00:00 - Intro 01:04 - 2 Quartal Shapes 02:59 - Mixolydian Scale 03:50 - Quartal Blocking 04:31 - Left Hand Accompaniments 05:31 - Quartal Connector Exercises 05:53 - Down Exercise 07:18 - Improv Tips 09:48 - Play with backing track 11:04 - Up Exercise 12:21 - Play with backing track 12:39 - Conclusion

"Does that make sense? Does that make sense? Does that make sense?" Yes ! Yes! Yes Jonny!!!

I certainly did enjoy this lesson, thank you so much Jonny 🙏

Wow, that sounds futuristic, almost sci-fi, yet also earthy like entering a forest after a rainy day and just after sunset. Almost makes me want to buy a keyboard and get back into it. Great to get away from the old-fashioned triplet stuff.

It's good to have some cool prefabricated licks, because there isn't time to find every note we want to play, and sometimes we feel er, less inspired, but the best is when we can play the notes which are in our heart. For anybody who doesn't have many notes in their heart, I suggest many more hours of listening to the best musicians you can find who play in the jazz style(s) in which you want to play.

Funny enough this scale is what Jam Band guitarist use quite a bit hints the bluesy sound. New to piano and this lesson was great 😊

Yes Jonny. Your lessons are one thing in this crazy world that makes sense. Thanks!

Piano with Jonny and Jhonny May are the best around the world!!!

Swinging Star Trek vibe in the up exercise!

this will save you a few decades

pure gold this jazz piano class, thanks so much

Thanks you make every lesson very clear. Will be exploring this .always nice to try something new.

I can see this concept with a lot of potencial in variation possibilities, saludos desde Mexico, land of nopal!

Again, bravo bravo ! Where have you been my whole life?!

Oh Wow! To be honest... this is above my current standard. But, that being said, I can fumble around it slowly and keep it in the back pocket to work on a little at a time. This sound is a big part of where I want to be but there is still a long way to go yet. Thank you Jonny!

Awesome video Johnny!! I would love to see more intermediate and advanced content.

Great video, Jonny! Thank you so much!

You're just the best Johnny, thank you!

Great lesson, Jonny, many thanks.

You are one of the greatest teacher in piano teaching.

Nice, shades of Bruce Hornsby

Simply awesome ❤

Great tutorial, keep it up please. This is so weird, somebody please explain. As far as I understand, the mixolydian scale sort of ‚belongs’ to a dominant sept chord, however, in this example, I don‘t perceive it as such - I have no urge to solve this F7 to Bb whatsoever. Why is that? Is it because you are playing a sus9 and mosty omit the A-key?

I love you techniques I appreciate you

just great lessons!

Wonderful Johnny! Very helpful 👍👍👍👏👏👏

Thanks.

Thank you Jonny!!! from Madrid :)

I really like your connector ideas, but for the left hand, I prefer to use a rootless dominant chord that includes the 9 and 13, or some other dominant chord. I also like used the F sus chord. Using it with the slow blues Charleston pattern that you teach and different bass notes against the F sus chord provides for some great ideas too.

Thanx, Maestro 🌹🌹🌹🔥

Wonderful. Asante sane

Très clair, merci!!!

Great lesson! Would you let me know your accompaniment source? David

❤

I like the exercise, but when you’re demonstrating some improv, it sounds more to me like Eb maj, Fmaj, triad pairs. You’re almost always hitting the A when you’re improvising but you never hit the A in the written-out exercises.

What s a fourth?

Jacob Colliére.

This sounds very Dave Grusin.

It’s so EASY for you! So I hate you! I really love and could listen all day long, but I also…ya know… really hate you. Does that make sense?! 😂 Bottom line, I really love your playin (but…). 😉👍👍👍

Nice lesson. Please stop saying "does that make sense?" every two seconds, m'kay?

Too much