Machine is like a mad scientist for audio. I love that man!

doing this kind of crossover splitting can lead to phase issues, just use a compressor with sidechain eq input and roll off the lows on that

I knew about the „inside / outside“ submix, but making the low-end of the bass dance to the kick was a real eye-opener to me! 😍

I love the way he explains stuff, simplifies it so the small brains like myself can understand

Machine is a gift to this Earth.

what i found about mix bus compression is that if you push it too hard, you basically remove any semblance of dynamics between quieter and louder parts, which the "SSL , 30mS attack, Auto Release, 4:1 ratio, aim for -4dB GR" might be working against you for songs that aren't just full blast all the way through.

I found out what "Over-easy" compression is: A function found on some dynamics processors - most frequently compressors - that gradually changes the function of gain versus level once the signal nears the threshold. In a normal compressor, for example, the signal is unaffected until it reaches the set threshold. When this happens the gain change characteristic goes into effect. If the compressor is set to a 2:1 ratio then the output will now only increase 1 dB for every 2 dB the input rises. With over easy engaged the ratio gradually changes from 1:1 to 2:1 as the signal nears the threshold. In fact, right at the threshold it may only be something like 1.5:1, achieving full 2:1 compression a few dB beyond the threshold. The thinking is that turning the compression on gradually can result in a less audible transition from normal gain into compression, particularly when used at higher ratio settings." but what are some over-easy plugins besides Silver Comp in Logic? Seems to be found on DBX units

Can’t lie I saw that fat lamb of god ntm a couple years back and that sent me off into audio, pprrreeciate tf out of everything! Love seeing you guys active

I really love that supercharger compressor on more aggressive vocals. Especially with the punch setting and a bit of saturation

i had tried doing a pre-fader parallel mix-bus send and then HPF, leaving only the sub frequencies, so it would get a similar affect to this, but idk why I didn't account for the fact that the subs are literally still in my mix bus and pinning my mix bus compressor. I'm going to try this inside out thing next mix

Machine Rules!!!!

I get the feeling that Machine likes cars, idk why

Very cool, Machine is the man

Can somebody explain his setup further here? Is he mixing Left Right center compression? Sidechaining elements and whatnot?

I’m confused, is it just the sub of the bass on the “outside” bus? Would you also do the kick as well? Do I need to buy this session to find out more?

But how do you take a portion of something "outside" by using a send? For example during a blastbeat section?

I love that he’s doing this on logic lol

What about a side chain filter or multi band Compressor?

Can someone just confirm which instruments are being sent where? I get that the sub is going outside and getting sidechained, but nothing else? Or just that's where he'll also send busy double kick parts when necessary?

Being brief, concise, and precise are important. As much as I get he really knows what he's talking about, it's really hard to decipher from all the unnecessary length. Inside and outside? Of what? Come on, there's better terminology for this.

Does anyone know what kind of cans he is using?

Who is Machine, and what song is this?

Can't stand today's drums... They sound too fake...

The over-the-top delivery is completely distracting from whatever it was he was trying to say (no idea what it was - I was completely distracted). Just talk normal, for crying out loud...