😂😂

Shelf is something I built, search the channel I did make a video on how to do it!

Soundgarden is my all time favorite band, and Superunknown is an absolutely FLAWLESS album all the way through. True definition of all killer no filler!

If you were asking me I'd go for a roadking triple rectifier I'm not sure if they made any mark editions with the same road king features but those are killer

Yep X-Load with everything. I LOVE York Audio stuff! Didn't know he made a Dyna Cab

@@RiffsAndBeardsIt just came out a few weeks ago. Check it out! Did you not use any boost or aggression on the Revv?

OwnHammer Mesa OS impulse!

I'm a fuzz guy. That's not fuzz sounding at all. It's got a tight kind of grinding sound in the mids and it sounds really clear and chords ring out like nothing else I've heard. I thought it was the best sounding amp.

Fractal X-Load loadbox and an OwnHammer Mesa OS impulse!

@@RiffsAndBeards Thanks man! Really great tones here.

Kabnitreee's!

I think he's usually in some variation of Drop D, but these guitars all sound like they're in Drop D, down a half step (or Drop Db). Like Alice in Chains, Alter Bridge

​@@rockyowitzC# tuning with the top string dropped like in drop D.

Really!+-?!-+

It seems we are in a minority, but I'm inclined to agree. It's the only one that stood out to me. It's just incredibly nasty and in your face, but in a very precise way. It really has that grinding sound I like. It does some crazy things to chords especially when there's a a few dissonant notes in there. And it has that thing so few high gain amps have, you can hear every note in a chord at insane gain levels.

That's what the JMP is for.

Not the same

Don’t temp me

I am a Duncan boi now

@@RiffsAndBeards What made you go back to passives ?

Analog modelers.

Shelves are hollow. Things go inside them

​@@Ottophil thazzzz whut hut hut she wee bee said ,that'swhatshesaid.

I thought he's more about shying away from expensive "tonewood" and expensive pickups. Never seen him say anything about all high gain amps are the same.

Yeah bud, that's not what he is saying. He is about trying get people to stop spending money on stuff that does not matter, or does not matter nearly asuch as people say. Plus he has testing that confirms his hypothesis.

@iifesterfilms6745 Amps definitely make a difference though. This video clearly shows that, at least with the Deizel.

@@Patrick-857 Glenn doesnt say that amps don't matter. He makes the point that there are other things in the signal chain of a recorded guitar that can make MORE of a difference in tone.

@iifesterfilms6745 Well speakers certainly make a massive difference to the tone, but imo the speaker acts as a filter. The speaker's influence on tone is mostly subtractive (I'm an analogue synth guy as well as a guitarist) as such it can only change what's already produced earlier in the chain. Amps are additive, they are introducing harmonics, and are altering the dynamics which can be both additive and subtractive. The speaker is a very obvious and surface level influence, but a bad sound is a bad sound through any speaker. He also denies pickups have much influence, but we all generally know that's untrue. It's obviously untrue because the pickups are the source of the sound. Getting back to amps, they aren't just EQ, their influence is in the harmonic distortion, and how they alter dynamics as well. Just look at the massive variations you find in the world of fuzz pedals. He's like the people who claim an SLO100, a Mesa Boogie and a 5150 all sound the same because they are all the same basic topology. They aren't the same, they all have very distinctive sounds. Glenn's recent video on that exact topic is very scientific, if you are myopic like him and ignore everything else but the EQ curve on a screen, and take pains to dial the amps to sound as close to each other as you can. The EQ curve on a screen isn't the whole story. Glenn irritates me. I used to enjoy his content back in the early days when he first went viral ripping on bass players. He's right about some things, but he's really annoying and he takes things to an extreme. It's all irrelevant now anyway as most up and coming players are using plugins to get their sound now anyway, and most of that software will teach you really quickly how tone works. If nothing but speakers matter, why is Buster Odeholm using a Fab Filter dynamic EQ and all kinds of other crazy stuff on his DI, before it even hits the amp sim? Why not just EQ everything at the end with the right IR and be done with it? Why are we not just sending a Metalzone straight to an IR loader and calling it good? Every part of the signal chain matters. Real producers know this. I look at what successful producers and engineers do, and listen to what they say. Glenn is primarily a KZfaqr, and he's not really worked on much music of note.