Thank you for this video! And I love your comment, that every note should be intentional! :)

Bless this man, seriously! You just unlocked so many songs in my head that used this! You’re doing God’s work my friend.

It was this moment I realized how much I don't know. This is amazing to me.

I'm definitely adding this chord into my vocabulary 🔥🔥🔥🙌🏾🙌🏾

Dope lesson. After playing with you....you can also use it to go to the 1. From your example....in the key of Eb if we were on the 5 chord. Bb in the bass. In the right hand can be the Ab DimMaj7.

Contemporary diminished seventh chords. Thank you for sharing this. So beautiful that lesson.

This was absolutely amazing, great pacing and brilliantly looped back into actual use. Thank you much good sir

I recognise “that sound” as a G7b9 with functions and applications in following “key contexts” as 5-1 in major key, 5-1minor or 3Dom -6 minor at a fundamental level. Emphasis-am hearing a Dominant flat nine “sound”

Some cold stuff! 🔥🔥🔥🔥🔥

Your findings and teachings are phenomenal. Side note: has anyone told you your serene way of teaching reminds them of Bob Ross the painter? Lol. So calm and serene but yet full of info. Great job. Keep up the good work.

That’s nice using it on organ

MY fav passing chord. I wrote about it a lot on FB. I use it on the 4 to approach a 6 chord. For example, to approach an Amin7 chord [and its subsidiaries], I could do this: F#dimMaj7 > FdimMaj7 > Amin7, like a 2-5-1 ish move. Nice lessons. Thanks a lot, Doc!

Phenomenal sounds 😭

Dope lesson, you can move them as passing 3 half steps up an target minor

so beautiful thank you for that

Another brilliant video - thanks 🙌🏾.

Thanks for Sharing. GOD BLESS YOU ALWAYS.😇😇😇😇

Your blessed....and humble.

It’s funny that I already voice that chord every chance I get. I just never knew how to explain it until now.

Oh okay diminished major 7 too dey bee waa

...my left hand can't do those spreads...but my brain is definitely inspired!

I appreciate these chords Man 👊🏽

Thanks Sean ❤️

This is great!

Yes

Gat it.. it sounds awesome sir

At 4:03.. 🙏.. 🧡

i loveyou so much and may God bless you keep it up you are the best

I feel that going to a d minor, c sharp diminished, plus the A major, is the appropriate name. You already have a c sharp in the a major chord- this is a conspicuous note in the key of d minor , as being the leading tone.

As always, very resourceful 🙌🔥..but for some us with small fingers, your left hand chords are quite a stretch 😂😂

Awessomme. Only one thing tho that it’s probably to late to fix but at the Cdim+Abmaj it should say it goes to a Dbminor7 . Not a serious issue. Just showing you we pay attention!!😂😂

Wow🔥🔥🔥

It's so funny. I really like the way you're playing piano. So l wanna learn piano. How can I do ? I'm Tresor Nkele from D.R.C, Kinshasa

Dope video you are very skilled!!🔥 would I as an organ player be able to get away with these voicings or is it too muddy?

What are other possible resolutions of that chord in theory? Thnx, bro. Nice vid❤

Ooh wee!

I just got done with theory 2 and I'm confused about how you go about naming chords. Ex. Bm7 or Ab 13. Is that apart of theory also?

What's the root note for the bass player on that chord?

Great, very harmonic Pls what scale are you deriving the changes from? Initially sounds like a derivative of Bb 7b913, if the root is Bb, thanks

Can we say that this chord is the most tense of all possible?

Bruh... what did you do to your hands to be able to hit that spread diminished triad so easily???? You cut the webbing or something??? Lol

I will be glad if you do same video in the key of C wholly. I play in C F F# and G 😋😋😋 kind struggle to transpose it to those keys

Are diminished chord same as suspended notes? Can you explain pls?

Sir wat type of piano are you using and wat z de price there in ur country

Broo which typ of piano are u using and wats de price there in USA

It looks and sounds like you are doing great things here, but the enharmonic misspellings are very grievous and make following and, more importantly understanding what is happening completely obscured. I only play and work in Pythagorean tuning where sharps are different pitches than flats and double flats and sharps are distinct from natural notes, so when the program you are using spells the notes and chords as something completely different than what you are talking about it is extremely occluded, especially moving as quickly as you are. It is really worth editing the video to correct the software's spelling errors. This is why I tell everyone to play in Pythagorean tuning, it is what is true intonation. And it is how we conceive of and write music. AbDimMaj7 chord is spelled Ab, Cb, Ebb, G. The interval from Ebb up to G is an augmented 3rd, a dissonance. It is NOT a perfect fourth which is a consonance (or would be, in this context). I understand on your equal tempered piano they are the same pitch, but if you stop thinking of it as an augmented third, which is a tense "wolf" interval, the melodic and harmonic direction is completely occluded from ones understanding. That is why you said you play a G major chord in the right hand with G, B , and D, but G Cb and Ebb makes it very clear to the understanding that the G is the 7th of the chord the Cb is the third and the Ebb is the fifth and it is not a G major chord. If anything it would be a Cb minor #5 chord in the right hand. Even if you only play in equal temperament (which I strongly advise against, even in ensembles use Pythagorean tuning), then spelling of notes and chords is still very important. If you want a system of 12 equal tempered pitches, look into dodeka notation, it is just as nonsensical as the jarbled mess of incoherent and mislabeled notes on the screen in this video. But that system is not widely used because it is incoherent like what we see on screen here. Music is 7 notes altered up and down by sharps and flats, and even if you play in a fake temperament that make F# and Gb, the same pitch, conceptually if you think about them as the same pitch, understanding of the music at a deep level is never gained, and the music theory become all the more confusing to understand, all of the beauty is lost to the understanding of what you are hearing, or what the temperament is tricking your brain into hearing. Using an electric keyboard as you are, changing to Pythagorean tuning should not be too difficult. And in terms of the wolf interval which appears in 12 tone Pythagorean, placing it out of the way is best if you must use only 12 notes per octave, but seeking out a new keyboard with a different layout is best. The Wicki-Hayden layout I think you will find works even better than the standard piano layout and it lets you play in tune, and extend to 17 notes or more notes per octave. If you look up on KZfaq, the Melodicade MX. This is in that Wick-Hayden layout with 17 notes per octave, but the man in the video has it in equal temperament. but that instrument and layout would be perfect for what I am saying. If you added more keys on both sides you could even go to more distant keys all while being in tune. 53 notes per octave in the Pythagorean tuning is best. I know in this world, musical instrument are made for lost people to make evil music, but if you ask God and search and seek to make good music that is in tune and with understanding and you are saved according to God's words in the King James Bible, I am confident that he will show you and provide.