Yeah! Not even these 2 voice teacher lol.

You Literally Forgot About The Creator Of The Song Sheryn Regis She Also Sang This Song Very Good

@@zentryn7400 Sheryn is literally good in this song because she is original but admit it or not morisette give life to this song from emotions, technicality and cosistency mori set this song standard and even the original can't surpassed the version of mori. I said what i said.

But the heart doesn't

@@franciscoarmando8259 Bruh emotion and feelings are connected what are you talking about?

Her squeaks, is cring in the lyrics.

@@marianeliapedrano8744 crying or cringe?

Yeah i can't forget her saying Marcelito is super flat..

@@pingyu5141 I actually hate when these two do a reaction on singers because they’re always critiquing so hard on AMAZING talented people who use their instruments and I’m beginning to wonder if they aren’t just very envious

or just plain rude for chewing and drinking while talking.

and have a snack at the same time.

@@jc8384 I totally agree with u.

It's not first take 😅 I saw the behind the scenes

@@winstonbaculioofficial5010 weee?

Morissette "not first take" video singing Power 😂😂😂

@@winstonbaculioofficial5010 Maybe you are talking about the live performance at the Miss Universe Philippines 2022 but Ricky is talking about the first take that she did at home before uploading the song "Power" in social platforms. kzfaq.info/get/bejne/rLdxepSAydalYY0.html

@@winstonbaculioofficial5010 🙄🙄🙄🙄🙄

That is my problem with "vocal coaches" who are quite biased and react based on their own training, own background & own knowledge only. They do not even try to understand Morrissette in the back of Philippine music industry and I am sure they will be able to understand her style if they know the background of Filipino singers as a whole. They critic the song without understanding the lyrics first because Morrissette just do not squeek or growl for the sake of it only. It is a means of communicating the emotion & expression of the words & lyrics behind it.

@@jinkycmdpsi 💯

@@jinkycmdpsi I think they just concerned (please don't hate me)

So true. Since thi is not an English song, you guys will not be able to understand the emotions being presented on those lines. Even if you Google translate, accuracy is not on point like if you are a native FIlipino speaker.

@@jinkycmdpsi I think you are the biased one. You heard criticism when there was none. Did you watch the whole video. These coaches absolutely Adore Mori and Loved her performance without knowing the words. They have talked about this before after a Mori reaction and have made it very clear that they only talk about it with concern for Mori. Maybe they are being selfish because they want to listen to Mori's marvelous voice forever and are concerned she might hurt it. Adele or Mariah didn't think they were going to hurt their voices or obviously they would have done things differently,

Agree, and a lot of vocal coaches said the same thing - best vocalist this generation. Just wondering if you have heard of Gigi de Lana singing Through The Fire. If not, please check her out because she's sensational.

​@@lightfoot1Jukegigi is like myle Cyrus performer at this time😂😂😂

@@joelritual1032 not sure how to take that - is that a good thing or bad? My name is Joel too!

Agree with u dont change the sing cause u dont like something in her voice its her signature bruhh

Great comment as always 😊👏🏻 One thing to piggyback on what you said: I have a slightly different viewpoint of her chest and mixed voice and would actually argue that her incredible ability to mix is what actually what serves her vocal style so well. As a further illustration of this, Adele suffered vocal damage several years ago because she used to have a lot of trouble with her mix and would pull her chest voice up well past the healthy point. Carrie Underwood is another singer who is not known for a strong mix and has had similar issues with pulling chest voice too high and subsequent vocal strain. So I don't think Chase's comparison of Morissette's use of vocal breaks with Adele's vocal health problems is apples-to-apples, but I do get his overall point of the importance of prioritizing vocal health in general.

@@yoojin3877 Thanks, yoojin! Excellent insight as always!! I would argue that the issue is *not* the "pulling of the chest voice up too high". Instead, the issue is the inability to disengage the *valsalva maneuver.* This is a very natural tendency of the body to close the glottis, particularly when we are coughing, lifting a heavy box, laughing, sneezing, or when we're going to the bathroom (if you know what I mean). Vocalists need extensive training to disengage from this natural tendency. (Note: Morissette used to have this issue, but she's gotten so much better at disengaging it, resulting in more freedom in the upper belts without sacrificing the "core" of her voice). Note: Modern vocal coaches often misdiagnose the problem. They will often blame it on "too much chest voice engagement", when the actual problem is the lack of training in disengaging the *laryngeal valsalva tendency.* It has been a mission of mine to dispel this modern myth about "too much chest voice" 🫡😃. On the contrary, the chest voice is the foundation of singing. Proper chest voice development is what gives a singer the ability to expand their vocal range, their dynamic range, the colour palette of textures and tones they can produce with their voice... The chest voice is the key! A compressed sound, while using proper open throat technique - this is the key! *A great example of someone who uses all these techniques correctly: Morissette.*

@@yoojin3877 Speaking of Adele, here is my favourite vocal coach, Ken Tamplin, speaking on the correct use of vocal compression and vocal distortion (e.g. vocal breaks, growls, vocal fry, guttural vocals). He briefly touches on Adele in this video: kzfaq.info/get/bejne/jpaJe6d8v53MhWQ.html Morissette, in my opinion, is a very advanced-level vocalist. Her vocal compression skills are so advanced, on the level of an Ann Wilson, Steve Perry, John Farnham, and Ronnie Dio - just to name a few. These are just a few examples of Rock singers who used heavy distortion during their decades-long singing career, and did so with proper technique. (Note: Morissette, if you recall, grew up on Rock Ballads).

@@JoeyAndamo Always good to hear from you, Joey! 😊😊 The typical end result of not mixing properly is still "trapping" the singer in their dominant register, which can be caused by a number of things, including what you mentioned. And it is an issue that singers like Adele and Carrie have had with pulling. I'm not disagreeing with you about the importance of a well-developed chest voice! I'm familiar with Ken Tamplin, and I do like some of what he says, other things not so much (such as his advice on tongue positioning, and sometimes I don't think his viewpoint on compression is nuanced enough). His methodology tends to favor those who want to sing in a distinct style (power/metal), and imho not all of his advice is well-suited to a singer like Morissette. But I also know people who took his courses and enjoyed them, and there are pros and cons to every teacher so I'm not singling him out specifically. At this point in Morissette's career, I'd actually love to see her work with a classically trained teacher, or someone who can give her additional tools to optimize the vocal health of her extraordinary instrument. At any rate, it's awesome getting to discuss this stuff with someone who is so passionate about singing 💖 So even though we may not always agree on every single thing, I hope you know that I truly respect you and love that you are getting other people thinking and talking about things they may not otherwise 🤘🏻👏🏻👏🏻👏🏻

@@yoojin3877 Love these discussions!!! We actually agree, but our emphasis may differ at any given time. I only brought up Ken Tamplin for his valuable insight on how to safely use vocal distortion, since he has decades of practical experience with it. He's definitely not the go-to for Pop or Musical Theatre, but when it comes to adding different types of distortion to the voice and doing it safely, he's probably the one I would go to. I was imagining how Ken's input would have *balanced out* Chase and Melia's worries on Morissette's use of distortion. I find that we benefit more when we combine these insights from different "schools". For example, when it comes to "belting" techniques, I would probably still go to a Ken Tamplin, or any vocal coach that prioritizes "open throat" technique for resonance. I do not prefer the Jo Estill method because she teaches *"twang"* for resonance. Singers that rely on twang end up with a shrill-sounding, whiny-sounding voice quality, in my opinion. My honest take on "mixing" is this: Our voice already thins out *naturally* when we ascend to higher pitches. As you noted, Morissette is already adept at lightening ("mixing") her voice, as evidenced by the tonal change into brighter-sounding tones when she ascends to the upper range (aided by the slight raising of her larynx and using more nasal resonance). The issue for her is the laryngeal valsalva tendency, a typical issue for singers and a very simple issue to fix. "Mixing" is actually a very new terminology. This terminology never existed until the early 2000s. Modern schools have placed *too much emphasis* on this subject as a solution to reaching high notes. Instead, what they should be emphasizing on is the training on how to maintain an *open throat* (i.e. open throat technique), to maximize the resonating space of their vocal tract and mouth. Then, *while maintaining an open throat,* the singer must train their voice to sing scales *in every vowel placement,* in order to achieve *muscle memory* on keeping the throat open on every vowel placement. Then, once you get that muscle memory down, then you can learn to use *vocal compression* (i.e. holding back the air, creating air pressure) to help you release into those high notes with resonance and power, without blowing too much air into your vocal cords. And because the vocal tract is *trained* to be *consistently open* on every *compressed* pitch (i.e. controlled airflow), the result is a rich, vibrant sound, even in the higher belting range, without causing strain on the vocal cords. 👆This training takes years to master. Not every voice coach has the dedication to teach this, and not every aspiring singer wants to go thru it, especially in our modern culture of "instant gratification". Regarding Adele and Carrie Underwood, the problem is that they weren't trained to *consistently* sing with an open vocal tract. *This is a common theme for most modern singers today, because today's most popular singing methods are teaching singers to constrict their vocal tract (using twang, curbing, etc.) as a foundational technique for achieving power and resonance in the upper range.* That's the culprit, in my honest opinion.

Kind of an odd remark, there have already been legit vocal coaches and sngers who reacted to this. Always good to hear from more, though.

Proud Filipino? How about I'm proud of her instead?

And all the while, I thought she was a Filipina; because she looks like one, and talks like one. If she didn't mention that she's Samoan, no one would have guessed.

@@rogeliozamora6018 Really? I knew for certain she was Pacific, one of my friends Ana is Samoan so I kind of get why people would assume otherwise.

@@angelodamato2407 get to know the Filipinos; those that look slightly obese, with their facial features, patterns of behavior, and their manner of speaking English - and you could notice some similarities with her. Quite enough for one to misjudge her as a southeast Asian, rather than a Pacific islander.

@@rogeliozamora6018 I'm a Filipino.

@@angelodamato2407 then, you'd know what I mean!

Lmao 🤣

Hahahaha

Haahha same😂

This is actually not a cover, bec she recorded this song with star music, the producer of this song.

@@jessasoliano797 It's considered a cover because Sheryn Regis was the original singer. Just like (as an example) Gigi de Lana's new rendition of Akin Ka Na Lang is a cover even though Star Music produced both her version and Morissette's original.

@@yoojin3877 its considered version, rendition, revived by, but its not a mere cover only bec it is recorded and released by the producer, which means they have the rights (copyright) to release it and make an album or include it in an album and make money out of it. A cover is just a cover, you don't produce and make an album out of it.

You can cover any song, record it with your team, post it in your social media accounts, without paying for the rights to make your own cover of it. Its that simple.

@@jessasoliano797 A cover is a new performance or recording of a song that was originally performed or recorded by a different artist. You're talking about other things outside that standard definition.

UP

Plus she already sang this song sitting down and while playing the piano. We all know she just acts like she's struggling to add emotions to the performance 😁

Up!

Up

Yeah, everyone's entitled to their own opinion, but I'm with you 100%. They had so many complimentary things to say about her. Her resonance even while singing staccato, consonant-dominant passages, her grounding and support, her volume control and variation, etc. They even pointed out things she does well that they need to improve personally. Chase's lack of enthusiasm for the vocal breaks is completely unsurprising given his classical training and the fact that he (and Malia) are very much still rooted in classical singing. But I heard it as him not picking on her specifically, just saying he's not a fan of that technique as a part of the CCM style of music. Plus, as Malia said(and as my own teachers used to say), you learn the "rules of singing" in classical training. Then, especially if you do contemporary training, you learn which "rules" you can break and how to break them. I heard a LOT of respect for Morissette coming from both of them, and I hope they will react to more of her music.

Up!!!

@@allengje Thank you! 🙏🏻🙏🏻

Yes 👏👏👏 Up!!!

@@JoeyAndamo 🙌🏻🙏🏻

Up!!! Echoing the request for C&M to react to "Will You Stay" and "Love You Still".

Except that's not a fact. It's literally called intentional voice break. Mori herself said it's an artistic choice and even explained how she's doing it.

u just made that up

That's what I noticed nowadays as well.....

Tellum bruh! Straight Facts!

I’m glad you apologized.