have you compared it vs Invisible Limiter G2?

Are the h3000 factory ever on sale? I really want that but not paying that crazy price.

IMO Elevate is way better than Invisible limiter. Way more features and it doesn't break up as easy. Also, Eventide is constantly having sales, even on H3000. Sometimes very good sales. H3000 is awesome. It's hard not to use on everything. lol. Seriously! It has THE sound. Well......close enough for a plugin you can put on all the tracks you want😜.

What? so i cn get it for 19+39?

Same here

This worked for me! Thanks!

@@TheRealJoe1234567890 how did you go about getting that deal? Did you buy at plugin boutique or eventide? Where did you see the upgrade/crossgrade? Cheers.

@@jorykevinberger7047 Go to www.eventideaudio.com/products/third-party-plug-ins/mastering/elevate-bundle and click the upgrade/crossgrade button.

Yes, you really get it! I just "upgraded" to DMG Limitless from Elevate last night. But I only recently got Elevate, and I still like it, as a runner up. I agree with your rating - although there are probably some other Limiters that are fit more the console emulation role that I would turn to for a particular feel. (To those who haven't tried Limitless, I must say that the experience I had with it was way beyond what I expected; and perfect for what I do. I tested I like to be inspired and hear things the way they will sound when mastered. With Limitless this seemed to happen. Its not ONLY a limiter, but actually accomplishes something as powerful as Gulfoss, without even stating that it is doing so. Adjusting its dynamic EQ aspect is so transparent and organic that I will probably use it for a good portion of my EQ'ing. I sometimes turned to console emulations when trying to add "sheen" for instance, but Limitless blew me away with its ability to adjust its color (using its 6 bands of curve). Because I was so impressed with the natural sounding sheen it added I next had to see what it could do for portions of bass - and I was equally impressed. Meanwhile, for those instruments in my mix that had nice compression (kicks, bass guitar) Limitless seemed to make these parts of the track more noticeable and even to stereo-ize them. I know that some producers will need to stick to keeping the sound much the same as intended by the artist - for me Limitless can do that if you watch the 20 minutes of their instruction videos, but the bang for the buck for me is its creative and enhancing potential, making things pop as you like on a mix bus without spending tedious minutes with EQ's on multiple tracks. You can of course save the preset, and load it onto individual tracks for producing stems.

the middle ear

The frequency bands are set to critical bands by default. Might wanna check out that term if unfamiliar

Vincent van Gogh? :)

@@DekriteN09 You’re wrong... Its the back ear

How do you think this one limiter compares to Pro-L 2, for example?

@You Tube True, he only mentioned the full price in the video though and says its just for the limiter and I was just trying to clarify what all it comes with ^_^

kzfaq.info/get/bejne/b614dsyaqbKsgWg.html Mel Scales Explained

this guy soldout quicker than dat ps5

I don't think this was the purpose of this video. He points out that he should "get into this plugin" to provide a more in depth review. Your comment is, at best, about showing of your deep knowledge about the secrets of this plugin and its underlying concept.

@@jaegervand2112 no, he does so many 20 min reviews about all the shitty plugins of i.e. masteringthemix and doesnt spend any time or effort with this quality product, i was just a bit disappointed by that...

@@thorgudav1489 I get that but it kind of makes it even more valid to me. Most new plugins these days are over simplified and very easy to get into. This one requires serious dedication and the Snake Oil videos is, perhaps, not the best place for a deep dive.

Its not about ATM. It is what it will always be. Just like its meant to be...... Mwhahhahaha Its my go to.....Still does all the things we need.. after all, with all the auto gain implementation, overall.. this kills it.......

Can we have a share? 🍻🥂

Lol

Didn't work for me after buying $19 for Saturate- still $79 for Elevate Bundle

@@neilslade $79 is the sale price for the full bundle, you need to get the upgrade option instead

@@neilslade Go to www.eventideaudio.com/products/third-party-plug-ins/mastering/elevate-bundle and click the upgrade/crossgrade button.

I finally got the $19 + $39 deal- i had to register Saturate, install it with ilok account, and then I wrote to support and they sent me to the right page. $59 total.

7$9 the plugin is the bundle

FYI it comes as a suite of discrete plugins, ie you can load up standalone EQ / transient processor on say, the drum bus

What are you using from this bundle thats better than the ozone plugins?

It’s not necessarily “better” but I’ve found myself incorporating it pretty much immediately for tunes where I want “louder” punchier masters - it has a different tone / saturation than Ozone to my ear, maybe slightly less “sheeny”? I like the built in EQ / multi band transient shaper for finessing during mastering stage, things that I’d probably normally dip back into the mix session to dial in. I’ve been A/B-ing vs Ozone every time and sometimes I’ll leave in Ozone’s dyn EQ before Elevate, but I’ve been leaning toward Elevate for the end of chain pretty consistently. Btw I waited for it to go on sale, and snagged the bundle for $70-ish at Plugin Discounts so the sales are great whenever they happen.

What types of material did you use it on to get better at understanding and using it?

@@patchesinblue I was using it on my own music which is mainly retro electronic. The material is quite musically dense but doesn't feature drums much. The sounds I use a very varied so it can be a challenge to get it all to sit together. The normal approach to limiting and compression sounded too congested but elevate allowed me to get enough loudness with more clarity. KZfaq makes a mess of the audio but you can get a rough idea of the type of material here - kzfaq.info/get/bejne/bLFkqauAnZ2riH0.html

@@DaveBessell Thank you - that’s a helpful example as reference, and a solid piece in and of itself. Thanks for sharing!

and a LUFS meter

What your top 5 plugin

for me, I see it as more of a pre-master plugin... unless I end up with just a computer and then it'll be part of the Master chain

You cant. Sorry.... The simple answer is L2 is simple.. Still one of my faves for a Brickwall limiter... But Elevate is more than 26 L2's , and with each one having a multitude of options.... Thats the simplest explanation when asking for that type of comparison.... This thing can be easy az picking a preset.... But , the rabbit hole goes way beyond deep if you dare go there.... If downloading the demo, and just picking a preset that doesn't float your boat.... Nothing will be better than L2.

Its much better than the Ozone Maximiser. Requires a bit more knowledge and a good set of ears to use it to its best potential though.

@@DaveBessell It's not better, it just has another tonality / color / saturation of the signal, and both - ozone and elevate have pros and cons in some ways, it's more like a complement than an advantage of one over the other.

@@madampaysz5528 I suppose I should have said it was better for me. There were some things that Elevate could do technically because of the multiband approach that I couldn't do with Ozone. Ozone isn't terrible but I got closer to what I wanted with Elevate.