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Jazz Piano Tutorial - Slash Chords

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Walk That Bass

Walk That Bass

Күн бұрын

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This Jazz Piano Tutorial is about about slash chords.
A Slash Chord is (generally) a Major triad over a bass note. Slash Chords are actually quite simple to understand - they are analysed like any other chord by looking at the notes that comprise them.
Slash Chords are notated as Chord/Note. So a D/C reads “D slash C” or “D over C” and is a D Major Triad over a C Bass Note.
Slash Chords exist because
- They are an easier way to read complex chord notation. For example instead of writing CMaj7#9#11 (a complex looking chord), you can just write B/C
- They gives a ready-made voicing for the chord
- They give you a read-made bassline (and often a chromatic bassline)
The Triad can be played in any inversion but generally the 2nd inversion is considered the strongest.
The majority of Slash Chords use a Major Triad on top; however, you can use other chords, such as:
- Diminished, augmented or minor triads: Gm/C = C9
- 7th chords: Dm7/G = G9sus
These Slash Chords are all analysed in the same way - by looking at the notes they are composed of.
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Пікірлер: 16
@mungo_mick
@mungo_mick Жыл бұрын
Great tutorial! Thank you for the knowledge.
@hansleber6090
@hansleber6090 Жыл бұрын
Minor cant have a #11? I PLAY IT AND YOU CANT DO ANYTHING AGAINST IT!!! FREE Jazz baby
@seop1721
@seop1721 8 жыл бұрын
Hi. Is there an order to the lessons you'd recommend?
@WalkThatBass
@WalkThatBass 8 жыл бұрын
If you're starting from scratch, I'd watch my playlists in the following order: 1. Jazz Chords 2. Jazz Scales 3. Jazz Improvisation 4. Jazz Piano Chord Voicings 5. Jazz Reharmonisation These cover Standard Jazz Theory. Then... 6. Modern Jazz (this covers your more avant-garde/out-there jazz and is currently a work in progress. I am hoping to add a few more videos to this playlist over coming months) My other playlists (Jazz Chord Progressions, Jazz Genres, Jazz Piano Techniques) are more stand alone playlists and are also all a work in progress.
@seop1721
@seop1721 8 жыл бұрын
+Walk That Bass Brilliant; thanks. I've looked at a lot of jazz videos, and have some texts, some of which promise to demystify it, yet rarely do. You're video was the clearest, so I felt I'd check out the rest! Thanks again.
@seop1721
@seop1721 8 жыл бұрын
+Walk That Bass Are you familiar with Tim Richards' Improvising Blues and Exploring Jazz Books? I have those as they seem to be highly recommended, beginning first with the blues to learn improv concepts. Tim was self-taught, so his books seem to address the issues in a clear way, given that he struggled for years himself to learn! I'll try and make my way through the blues over a year or two! (I imagine it will take me 5 years to reach ABRSM grade 5, so I have time!) I'd love to see what you develop for the blues, too.
@WalkThatBass
@WalkThatBass 8 жыл бұрын
No, I'm afraid I've never looked into those books. I'll check them out though. Yeah, the blues is a great place to start. I have a playlist on blues piano also, though it still incorporates aspects of Jazz (rather than pure blues) - it's also one of the first playlists I made so the quality is a little sub-par :)
@amatta_
@amatta_ 7 жыл бұрын
I wonder how slash chords and inversion chords are different.. I have thought inversion chord is a type of slash chords. But watching your guide, slash chords seem different from inversion chords, in that the bass note is the root of the slash chord, while in inversion chords the bass note isn't the root note of the inversion chord. Thank you in advance!
@WalkThatBass
@WalkThatBass 7 жыл бұрын
Hi. So these concepts are a bit different. An inversion is the order in which you play the notes of a chord. A slash chord is just a different way of notating or thinking about a chord - and yes, it is generally in root position as we assume the bass is the root note (though is doesn't have to be). If we take the chord Am7, we could have: Root position: A C E G 1st Inversion: C E G A 2nd Inversion: E G A C 3rd Inversion: G A C E But if we wanted to write this chord as a slash chord we could write: C/A - which is a root position Am7 (This could could also be a 3rd inversion C6). So a slash chord is just another way of notating a chord inversion. I hope that makes sense. This gets a bit more complicated when you start omitting notes from chords and playing different chord voicings, but the idea is the same. A slash chord is just a different way of writing a chord.
@thezenbum
@thezenbum 4 жыл бұрын
So either way with the help of using a slash chord there is a bass note assigned for a reason. like to keep a bassline ascending or descending etc. it kind of tells us not to use any inversion we'd like to use for convinience at that spesific progression. Thanks!
@thezenbum
@thezenbum 4 жыл бұрын
Sir do we need to put a sharp sign for the note F, either on key signature or before the note, for the chord D ? www.thejazzpianosite.com/wp-content/uploads/2016/12/Slash-Chords.png ? Regards
@Netherlands031
@Netherlands031 8 жыл бұрын
How do you determine what scale the slash chord is in, like you have at 2:42? And if you interpret D/C as a Cmaj13#11, what happens to the E and G of the C, isn't is a sus chord now?
@WalkThatBass
@WalkThatBass 8 жыл бұрын
Because slash chords are missing notes, the become very ambiguous. The scale you play over the slash chord will determine the type of 'chord' that the slash chord becomes. Also, you want to pick a scale which contains all the notes in the slash chord. Take D/C, which has the notes C D F# A If you play C Lydian (C D E F# G A B) - the slash chord will sound like a CMaj13#11 (because the scale as an E and B) If you play a Lydian Dominant (C D E F# G A Bb) - the slash chord will sound like a C13#11 (because the scale as an E and Bb) Notice both these scales have the notes C D F# and A in them. Just because the chord voicing is missing the 3rd doesn't necessarily make it a sus chord. It's only a sus chord if you play a 4 (or 2 in the case of a sus2 chord) instead of the 3. In the case of a D/C, we have the note F# (not F) so this cannot be a sus chord (a sus chord has a natural 4). A Bb/C would be a C9sus chord because it has the note F in it.
@armandolopez8726
@armandolopez8726 Жыл бұрын
Damn how am I supposed to remover all this 🤯
@hansleber6090
@hansleber6090 Жыл бұрын
Just practice man. Step by step. In all keys
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