in soviet russia, you do not find delay, delay finds you

VAL!!! Its been ages since I last saw you!

Thank you for this lesson.

Thanks wery usefull knowledge

Amazing

Very Good

Мега мощь !!!)

WOW, I'm not ready for this. Lol

Wave audio rock!

I don't need this but this video was very interesting

How you setup with Waves MultiRack? Please !

So it's like some kind of automated processor ? It seems it can replace everything we usually do using a processor on a sound system (delay compensasion, eq for the room, and even compressor if we use other plugins)

How can you do all of this without having smaart?

si tu passe pas tes sub en full range pour dire au logiciel ou sont les sub par rapport au micro en impulsionnel et ensuite regardé la phase ,ta phase est faussé. Sauf si les sub sont collé,la sa marche.

Hey Waves, hope all is well. What is the spelling of this kind mans name? Is it Vaal or vel. Just enjoy his presentation every time with his accent. Hope he keeps presenting more videos for Waves.. Thanks for sharing..

Shouldn't the Delta at around 4:30 in the video be 20? As in 36.29-16.29?

I'd like he's "have a great show"

❤❤

i can't get any captures in smaart. I'm not seeing level when doing the spectrum captures. i have ins and outs set right. i see level in the small meter on right but nothing is getting recorded. any ideas?

And what about coherence? If you have a uneven response like in the video, you also need the coherence to make a solid interpretation of the measurement. It is totally wrong to stupidly create an FIR-Filter that compensates a Measurement with low coherence which is of course corrupted by a lot of factores (for Example reflections of all kinds)

On which link to I find track?

I'd like to see how does tract handle measurement problem like ground/wall bounce or comb filter from several PA source? I always used tract in mono to avoid it but how could does it play in stereo?

I am totally lost ...you can you all this this smaart already .... then why bother using the plugin ???...what I am missing here ?please answer anybody ....thanks

sir, what is the name of the mic used to measure in this video? What's the brand and mic series? Thank you sir

Smart,dirac live apps ,rew how about liencese and price .

the delta value at 4:41 is correct?

What we would really appreciate is to see the response after the processing is applied and you don't do that in any videos... Isn't it what it is supposed to do? Why not show it?

Who eqs before time aligning? That seems counterintuitive, how can you eq when you may possibly have phase issues due to time alignment. Does anyone else delay their PA to the kick drum/bass amp?

Is TRACT able to create an average curve out of multiple Smart captures? Given the fact that you usually have a quite wide coverage with a soundsystem I find it inconvenient to use a curve used from measuring one point in the audience only.

for cost of PA id expect this to be bundled lol

It'd be great if he went through hookup also

I never boost frequency between 250-400hz i usually attenuate, thats where's all my boomy kick sound lies...just sayin tho 😬😬

А можно сделать эту обучалку на русском?

how we avoid feedback destroyer

So difficult

oh dear.

yeah, let´s correct it exactly in the high frequencies like shown. probably there will be a little problem with Sibilance in the vocals ( and much more ) Sorry, tuing a PA is not that easy and will never be. The Human part is still there to NOT do it with a simple stupid auto correction curve! The older mixers know that, but the younger genreration wich is used only to plugins and digital?

In the Seventies and eighties we used a radical system, our EARS.

“now your frontfills are time alligned to the mains” Really??? :-)

Yeah... Step 1 where you measure the response of the venue is already misleading. You want the response of the venue as heard by the audience, and NOT only the mixing seat. It might make more sense to capture an averaged response from a field of mics, scattered around where the audience will be. Great, so after you've tuned your system for audience positioning (room response) and time-aligned, then you have to account for when the audience is actually present. As we all know, a crowd of people will damp and attenuate signals, as well as reduce SNR, though on the plus side they help scatter room modes. From this point, you can pick your poison for coping with the audience. Maybe use a preset to estimate damping, for various crowd sizes (this method is static and sort of dumb). Or maybe keep field mics in place and use signal coherence (with averaging) to estimate how source-to-receiving transfer functions change under the presence of an audience. Now we're talkin'!

with that phase and frequencie response between PA and Subs the responde will be comb filter dont do this never

Some "bumps" and "dips" simply shouldn't be equalised. Blindly flattening the magnitude response doesn't solve the whole problem.

Just use fletcher munson curve on eq and you're done, no need for this computer 😅

Are you kidding me you call this a step by step video, cmon waves

чувак видимо русский?

please put somewhere content in another language, only in English

he russian?)

what a hell of an accent................

😴 😴 😴