Yes it is!

Thanks 😎😁

Thanks for the tip!

It’ll be there for you whenever you feel like it Peter 😁.

@@LanewoodStudios The beauty of YT. Allows one to teleport to almost any place at any given time. Wonderful. Have a great evening.

@@PeterBatah you too! Rehearsing tonight over here so that’ll be just fine 😁.

🙏

You’re welcome!

👍

Thanks! If you are talking about matching a full song (stereo file) to a certain tempo, this video may give you some clues on how I'd do that.

@@LanewoodStudios Thanks mate! Yep it does give me a new way of dealing with it. I wonder If the pop song i want to use on my trance track is like 128BPM, Do I use musical mode? I mean if I put 128BPM into the AudioWarp section and press Musical-Mode the song woud be at my 140BPM beat, but the song woud be faster than the original. is it another way to do it?

You are welcome. Glad is was useful 😁.

Wow, thanks very much! My very first Super Thanks! 😀😎

👍🙏

You are welcome and thanks for commenting!

You are welcome!

Midi Remote 👍 and not needing the USB Key.

@@MarcoPolux 👍

Well Cubase also offers something they call slip editing and that is moving the audio inside an event. I think the whole audiowarp thing is more comparable to something they call elastic audio in protools. I do not know what it is called in other daws.

Glad you liked it!

I think the automatic tempo detection still works the same as I showed in my other video. kzfaq.info/get/bejne/jcybdJlhmbbKp4k.html

Hi, I use OBS and I have a video on exactly what you are asking 😉. kzfaq.info/get/bejne/ieCBmZxlq7-ufXk.html

It has to do with the application that your file types are associated with. On my PC the installation of Cubase 12 set this correctly. All cpr files are now associated with Cubase 12. If you need to now correct it manually, this explains how: www.computerhope.com/issues/ch000572.htm

Sorry for the late reply but I don’t have any experience with the midi remote yet. I did see a lot of other videos about it though.

@@LanewoodStudios Thank you for your reply. I have followed most videos on the matter, and I just can't change the CC numbers in Cubase. Do I set the Nanokontrol for Cubase, or just a factory reset to let Cubase do it's thing. Maybe some one else will read this and reply. I just want to change the CC numbers to CC11-CC1-CC21-CC16 on the sliders 🙃

Ok yes, I sometimes have to change them manually as well before using them (e.g. to create waro markers). Do you have better experiences with hitpoints in other DAWs?

@@LanewoodStudios yeah, even sometimes when its really obvious; like the transient is right there - look - right THERE - hitpoint: hmm. is it over here? NO THERE - hmm.. .over here? ..... :D no i havent really compared it with any other daw tbh. its just really annoying when for no apparent reason, the hitpoint is not at the transient location - nor is it close to a beat either. And the two settings avaliable to change that; those two sliders - are pretty much useless.

I'm not a Melodyne user myself or a Studio One user. Is there some kind of special integration?

@@LanewoodStudios : Vari Audio can do much more than the small Melodyne Essential, which is included in S1... Another advantage of the Vari Audio integration in the Cubase´s audio editor is that you are completely independent from third-party manufacturers - so no update conflicts on the part of Celemony or the operating system. It is ideal that VA continues to expand, very good development in the right direction. Fact: Vari Audio doesn't sound any worse than Melodyne, especially in normal editing range. And via the ARA interface you can also use the really big expensive Melodyne Studio in Cubase.

You don´t need Melodyne when you have Cubase. If you have to straighten your audio recording all day, you better practice singing and learn your instrument.

@@LanewoodStudios yes, the Ara integration is deeper, cord and tempo is exchange via ARA.

@@Byron101_ I know, I have the studio. However, VA does not come close to Melodyne studio in functionality.

Yes :)