As a Spanish speaker, the scariest thing about this is that a game made in 97 had such a good translation

Nick Nocturne... The true hero to all us scaredy cats who can't sit through horror movies without a panic attack but love creepy stories 😸

A fun detail you didn't mention was that in front of Kazuya's house, the Japanese player, two shoes a simply taking the spot of where the character would be standing to give there greeting. In Japan, people who commit suicide take off there shoes before throwing themselves off into death, implying that Kazuya ended her own life on her own terms within the game.

honestly, i actually liked how quick it jumped into the horror, just because it's meant to be a test from someone who knows what they're looking for, you know? it's a compilation of various product error tests, so the person playing would know exactly where to go to produce the errors. i'm not sure if other series could pull it off, but it manages a different feel from the rest of the found horror genre and it feels justified to me personally

On March 22 1997 the Hale-Bopp comet was closest to Earth. Related to that fact, it was also the day when Heaven's Gate began it's mass suicide. Could be related to the game's religious theme somehow.

As someone from Argentina, I'm so proud of this guy for starting this series. I hope it gets the recognition it deserves.

I really like how the test is actually presented. I am a game tester, and you will inevitably power through the parts you've seen over and over again. To me, it's set up as if the tester has seen the first part with the foxxo interactions many times, and is powering through it to get to the "random anomoly" parts to try and document the issues. This would be why there is a lot less build up to the horror and weirdness. I think it's a surprisingly realistic touch, and I greatly appreciate it.

Honestly, I find it refreshing to have a series that's not a slow burn. I like how quickly this gets into it - even if it never continued, I feel like this episode would have enough weight. Tiny missed things: - Before the player is struck down by the Cherubim outside the garden, you can see a flaming sword swung at the player. This is something that the angels guarding the garden were said to have. - There's some model flickering behind the priest in the church. It kinda resembles the statue of mary found outside the tape.

This appeared as a recommendation in my KZfaq account 1 month ago, and I want to add some things, because I ended a little obsessed with the story: - Argentina had a dictatorship, where persecuted and detained pregnant girls were forced to labor and their children given to families of high rank captains and generals. Something to think about the ab*rtion/labor scene. - The Foxxo statue changing to 4 legs can be also an allusion to the golden calf, about false idols. - 28:44 in the video, the last text line is written in Enochian alphabet, called The Language of Angels. EDIT: I forgot, "Carnabaal" is a misspelled version of "Carnaval" (Carnival). Baal is a demon associated with the god Moloch, whose cult included the sacrifice of children. EDIT2: Also, I've been thinking about the comments on 22 March 1997, Halle-Boop and Heaven's Gate... Parravicini had apocalyptic visions also, and the Oppenheimer "I've Become Death" discourse. End of the World scenario? Was Valle Verde going to be an humanity arc project and then everything went out of control?

The fact that the opening intro of Green Valley alone is animated like an actual cutscene from a PS1 game really goes to show that the people behind this ARG really know their stuff and are capable of accurately replicating a game from the late 90s.

I liked the quick buildup tbh, it's nice to have a bite-sized story in a sea of 45-hour epics that are 68% a dude running around the woods or reading text off an LCD

The player character looks like Ness, Lucas, and Villager all in one and if the character reminds me of some pretty notable characters then you know that the creator did a great job designing it.

i don't know if you noticed but the part where "test05" is sent to the corrupted area, you can see a sort of blade of flame being swung out from the angel and hitting test05 (which causes him to writhe in pain like a cochroach flipped on hits back), which further implys the whole being kicked out of the garden of eden part of the bible also idk if it was intentional but it was SO funny when the mayor guy just bolted right to him to put him into immense debt

There's another weird anomaly involving France that isn't super obvious, especially if you weren't playing PS1 games in Europe. The language selection screen is the kind you'd see in a European PAL release at the time (the UK flag representing English is a big giveaway), but from my experience playing games from that era, there's usually five languages available - the four we see in the video...and French. Which is missing. And combining that with Matias specifically mentioning the French girl Chloe and the French motto showing up as a portal, that definitely feels intentional (possibly as foreshadowing?)

I liked how the scenery changed with the different flags of the children that disappeared. The last one being the Argentinian, having a very typical background of the rural parts of the country. It's weird to see this kind of content coming from Argentina, we don't really have much of that here.

The detail that hits me is the drop shadows in front of the houses. The drop shadow is an old tool for making 3d platformers. Back when real time rendering of shadows was unrealistic, devs used a circle of black that always existed directly below a character to help ground them in the world and help the player understand where they are in the 3d space. All characters in Valle Verde have a drop shadow, including the inhabitants of the houses. We can't see them, but they ARE there. They've been rendered invisible, but they haven't ceased to be. SO FREAKIN COOL AND CREEPY I CAN'T EVEN

Honestly I am okay with this project putting so much out that was so clear so quickly, as I'm getting a bit burned out on 'well it's weird and doesn't make much sense' as a reason to keep involved. So by giving us enough that was obvious to work with, but making sure that it just raises questions while doing so, I feel like this work has more of a chance of digging deeper into it's subject matter, or providing later and more significant twists, as we have more we think we know. This feels like an evolution of lost games, tackling ideas beyond just the general idea of 'something technocryptic and/or occult has gone wrong usually with someone dead involved'. We shall of course see! Thanks for introducing us to this!

the scene of the kid writhing on the ground with his face going dark after the angel swipes at him... fuck man, that's gonna stick in my head for _weeks._

Something to note: Each flag on each child's house is lowered EXCEPT FOR Mattias'. And conversely, Mattias is the only one that is still in the game that DOESN'T have a glitched portrait. Are the other ones "gone"? (Also unrelated but apparently one of the scenes with the angel statues have Morse code playing in the background?? And also also you can apparently faintly see a figure flickering in and out of existence behind the preacher during his "sermon". But I haven't been able to.)

Two things I didn't see you mention: - He doesn't say carnival, he says carnibaal. Carnival to Baal. - The "turn on the console on..." message has text in Enochian at the bottom.

Kinda wanna play the non-demonic version of Valle Verde, it's cute as fuck.

The entire first cutscene and naming your character screens immediately sold me on this alone, it's such a delight to see an analog horror game series from a point further along in development, but also it really makes me wish whoever the team might be on this might make an actual game at some point because I know it would be beautiful and fun.

The shovel spin at 1:45 was clean as hell

I love how a split second before the jumpscare he goes to his normal voice and says “jumpscare”

So there's a minor thing worth noting, I think. Nick has to read all the text after picking up the fruit (at 19:31) because it goes by so fast. Does it go by fast on purpose? Or does it go by so fast because the person is doing the brain interface equivalent of button mashing? And if they're button mashing, does that mean the person playing was expecting that? What does it mean if they were expecting it? From a storytelling perspective it means the fall is unavoidable, but the really cool thing about video games is that story isn't just words. It's mechanics and things you can do in game. Something worth considering is all.

Couple of things I noticed: -The flight minigame sure seemed like a bombing run. I think the in-game instructions said not to let any of them [i.e. bombs] land in the water. Then the Statue of Liberty appears. So war and bombing is connected to the US? -This also links with the Oppenheimer monologue, since he's talking about the devastation of seeing the first nuclear bomb test... the sister bomb of which would be dropped out of an airplane onto an island (Japan). -Regarding March 22, 1997... if the connection is to Holy Week and the day before Palm Sunday, then at least according to the Gospel of John, immediately before the triumphant entry into Jerusalem, Jesus is at the home of Lazarus (who he raised from the dead in the previous chapter) where he is anointed by Mary. Not sure if that fits in anywhere, but it tracks with the religious themes and the ideas of sin/corruption versus faith/holiness. -The fox statue turning into a statue of a horned creature makes me think of the Golden Calf in Exodus - signaling idolatry. -The wolves around the lamb might reflect Chloe, but Jesus is also frequently described as the "Lamb of God" (who takes away the sin of the world, incidentally).

Funnily enough, I don't mind the things your critiqued. I know there's gonna be creepy things, and I found the sudden introduction actually fairly interesting. Like, oh, we're just diving right in, huh? It was actually less expected on my part, than a more "standard" build, I think. And, honestly? Straightforward themes and ideas doesn't necessarily bother me. This is impressive enough of a creation that I just wanna see what the rest of it *does*. Any surprises will be a welcome bonus. Edit: Also I really don't mind the immediate veer into horror if it makes sense in the context of the story. I actually found it quite chilling - haunted ghost kid, haunted ghost kid...oh...that one's normal. What's gonna happen to THAT poor kid?

One thing I love about the art direction is the character designs themselves; how accurately they reflect the look a game of this type would have. They don't look like traditional anime characters, but the cartoonish look of them, especially in the faces, carry a distinctly Japanese vibe. The blush/cheek marks, Roddie's spiral glasses, the smile on the plane-flying cat, the Animal Crossing look of Foxxo...If I saw a clip or a screencap of this out of context, I would 100% believe it was from a Japanese PS1 game.

I didn't know I needed a haunted version of Animal Crossing, but, now I do!

the Divine Mercy interaction unexpectedly brought me to tears. that image of christ is so recognizable to anyone from a catholic house - it immediately made me feel like a child again, looking at that image for comfort within a turbulent and abusive home. i really hope this protective force won’t be revealed to be corrupt later in the story - i think it’s a really poignant character insight for a “good little catholic boy” like night mind said trapped in a threatening and terrifying landscape.

I have a theory: The children depicted in this video are not actually trapped. At least, not physically. In fact, I think the children in the real world are fine and dandy. But the characters in the game are exact copies of the children that played the game. What do i mean? Well i was reminded of an episode in a sci-fi show called black mirror titled "white christmas." In the i think first half of the episode, they introduce a piece of technology called a "cookie". What it is: its something that's surgically implanted in your brain and over a period of time, it learns and copies everything about you. your personality, your memories, how you act, etc. Then this cookie is surgically removed from your brain when it has gathered enough data and it becomes "you". What i mean is, it becomes completely sentient but it acts, thinks, and talks exactly like you do. Then the cookie is put into a small device and forced to cooperate to do things for you like: make your toast exactly how you like it, schedule reminders for you, set the temperature of your house exactly the way you like it, etc. Basically alexa without having to use voice commands. It just knows because it is you. Getting back to the point, I think the THBrain copies the children's personalities, memories, etc, imprints them on NPCs, and traps them within the game. The physical children are fine, but their copied digital consciousnesses are the ones trapped within the game and not knowing what the hell is going on. Now of course, none of this is fact. It's just my take on what the "trapped children" really are and you can take this as you will. EDIT: So, i noticed people pointing out how pointlessly cruel this would be. Think of it like this: The devs of this game (within this ARG universe ofc) likely were not originally actively going out of their way to trap human souls in this game. I theorize that the THBrain is supposed to be an experimental piece of technology that makes the NPC's in the game seem much more realistic, smarter, and "alive" by using digitized human consciousness as their base. But seeing as the game was never finished and is filled with "anomalies" something likely went wrong with the THBrain as well as the game itself. Also consider this: There would be much less suspicion drawn if nothing happened/happens to the real children. While of course, it is easy to frame anything that happens to the real children as freak accidents, there would still be more suspicion drawn to the game than if nothing happened to the real children at all. This would allow for whatever entity or AI within the game to continue what its doing virtually unhindered, no pun intended. Truth be told, i have this take because in a bizarre way (to me at least), some twisted satanic AI entity torturing digitized human consciousness (which you can even consider souls in this context), is a tad bit more believable/original than the commonly used "The game is haunted by mystical spirits and has killed/kidnapped people." trope. And yes i am aware of how weird that sounds when i say its "more believable."

I was confused by the flag of Georgia, since their flag has five crosses on it. I discovered that the one shown is an older version, used from 1990-2004. Since the game was supposedly released in 1997, that makes perfect sense.

Theres nothing more soothing than a cold autumn day and hearing "welcome back to night mind, friends."

I love the small details. Every flag in front of the houses is lowered, implying someone died, but Matias' is up because he's still alive

Like others have said, I like that Valle Verde doesn't waste time getting to the scares. The very first shot lays out the basic score we all know in a very efficient manner: there's a video game with a brain-reading interface and an evil AI. Those elements aren't surprising anymore, so there's no reason to play coy about them. The viewer here is the playtester: we've seen this kind of thing before, so just power through the setup and get to what we're really here for, show us what's going to make your story stand out from the crowd.

Anyone else notice the national flags at half mast for the first few testers? Only Mattias's flag was at full mast. And thanks for the jump scare warning, Nick. Much appreciated. ❤

Things were primed though, the scares themselves are serving a narrative purpose and introduce us to the characters but also more importantly priming viewers for jump scares in the future. Not to mention it fits into the greater narration. An important part of story writing is you can't adhere to A -> B -> C because it becomes purely predictable and pointless. Staring closer to B helps establish events have been going on. Some games these days start you in the action and it works. It also helps with later information as it makes sense if the entity was a demon it wouldn't be able to hide with a holy/faithful presence around. It works perfectly when you consider that holy vs dark was/is happening in real time. Given the later information of COLLECTING FACES then those children we saw have had their faces collected. We think it is those kids we see there but what if we are seeing the entity wearing them... this means as a story telling device it worked on you. It function perfectly. Never ever stick to the same A -> B -> C structure or else it becomes Call of Duty. It is a guideline for the total information of the story.

i honestly don't mind not having to dig to get the themes/lore/etc. I usually don't have the time to dig through stuff like that myself, and often if it's too dense i find myself getting disinterested (that's what happened with petscop for me). all that being said, thanks for introducing me to this project, i'm so excited to see where it goes!

The fruit part is genuinely cool due to the fruit not being specified. So no matter what fruit the player picks, they still inact the verse so to so to speak. Very cool detail :)

Its nice to see the forces of light infiltrating the game's code for a change at the end of the first part, its a breath of fresh air from all the times the monsters use the media format without any resistance besides the human victims.

Oh wow this has to be the best depiction of lust I've seen as a seven deadly sin. Rather than showing a depiction of lust (which isn't really that much of a sin compared to the other things) it shows one of the most common consequences of lust. I think gluttony, envy and pride could've used that treatment too but yknow small steps. And anger was also spot on 👌

This is an excellent video as always, but I was screaming at the screen that Chloe is pronounced “Klo-eh” in French (klo-ee in English) and not “klo”😅

You know what this reminds me of? Animal Crossing horror towns--where people would make their towns communicate a horror story via the layout and visuals. I know the allusions to Animal Crossing were pretty clear on their own. However, the act of going between multiple areas made me think of this, specifically. Wandering from room to room, piecing together the story as you went... I doubt it was intentional, but its kind of a fun connection anyway lol

I'm baffled he managed to mispronounce the name Chloe

That intro gave me such "old anime" vibes I was instantly hooked. It's got a little bit of Ghibli inspiration, and obvious Animal Crossing inspiration. Definitely agree the horror was a bit too quick, but at the same time I wasn't expecting it so soon so it *did* end up catching me off guard in that way. Not necessarily the best way to do it, but it worked! I'm a little nervous the religious allegories might be too heavy handed, but I have to see where the project goes. I'm so excited to see what happens as they develop the project and how these kids were experimented on/made a part of the game.

Ooh what great timing!! An analogue horror retro videogame story, from the most nostalgic era of videogames for me. This should be fun 😊 EDIT: Thanks for the jumpscare warning at 17:40, Nick. Appreciate that.

thank you so so much for the jumpscare warnings and for understanding some of us love horror as a genre but can't handle being startled

I know I'm super late to this one, but "the accuser" is the literal meaning of the name Satan. It's also translated as "the enemy" or "the adversary," but in the context of the stories in which it's used, "the accuser" is generally the best translation, as those stories depict Satan as a doubting or challenging figure, a naysayer instead of a meddling influence.

"あなたの心を私たちの手に" could also mean: Your _spirit_ is in our hands. Like ... yeah.

EVERYONE!! Part 2 is out *now!!*

It's always a good day when Nick Uploads. Edit: I also want to point out that in a lot of cultures, foxes are considered evil creatures, especially in the region this project originates from. The town mayor being a fox who is corrupt and immediately throws the player into debt as soon as their back is turned seems rather fitting. If memory calls, I believe in some cultures foxes are considered demonic as well.

The weird correlation between the Garden of Eden and a "test island" designed for beta testing is... a very interesting metaphor, and not one I've personally seen before, but I definitely like it.

I'm currently airfrying a grilled cheese sandwich. As if my day couldn't get any better, Nick uploads. Now I know what I'll watch when I eat this thing in like 2 minutes

I actually thought the fruits under the tree were organs and bones, and the player was straight-up engaging in cannibalism. Probably not really in tune with the religious themes, but still unsettling.

I like the level jumps and the immediate distortion. The dude is a tester. Of course they will go right to the issue to note them down for their job. Its what I would do

This is definetely a case where I wish the game was actually real and playable, with and without the devilish entities, it just feels so charming. And what can I say, I'm a sucker for cute retro RPG games with terrifying horror elements and lost media VHS tapes, can't get enough of it! Really really glad I found it a few weeks back by pure chance and I'll be sticking to it to the end. Really looking forward to the next part of that tape

The main character of Valle Verde looks strikingly like Ness from Earthbound/Mother

I’m so glad you said “jumpscare” in that part with the wolf circle. I hate jump scares but love horror.

This is amazing - the details and general sense of WTF make it riveting, and far more unsettling than the more common "oh, look, a scary glitch" video content. During the introduction to "other players" the country flags are near the bottom of their flagpoles, except for Mathias' -- and he's the only other character who seems to still be "alive" in the game. I missed it the first time through because I was distracted by the glitching -- it's great that this series seems to reward those who go back and watch again.

I'm so glad I took your advice and just watched the original video first! It's been a while since I've indulged in an ARG and this _Valle Verde_ scratched the brain itch that _Catastrophe Crow_ and _Petscop_ did before - and dare I say this one might be better even than those :3 I really hope there are more VV videos in the future. I am hugely grateful for you though Night Mind for bringing it to my attention, and for allowing me to slow down and appreciate _Valle Verde_ more than I could have after an initial viewing. I had wondered why the testers were rushing through the dialogue in so many scenes, but now knowing some of the context behind TEST05 and some of the NPC "subjects" it actually makes sense - someone who is familiar with the game is interacting with the game in a deathly serious manner. It's a smart little touch from Alluvium :D Oh, and I also like the jump-scare moments in this. They don't feel frivolous or cheap, instead they feel like something actively baiting TEST05 via the instincts any gamer develops to unearth easter eggs to try to activate stuff in the world. They are monsters predating a player, and I love how they seem to be a different order of CGI creature entirely, something that nobody intentionally modelled or animated but instead arose "organically" in whatever virtual hellscape this game is housing

It has been a strange and wonderful thing to watch 8 bit 80s nostalgia turn into 16 bit 90s nostalgia turn into early 3d 2000s nostalgia right before ym very eyes, we're getting into early Xbox-esque era nostalgia at this point!

small detail but the georgian flag when foxxo present the children at 7:55 was the actual flag of the country before 2004, really awesome touch

the fact that he actually WAITS in the video for the viewer to get a snack. i love his videos sm 😭

I noticed something that wasn’t brought up in the video! On that ‘March 22’ screen, where it gives the message in multiple languages, at first I thought the last one was kanji, but looking at it closer it’s actually Enochian! So more ties into the whole Angel thing!

One of the things I love most about your channel is how much you encourage your viewers to check out the source material first, and give the original creator/s the credit!

i decided to be brave and take a watch for myself this time around, and i adore the style of this so much already. it reminds me a lot of animal crossing, but like, yknow, spooky and haunted lmao. the path to the church was so unsettling, and probably one of my favorite parts of the whole video. also there’s some themes of human experiments from what i could gather? saw some stuff that might imply that (or maybe the usual supernatural forces in analog horror )w the scene in the delivery building but i can’t be sure. love me some good scifi horror if that’s the case. it’s an absolutely banger series so far i love it so much. apparently even the creator of petscop shouted it out, according to some comments on the original video! can’t wait to see more of this incredible series :>

That map of the Falklands (or Islas Malvinas if you prefer) hanging in Matias' room is interesting. It's very prominent.

One thing that stood out to me is that in Mattieus’s room, there are two figures on the dresser that are the Japanese sweets mascot Kyorochan. Dunno if it’s just a nod to being “developed” by a Japanese studio but my eyes went straight to it.

It's not much, but I wanted to make sure I did something for you. You're an incredible content creator and I absolutely love your videos. Keep up the great work!

1:41 that shovel flip was, as some would say, fucking sick

I actually almost wish he would just make an Animal Crossing-like game, no horror needed. The art style makes me want to spend a lot of time in the world. The intro is so Mega Man Legends in the best possible way.

I hope you make an update for this series The new stuff seems pretty interesting

I'm so glad you made a video about this! I saw it about a month ago and was so sad that no one had seen it!

My favorite touch is that -a lot- of the SFX seem to be pulled from Digimon World. I'd recognize those generic bird noises and delayed text box sounds anywhere.

I small thing that got stuck in my head. When Mattias asked for the game dev and the tester responds with "He's not with un anymore"; in Spanish it reads "He does not work with us anymore". But the English translation is more ambiguous. There was a more direct translation from Eng to Spa that would have been as ambiguous, but it was a more direct "not work here" "ya no trabaja". I know the translation is part of the work in English. IDK, when I read it in Spanish it gave me a feel of "this character is still out there". Where as the English wording felt more like we were talking about another victim and not a potential antagonist that left before the investigation began. Turned it from a SAO type horror story to a paranormal one. I leggit find that amazing or im hyper analyzing things...

wow you can actually see the flaming sword when the player character approaches the angel, that's attention to detail

The title of the tape also says grinbare which means "smile's reveal/uncovering". It's a tape about exposing the smile leader.

Im REALLY excited for this, especially since the creator is from argentina (where im from). I screamed at all the references. Thank you for introducing me to his channel, and for alluvium for creating this arg. ORGULLO, PAPU 🇦🇷

You should start segments like the pause to grab snacks to increase engagement and immersion and if you do it like a steward, telling us how to buckle up before we take off. It feels more real. This is absolutely awesome, though. Definitely reminds me of Harvest Moon and Crow 64! Thank you for talking about this! I'm probably going to forget the finer details and fill myself in with the full experience later :)

I'm so sad this has more views than the original content, but I like that big channels are helping out smaller ones. Saludos desde el hermano pequeño de Argentina, Uruguay.

notice how when they where showing the kids, their shadows where still there. Even more is kazuya's shadow has his shoes there, implying that he committed barefoot suicide as to not track dirt into the afterlife

1. The amount of work in this game is stunning, and while the themes are slightly heavy-handed, its beautiful. 2. Thank uoi for the jumpscare warnings 🥺

I need someone other than myself combing through this frame by frame. There is so much MORE here.

1:41 Good to know that the whole ARG starts so stylishly.

I personally enjoy how fast the video gets creepy, like you're entering a world that is already very far gone. In Silent Hill 2 you're not in the game for very long before you see the first creature in the fog. I agree the story so far is easy to follow but I'm going to chalk it up to first episode world building. Poor Matias lol. Definitely excited for part 2!

oh hell i just noticed - during the sequence where it's introducing all the play-tester kids you can see a circular shadow (like the one's the player and mayor have wherever they move) on each of the kids' doorsteps as if the kids are still there when they're introduced, just not visible plus when Kazuya is introduced (girl from Japan) there's only two white shoes in place of her, which sorta implies she committed suicide but is somehow still in the game, given that the shadow is also still there

4:52 “PS1 peripherals we’re relatively rare” *laughs in hour long Caddicarus video about PS1 peripherals*

I enjoyed that the story moved forward faster than most. Also, the symbolism gets to point instead of being obscure just to confuse. Overall, there is no padding on either front. Excellent.

Good kitty! Found this one via Petscop's creator, it's already got a fantastic start!

loved the final scene with Jesus so simple and yet so beautiful

Two things: One, the first spontaneous level (the cake one), when it's re-visited by the player, sounds more like crunching and blood than drinks. It does sound like drinks opening the first time, then the audio shifts when its re-visited. Two, the smiling one appears again when the player takes the fruit. It's only for a frame, and you can barely see it, but it's there.

OMG the amount of effort put into this series. It's so well-made and I'm excited for more. Hopefully the people behind this would provide some way for us to donate when the whole project is done.

The reveal with the golden statue was the first time I felt true dread in one of these series

honestly i kinda dug that it got started quickly. after petscop and catastrophe crow, you can't pretend that this is anything but horror anymore, especially if you're not going to give it a wrapper story like catastrophe crow did with its 'typical youtube deep dive' angle. plus, revealing the neighborhood kids didn't immediately give way into a cavalcade of horror, it was just the precipitation, a quick confirm that, yeah, this is a horror story. the fact it gave it away that early actually i think made the high intensity of the baby scare make more sense. petscop was heavy on atmosphere and story but light on scares. catastrophe crow kinda tried to middle ground those elements but it ended up slacking on story and scares and didn't have enough atmosphere to carry it. this looks like it's going all-in on scares, focusing its atmospheric muscles on the "real video game" parts that both petscop and catastrophe crow slacked on. it's a very unique take! i'm excited to see where it goes

Things I wish I thought of, part 1.

Just, thank you, so much, for jumpscare prep. I really really love horror, but shocking stuff can bother me a long time after, so that was really appreciated

The "Absorption" bit took me a second. That was pretty clever.

That time flying joke is actually really good. Holy shit, I'm gonna use that later.

LMAO I DIED WHEN THE PLAYER CHARACTER DROPPED TO THE GROUND AND STARTED TWITCHING LIKE HE WAS BEING EXORCISED 💀 ALSO THE FACE ALONG WITH THE MOVEMENTS MAKE IT LOOK LIKE THE PLAYER CHARACTER IS A KID THROWING A TANTRUM LMAOOOO

You cannot understand how excited I was when I found out this arg was from Argentina, as an argentinean myself, I am so proud of this project and hope it has a bright future. Thank you for covering it