Understanding The Chord/Scale Relationship

Рет қаралды 543,657

4 жыл бұрын

In todays Livestream we explore the Chord/Scale Relationship. How to figure out what key your in!
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Пікірлер: 717

@mrdibdles9252 3 жыл бұрын

I've been playing guitar for like 16 years. I'm "self taught" and this video made me realize that I really "Haven't taught myself much" 😂 Always avoided the "theory basics" and "studying" part of guitar. I think it's time to start. I'm 35 now and becoming much more interested in actually knowing what I'm playing. Thanks Rick! You're the man.

@WhaleBluePRS 4 жыл бұрын

The whole scale, mode, chord and arpeggio thing can be extremely intimidating. I teach private lessons and figured this out to help my students feel less intimidated. 1.) Every mode, chord and/or arpeggio comes from a scale, regardless of it's tonality etc. 2) Every scale is (essentially) a variation of the C Major scale. All the sharps and flats are applied to the notes of the C Major scale to create the new scale/key (Circle of Fifths). When you think of every scale as a permutation of a C Major scale and realize every chord is a voicing permutation of the same scale, it gives a simple foundation to build on for the whole amazing world of theory, songwriting and improvisation. Hope that all makes sense to you and helps you in your own personal explorations.

@piteusx8440 4 жыл бұрын

Rick's absolute pitch videos were fascinating. This dude makes good content. Stop demonetizing his videos music publishing companies. He's actually helping your content sales!

@BuddyguyBret 3 жыл бұрын

Father Charles Goes Down And Ends Battle; Battle Ends And Down Goes Charles Father

@BluesLicks101 4 жыл бұрын

I will never understand why anyone would give a thumbs down to this, it is solid music theory taught wonderfully well.

@thenormalyears 2 жыл бұрын

I have to watch this video like 6 times in a row so I will know wtf is going on

@pijankodupe 4 жыл бұрын

my brain hurts...

@Rectitude4U Жыл бұрын

A carpenter can talk for hours about hammers, I just want to drive a nail.

@joshuabassham2052 3 жыл бұрын

I am so freaking lost.

@jstanley011 4 жыл бұрын

I've been approaching guitar for a decade by focusing on the classical genre, which is long on technique and reading skills, but short on improvisation and theory. This video and Rick's previous video on the 5 positions of major scales, along with the Beato Book, have provided me with a clear path forward, which is all that a student can ask for from a teacher. Thank you so much.

@winsucks

What a man this Rick BEATO 😵🥴😀

@justinhamlin7011 4 жыл бұрын

Wow, I've been playing bass for 13 years and this answered questions I've had this entire time, Rick is such a great teacher!

@WhaleBluePRS 4 жыл бұрын

I wanted to take a moment to thank Rick Beato and all the people who interacted with my comment about modes/scales/chords etc. I truly appreciate that I had the opportunity in the first place and want to say I appreciate that I actually got to contribute something. I'm the same as you, learning and growing and finding out I'm not all the things I want to be as a musician. Thanks to people like Rick Beato, we now have opportunities to share and grow with each other and feel a sense of accomplishment that it's a blessing to give and not always be on the receiving end. Thank you, thank you all!

@davidhoxit4274 4 жыл бұрын

Ionian and Aolean modes are my favorite modes but these "white board" lessons" are a reminder of just how much I have to learn! I love your connotation and your examples and I thank you for your expertise! When coupled with the Beato book, your videos are the building blocks of happiness and professionalism...and I desire both, thanks Mr. Beato!!!!!!

@AJBuckleybutnottheonefromcsi 4 жыл бұрын

I finally caved and bought your book, and I’m now able to make it through these videos for more than 3 minutes without asking “What is he talking about, and am I stupid?” Which is a good feeling, so thankyou for making this information available.

@fearitselfpinball8912 3 жыл бұрын

The biggest insight I got this year from Rick is that the semitones in the modes are the most emotionally expressive--are the intervals that emotionally characterize the mode. I've also noticed myself (while writing melodies) that the non-chord tones are typically the most emotionally expressive (especially if played on the beat rather than between chord tones and only in passing).