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Record plating is the "secret sauce" behind great sounding records. A great lacquer cut can be sabotaged by inept plating. Only a handful of experienced experts know how best to do this, aided by the finest infrastructure. RTI's plating expert Dorin Sauerbier is one of the world's best and the infrastructure he's built at RTI over the past 20 plus years helps produce some of the world's best stampers and thus some of the world's best sounding records.
RTI plates for Fidelity Record Pressing and many other pressing plants so following the visit to Fidelity I drove the nine miles to Camarillo and shot this video with Dorin who gives us the most detailed and interesting look at how lacquers get plated.
One reason I felt this so important is an email I got from a readers who seems to have every version ever made of every great record. He responds to every reissue post with comments like, "Yes this new one is very good as is the original, but you know there was a second pressing done at plant in Lima, Peru that uses a special master and that one is easily the best...(etc.)" .
He will know I am talking about him when he reads this. Well, he sent an email in which he wrote "Once you've got a great lacquer, it's pretty much over...." (or words to that effect). Well, that is so wrong!
The lacquer cut is but the first step to getting a great record! Plating can make or break (literally and figuratively) a great lacquer and produce either a mediocre or great sounding record!
If you're not all that familiar with the process, and even if you are and haven't been keeping up with new tech used to plate lacquers, you're sure to enjoy this video! There's also at the end a snippet from Patrick Leonard's new album. Check it out!
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