absolutely! yesterday I was watching the BTS of harry potter movies. It is just so intriguing to watch how a film was created , how everything on sets work, and the crazy efforts these people put out to make those enriching films.

So true Im very interested in editing and want to see how professionals work, seems like a fun job hanging around with your friends and doing it together 🥰

for bigger movies i’m pretty sure there ndas and other contract details that don’t allow this to happen, at least not very in depth. disney(and other major hollywood studios)definitely does not want everyone else to know exactly what their process is. it might end up hurting them.

KZfaq editor: And my presets that will make your every project you work on look like a movie

@@williamshakespeare9815 These LUTs will make ANYTHING look cinematic.

​@@pooyanmanoochehry2629 without Proper knowledge it makes footage into Sh!t. U should know that NO Professional Colorist will use Luts. Especially in Cinema Industry or Commercials they Don't use Luts or Presets.

@@Gameboy-2000 But wouldn't they make their own files that they can reuse?

@@greenpulp. maybe they might use their nodes and tweak them, I don't know exactly but there is a chance I think

Well, in this one the story is literally made and built in the edit...

@Inês Devezas of course. What I was saying was that story is more important than gear/editing softwares. People will overlook that sometimes.

​@@gwm-btdbattlesagar.ioandmo9988if you have a bad editor and gve them the most expensive software, it will be a bad film. If you have an amazing editor and give them the worst software, they will make a decent film. Gear is just a tool.

the whole "this is better than that" in the editing world is so silly, they all essentially do the same thing - it's 100% personal preference.

@@augustr6456 exactly

It is!

HELL

Glad you enjoy it!

Man do u know how to make en effect like 0:20? With camera moving right? Or is it the footage moving left?

@@Jaa_morant In premiere pro, you can use keyframes to make it do that. There is not really an effect. The keyframes would also be in an adjustment layer so the footage doesn't get crowded.

Pro tip; you should never edit in AE. AE is for effects. Editing in it is a huge headache.

But what if we work in online......?

I actually use some AI plugins on premiere pro to help me with some things to edit

@@braintis That is the best AI can do; ease out the workflow. However, for the creative part of knowing the story you wanna tell with your edit - that will always be left to the editor.

@@CaptainJeoy it depends on what your editing with and for, one of the plugins I use cut out every peice of a long amount of silence if I tell it the amount, it practically makes the video for me just with cuts

@@braintis You don't still get it? Editing a video is a very subjective thing, and even if you use an AI to ease your process, you as the editor will still be at the helm telling it what to do - just like you did with your AI plugin.

lol i feel ya, that's why i avoid working with clients that don't tell me what kind of videos they want.

Man do u know how to make en effect like 0:20? With camera moving right? Or is it the footage moving left?

@@Jaa_morant Yeah Sure .... that looks like they zoomed into the footage and then simply did a position left in After Effects or something like that.

@@theequietstorm that’s what I thought thanksss! Gonna try and hopefully nail it in Adobe premier pro, even tho I’m a no pro, haha!

With PR its wise to have the 32gb M1+ Pro or desktop for sure WIndows no idea I did a project some time ago last year it was nothing at this scale but similar and we did amazing on what i discribed above but we DID use FCPX w/ motion not Adobe Adobe is rather demanding on the M1/Apple products when you start getting deep in layers

it doesnt matter, its only used to push 2 or more controllers at once ( cant do it with mouse cause you can grab just one ) You can use even midi controller with knobs for that

Would you say the same about a Pixar animation, which essentially follows a similar approach?

Thanks for watching! We actually didn't lock anything before filming - quite the opposite. What we created in the previs phase was a rough backbone that we could use as a jumping off point once we had the footage from the shoot. It helped us dive right into focusing on performance instead of having to worry about animating all those graphics at the same time. Once we had all the footage cut in, we then spent many, many months reworking, rewriting, re-animating, and re-editing each scene until it was right - in both major and minor ways. This workflow allowed for a massive amount of creativity each step of the way, with infinite ways to solve problems! Cheers, hope that helps!

@@ariellezakowski9607 Wow very informative thanks for sharing 👍🏾

​@@ariellezakowski9607 sorry to bother you, but I was wondering... there is a speed editor ish object under the monitor at 0:40 , do you remember what the name of it is? Would you recommend ii/find it useful? Thanks