I have never played the CN39.