A musician should be judged by the purity of his or her music, the diversity, richness and magnificence of the repertoire, and the respect and devotion shown to the art. Every other consideration should be irrelevant. TMK's music is mellifluous and captivating. His voice is divine. His knowledge of the art is vast. He literally transports us to another plane. Let's just be thankful and enjoy that!

When great artists perform we dont find the difficulty of the rendition of the composition. Instead we are engrossed in taking the divine pleasure just ike a bee enjoying the nectar of the flower. It happens always with the t m krishna garu. Pranaams to you sir.

what else is new? Amazing Amazing rendition by Sri, TM Krishna

This is beautiful.This is rich.This is amazing.Only Deekshithar could compose such krithis...Is this one not enough for a student of Music to research for a PhD?Grateful to TMK Sir for offering this gem to us.Thank you,Sir.

This is the most phenomenal alapana ever! ❤❤ Every transition was so awesome and novel, especially when moving to Nattai and Mohanam! Loved every bit of it!

Terrific vocal performance, amazing accompanists. Truly wonderful sound recording, camerawork and editing. Best if you listen with high quality headphones.

TMKrishna is a joy to hear when he is on the mood to sing classical carnatic music.

No wonder I am always in awe for such devotional intellectual beings. Thank you

Who are those 12 losers that gave thumbs down... Quite strange...such a mind boggling performance....koti pranams to the great TMK & to the unparalled genius Dikshitar. Pure bliss - epitome of creativity.

So difficult to be perfect Vocal violin and the beats So fan of u Get some time to visit Jammu

Amazing artistic voice controls and modulation!. Thanks.

known, only the great dikshitar can only compose such a long and a beautiful kriti it just amazing composing looks such a easy thing just loved it

heavenly ,divine music!!-carries us far far away ,,in to a sphere of utter bliss!

Words fail me to express my profound happiness .....great presentation !!!

"The grand Chaturdasa ragamalika - Sri Viswanatham bhajeham is set in fourteen ragas. It is interestingly split in two parts symbolising the chaturdasa bhuvanas or fourteen worlds as mentioned in the puranas. Structured wonderfully, the first six ragas from Sriragam to Mohanam continue in reverse order for half avarthanam each linking back to the pallavi in Sriragam. The second part starts with raga sama and continues with seven other ragams ending with bhoopalam. These also tie back to the pallavi proceeding in reverse order in half avarthanams. A piece of great majesty Dikshitar employs raga mudras beautifully. Some examples are Sri Viswanatham (Sri), Samasarabeethyabhaam (arabhi), Mohanakaralingam (Mohanam), Sama gana (Sama), Lalitha Hrudaya (Lalitha ), chidakasa bhairavam (bhairavam), Sarangadaram2345 (Saranga), Sankarabharanam, sath gathi daya kamboja charanam, vadaanya devakriya kelanam, Bhoopala palanam.Diskhitar also composed a mangala ragamalika Simhasanastithey in rupaka tala in four auspicious ragams Sourashtram, Vasantha, Surati and Madyamavathi." Source: nadasurabhi.org/articles/36-ragamalikas

Good gifted rendition. And voice ....... Sadar Charan sparsh..., Love from nagpur

Amazing Performance!!! This combination is simply superb..

This is incredible - genius of TMK.

Vaw vaw... what a beautiful piece.... And what slow beautiful rendition...Thousand Pranams to TMK sir ..

I personally listened this chaturdasa raagamalika in his concert in keys high school, secbad last year wonderfully presented by T.M.Krishnan

Really we are in the heaven

What a perfect rendition

Good , excellent and amazing sir, thank you - Nemani Gowishanker advocate Hyderabad.

Wow 🤩. What an amazing rendition of such a beautiful composition by the great Dikshitar 🤩🙏🏼

OMG.lots of love to Subbalakshmi garu,TMK garu...

Aalapanam was excellent.....liked it like anything👍

21:53 vadanya devakriya kelanam - his facial emotions are awesoome

Heart touching rendition !!!! P R A N A M U M S MR. KRISHNA !!!!!!!!!! it is always said people { gurus } with high calibers only sing this sort of compositions. Music teachers will not risk of teaching this sort of lessons to PUPILS now a days. This rendition s a teaching, mark in the world of music for the students who aspire, devotional learning in high calibers , Sir with at most respects to you I THANK YOU ON BEHALF OF ALL THE MUSIC LOVERS AND LEARNERS. ALL THE ACCOMPANIMENTS SUPPORTED IN AT MOST DEDICATION., P R A N A M U M S to them also, I remain in name of VISWANATHA BHAJEHAM !!!!!!!!!!

Hatsoff akkarai ma’am..

The thani avarthanams sparkled.

Superb ! Only Shri Dikshitar Could Compose such a Ragamalika.... Chaturdasa bhuvana roopa Ragamalika Adi Talam Muthuswami Dikshitar Krithi This is a Sanskrit Composition pallavi Shree Viswanatham bhajeham Chatur dasa bhuvana roopa ragamalika bharana dharanaantha karanam 1 Sritha jana samsaarabhi tyaapaham pa;; ma; ga ri; sa dha; pa ma ga ri ma ma bhithyaapaham Aadhyaamikaadhi taapathraya manobhithyaapaham 2 Sri Visaalakshi gowrisam sa ri ga ri; sa ri ma; pa SA ni RI SA; dha pa ma ga ri gowrisam Sakala nishkala roopa Satchidhanandha maya gowrisam 3 Chitra viswa naaTTaka prakasam pa ma; ni pa; SA ni RI; SA ni pa RI RI; SA; ni pa; ma ri prakaasam Jagath prakaasaka Bhaskara Shashaankha koti koti Prakaasam 4 Govindhaadhi vinutha gowLaankam pa; ni pa; ni; SA pa; ni; SA; SA RI GA MA RI SA; SA; ni pa gowLaankam Ksheera kundhendhu karpooraadhi Vijaya basithodh dhoolitha gowLaankam 5 Guruguha sammOhana kara Lingam pa; ga; dha dha pa; dha RI SA; GA; RI; SA pa; dha; ga MOHANA kara lingam Panchekritha pancha maha bootha prapanchaadhi MOHANA kara Lingam 6 Virinchi Vishnu Rudhra moorthy mayam (mOhanam) Vishaya panchakara hitha mabhayam (gowLai) Nirathishaya sukhatha nipuna tharam (naaTTai) Nigama saara meeshwara mamaram (gowri) Smaraharam parama Sivamathulam (aarabi) Sarasa sadhaya hruthaya nilayamanisham (shree) 7 Sadaa Sivam saama gaana vinutham pa ma; dha dha SA; dha pa pa saama gaana vinutham Prakruthyaadhi saptha roopa saama gaana vinutham 8 Sanmaargam lalita hrudhaya vidhitham dha; ma; ga; ri; sa rahitha lalita hrudhaya vidhitham Kama krodhaadhi rahitha lalita hrudhaya vidhitham 9 Chitaakaasha bhairavam puraharam pa ma dha pa; ma ma ga; ri sa ri bhairavam puraharam Vidhi Kapaala thrisoola dhara bhairavam puraharam 10 Chith Sabesam saaranga dharam dha; pa ma; pa ma dha pa SA ni RI SA ni saaranga dharam Dhaarukaavana thapodhana kalpitha saaranga dharam 11 Sadhaasrayaami shankaraabharaNam sa; ri ga; ma pa dha ni SA RI ni; SA dha pa ma; ga; ri mayashankaraabharaNam Chinthitaartha virharana dhureenadhara maanikhya mayashankaraabharaNam 12 Sathgathi daayakaambhOji charanam dha; ma; pa; ma ni dha pa dha RI SA ni; pa dha ga ri; sa tharaambhoja charanam Dharmarthadhi nikila purushaartha pradha samastha tharambhoja charanam 13 Vadhaanya dEvakriya khelanam SA; SA; dha pa SA dha pa dha pa; ma; ri; pa ma dha pa dha SA dha pa ma ri sa khelanam Srishti sthithi vilayathi rodhaanaanugraha karanakriya khelanam 14 Vaidhyalinga bhoopaaLa paalanam sa ri ga pa ga dha pa SA dha; dha GA; RI SA; dha; pa ga ri sabhoopaaLa paalanam Shri pura nirruthi bhaaga gartha dheerasthira vara bhoopaaLapaalanam 15 Guruguhesha sura naresam anisham (bhoopaaLam) Guja budhaadhigraha gathi vidhitham (dEvakriya) Varadhamanala Ravi Sashi nayanam (kaambhOji) Vanaja Chandra sannibha vadhanam (shankaraabharaNam) Paramahamsam aanada nardhanam (saaranga) Pathitha paavanakaranam madha haranam (bhairavam) Paratharam parama mano laya jayam (lalitaa) Paraadhivaak Prakaasanandhamayam (saamaa) Virinci (as before, backwards or volOma)

Lovely. Enjoyed much. Some thought : 'Chaturdasa bhuvana rupa ragamalika bharaNa'... Sri Dikshitar clearly had the 14 worlds (ஈரேழு பதினாலு லோகம்) of Hindu Mythology in mind while composing this Magnum Opus. 7 worlds above & 7 below. May be that is why he split the Ragamalika in two parts, the first 7 followed by a recapture at Virinchi then 7 more, ending with a full recapture. Did Dikshitar also select the 14 Ragam to suit the special nature of those 14 worlds ? What are the hidden (as usually done by Dikshitar) connections between the Ragam and each World ? Do the lyrics for each Ragam have any special significance vis a vis these 14 worlds ? Also, contrary to the concert practice now, Dikshitar starts with Sri and ends with BhoopaLam. (MLV had sung Bhagyadha Lakshmi in Sri). Any significance there ? I think this Ragamalika invites a multi faceted study by expert singers and rasikas.

Krishna u r a vidwan in real sanathana context.

Amazing Performance.........

One of my favorites

The fact that not much non-brahmins are able to relate to and appreciate this music is a sad paradigm

Superb ragamalika! Thanks.

Great 🙏 sir👏

Very melodious & interesting .

this one will be timeless

Divine God Bless the Artists Thanks

Song: caturdasa bhuvana roopa (shree vishwanaatam bhajEham) chaturdasa bhuvana roopa raagam: raagamaalika taaLam: aadi Composer: Dikshitar Language: Sanskrit pallavi Shree Viswanatham bhajeham Chatur dasa bhuvana roopa ragamalika bharana dharanaantha karanam 1 Sritha jana samsaarabhi tyaapaham pa;; ma; ga ri; sa dha; pa ma ga ri ma ma bhithyaapaham Aadhyaamikaadhi taapathraya manobhithyaapaham 2 Sri Visaalakshi gowrisam sa ri ga ri; sa ri ma; pa SA ni RI SA; dha pa ma ga ri gowrisam Sakala nishkala roopa Satchidhanandha maya gowrisam 3 Chitra viswa naaTTaka prakasam pa ma; ni pa; SA ni RI; SA ni pa RI RI; SA; ni pa; ma ri prakaasam Jagath prakaasaka Bhaskara Shashaankha koti koti Prakaasam 4 Govindhaadhi vinutha gowLaankam pa; ni pa; ni; SA pa; ni; SA; SA RI GA MA RI SA; SA; ni pa gowLaankam Ksheera kundhendhu karpooraadhi Vijaya basithodh dhoolitha gowLaankam 5 Guruguha sammOhana kara Lingam pa; ga; dha dha pa; dha RI SA; GA; RI; SA pa; dha; ga MOHANA kara lingam Panchekritha pancha maha bootha prapanchaadhi MOHANA kara Lingam 6 Virinchi Vishnu Rudhra moorthy mayam (mOhanam) Vishaya panchakara hitha mabhayam (gowLai) Nirathishaya sukhatha nipuna tharam (naaTTai) Nigama saara meeshwara mamaram (gowri) Smaraharam parama Sivamathulam (aarabi) Sarasa sadhaya hruthaya nilayamanisham (shree) 7 Sadaa Sivam saama gaana vinutham pa ma; dha dha SA; dha pa pa saama gaana vinutham Prakruthyaadhi saptha roopa saama gaana vinutham 8 Sanmaargam lalita hrudhaya vidhitham dha; ma; ga; ri; sa rahitha lalita hrudhaya vidhitham Kama krodhaadhi rahitha lalita hrudhaya vidhitham 9 Chitaakaasha bhairavam puraharam pa ma dha pa; ma ma ga; ri sa ri bhairavam puraharam Vidhi Kapaala thrisoola dhara bhairavam puraharam 10 Chith Sabesam saaranga dharam dha; pa ma; pa ma dha pa SA ni RI SA ni saaranga dharam Dhaarukaavana thapodhana kalpitha saaranga dharam 11 Sadhaasrayaami shankaraabharaNam sa; ri ga; ma pa dha ni SA RI ni; SA dha pa ma; ga; ri maya shankaraabharaNam Chinthitaartha virharana dhureenadhara maanikhya maya shankaraabharaNam 12 Sathgathi daayakaambhOji charanam dha; ma; pa; ma ni dha pa dha RI SA ni; pa dha ga ri; sa tharaambhoja charanam Dharmarthadhi nikila purushaartha pradha samastha tharambhoja charanam 13 Vadhaanya dEvakriya khelanam SA; SA; dha pa SA dha pa dha pa; ma; ri; pa ma dha pa dha SA dha pa ma ri sa khelanam Srishti sthithi vilayathi rodhaanaanugraha karanakriya khelanam 14 Vaidhyalinga bhoopaaLa paalanam sa ri ga pa ga dha pa SA dha; dha GA; RI SA; dha; pa ga ri sa bhoopaaLa paalanam Shri pura nirruthi bhaaga gartha dheerasthira vara bhoopaaLa paalanam

In one word, Excellent. Thanks for the share.🤣

It is on 2.2.18 in Keys high school Sarada Cultural Assn.Music Festival

What genius! Brilliant violinist too!

Controversial or not he is a great singer.

Wonderful performance.

Beautiful

Krithi rendition starts from 11:23

Aaaha aaahaaa

Namaskaaram

Subbulakshmi 😘😘😘

Awesome

Superb

Apurba

Sabash

22:22

Super

Breath-taking. I hate his rantings outside of stage, but once he starts singing, I experience divinity. Amazing rendition!

Genius

❤

Very nice

It transitioned to nattai but there was something in between which I missed

Chaturdasa ragamalika TMK's bench mark akkari excellent accomanyment

Namastae

super.....

Can someone help me with all ragams sung till from beginning to 11.33

If there ever was a Perfect Rendition, it is by MLV and is on KZfaq.

Miss you so much in Chennai. Cruel irony that you live here but do not perform.

What a aarabhi srart

Some learned people please help. Want to understand raga transitions. It is too difficult to understand

It is funny how rasikas who detest TMK's social activism also find his music irresistible. What tormented jeevans they must be!

Fourteen raagas names tell me sir

Can anybody give names of Chaturdasa ragas in order for kearners like me who cannot identify ragas easily...

The Music goes behind Sri TMK or Sri TMK goes with the music or both travel together . What a Co ordination between the Co Artists ? Sri TMK on the stage is totally controlled by Goddess Saraswathi. SHE is not bothered about the other side of Sri TMK.

Inaudible.

Masterpiece

14:53

स्पश्टम्

U

22:21 onwards just too beautiful ... Hope he will create these kind of moments on stage rather than other not so comfortable statements off the stage

"Varadamanala- not varadamamala "here, anala means " agni "one of Lord Shiva 's eyes. Many more mistakes can be found in this rendition. The singer has taken freedom to deviate from the original composition. .

Manoj Shiva has a long way to go before he can accompany the stature of musicians like TMK. Would have been great if patiri or chenganasseri harikumar had accompanied.

He should be facing the mike while singing not the violinist.

Well i dont understand shit other than that it takes too much effort and practice. Just crawling out of curiosity what the brahmins are upto 🙂. I mean no harm. just wondering how much effort humans put into recreating stuff other humans have created.

Can someone help me with all ragams sung till from beginning to 11.33

17:44