This One is Actually Insane!!💘

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FutureSelf Music

2 ай бұрын

Пікірлер: 39

@Neoanalogism 2 ай бұрын

Actual useful advice!

@joegriffithsmusic 2 ай бұрын

Also, just to add, you can use any arpeggio from the key you are in over that chord. So if you're in D Major then you can use the Em7, F#m7, GMaj7, A7, Bm7 and C#m7(b5) arpeggio too. These will target different groups of extensions over that chord, (e.g. using the Em7 arpeggio over the D chord will give you the 9th, 11th, 13th and root). If you try this on other chords in the key, you'll find that you'll get different sets of intervals that highlight cool sounds. For example, if you take chord IV in D, which is G major then you can use any of these arpeggios that are available in D major again and they will now react differently to this chord. So if you use F#m7 over this you now get the 7th, 9th, #11, 13th, which is now more of that Lydian sound that chord IV is known for in a major key. You can also potentially use pentatonics too

@shieldsjon Ай бұрын

Came here to say something similar but you said everything so well there's nothing else to add!

@joegriffithsmusic Ай бұрын

@@shieldsjon Yeah is a useful way of thinking about it, as long as the notes are in that key, you can use any sort of voicing, chord from that scale ect...

@danielamaro4753 2 ай бұрын

Yeah but i still need to figure out that jazzy rhythm 😭 (im new to jazz guitar)

@z0mbyz624 2 ай бұрын

Great trick, you can also do this on the sixth degree! In this instance thinking Bm minor or pentatonic would also work great. Really nice short, actually useful, clear and straight to point. Cherrs!

@mologban360 2 ай бұрын

Bro can you further break this down I’ve never heard this type of theory before

@Junsss69 2 ай бұрын

Finally a dope lesson

@Junsss69 2 ай бұрын

no offense

@talaltman2338 13 күн бұрын

Very useful ❤

@harshajyotidas5259 2 ай бұрын

Thanks, learnt something new !!

@JeremySteamsack 2 ай бұрын

Thank you brother!

@Fewue 2 ай бұрын

i fw this guy 💯🙏

@khodion 2 ай бұрын

Nice. Thanks also to the helpful commenters below.

@thecustom_xd 2 ай бұрын

i see nate ruess in this, fun use of chords

@halosniper08 26 күн бұрын

What is your guitar model?

@jimjamjerry 2 ай бұрын

Cool!

@bigbean5708 2 ай бұрын

u need more piano chops haha

@starimakro4292 2 ай бұрын

Man this dude looks like the guy from 40 days and 40 nights

@dmitryg9613 2 ай бұрын

cool, thanks man!

@aa23music 2 ай бұрын

super useful

@memocoveney5542 2 ай бұрын

can you play 'Just the two of Us' by bill Withers?

@ironcheese4736 2 ай бұрын

Thank you John Mulaney

@superultramega77 2 ай бұрын

Relativity...try doing it in dissonant ways as well when you wanna be disgusting. The phrygian of the 6 chord, the half whole of the minor 3rd...any combo makes you make a jazz noise here

@FrankenPinky Ай бұрын

I thought I was the only one who did this.

@wojo2500 2 ай бұрын

Oh yeah cool I was just thinking that (I don’t own a guitar)

@nathansexton5668 Ай бұрын

This isn’t music theory hack this is left handed devilry

@saulgoodman9721 2 ай бұрын

I play piano and guitar and your content is really helpful! Can you play giant steps

@spacejazz6272 2 ай бұрын

and you can play D major over the ii and C# diminished over the V

@SkoolVideo-jb2iz 2 ай бұрын

Try to learn A Faint Illusion by Tides of Men in under 60 seconds

@EulerAngles922 2 ай бұрын

*plays pentatonic instead* e.e

@morgangrey1301 2 ай бұрын

So rather than a relative minor it might be considered a meta minor !

@thebillis8327 2 ай бұрын

Why not just say D9 instead of f#min7 /D I’m not seeing the difference here (I’m new)

@thebillis8327 2 ай бұрын

Is a D9 arpeggio not a thing or something?

@GA-eq3zx 2 ай бұрын

The note d isn’t a part of the arpeggio he’s playing. If you were to play f#m7 with d in the bass it could function as a dmaj7add9, the reason he showed this is because the 3 chord is a common substitute for the 1 chord in jazz and highlights the 3rd, 5th, 7th and 9th of d. Gives you more mileage out of already familiar patterns

@michaelfavata2720 2 ай бұрын

In some ways you're right it's a minor conceptual difference. One implication is that it may be a good idea to avoid playing the root when soloing. A D9 does include the root while F#m7 does not include a D. The conceptual difference may make it easier too. Seventh chords are just slightly easier to grok and get your fingers around than ninth chords.