One of the first jazz songs I learned to play. I guess I never realized it was written by Tadd Dameron, I only know him through his awesome album with Coltrane.

I absolutely love the jazz messengers recording of this. Tadds is great as well but the blakeys version just has this bite to it

My trumpet player brought this to our jam last winter. It's such a happy song! I call it every week!

Lady Bird has been a favorite of mine for years! Really appreciate you sharing.

This channel is gonna hit 100k some day. Content and production quality are just top notch.

Love your explorations. Thank YOU very much!

The turnaround baby-that is one of a kind and makes the song very special!

Played this tune for my college auditions! Love to see this. Thank you. :)

Dude your video are great! You're so knowledgeable and down to earth, I like that approach so much. And don't be afraid to talk more about the harmony , that's the interesting part! (At least for me lol) . Keep doing you!

Very interesting. Played this just last night at a rehearsal. Thanks for sharing.

Check out Dexter Gordon’s version of Ladybird (a video here on KZfaq). I have watched that video more than any other by far. A truly amazing quartet and performance.

Great video, mate! I also like Dexter Gordon version a lot. Which I actually used to transcribe the melody. And it is also an amazing practicing tune to work out different concepts.

So what is a shout chorus? Well, a shout chorus comes from the world of big band arranging and was extremely common in the swing era. A shout chorus is where, typically after a few solos, maybe halfway through a song, the whole will interject with a melodic phrase, generally played in rhythmic unison, really loudly - hence the term 'shout'. Shout chorus' will often trade back and forth with a soloist or drum break, and are break up the pacing of the solos. They're indicative of a more structured approach to composition, and so aren't all that common with smaller jazz ensembles, which generally simplify tunes so that they can easily be played at a moment's notice with a group of unknown musicians. A classic example of a big band shout chorus can be found around 3 minutes into the Benny Goodman recording of 'Sing Sing Sing': kzfaq.info/get/bejne/qJiDZKyQzsvSZnU.html A more modern example can be heard in Don Ellis' recording of his song 'Whiplash' (the song that provided the name for the Movie) towards the end of the song: kzfaq.info/get/bejne/pqmpnsqr192tp2Q.html For more on shout choruses (including tips on arranging a shout chorus for a big band) check out Evan Rogers' blog post: www.evanrogersmusic.com/blog-contents/big-band-arranging/the-shout-chorus

Love your videos! Have no clue what that nursery rhyme you’re referring to is though hahaha

Yes! I love this tune and especially the contra-fact Half Nelson! It’s definitely one I latched onto early on and kept in my rotation.

This is one of the first jazz standards I learned and I wouldn't have had it any other way. Learning how to play over that turnaround felt like I had just unlocked some jazz secret.

Completely agree with your opening words there - even though this piece is a slight pedalling nightmare on the Harp, it’s a pibes I adore playing ❤

There is a great version of this song played by Roy Hargrove Quintet that you can find in KZfaq. One of my favorite. Somehow he managed the listener to feel all the potencial beauty of this song that is being called as a "overcalled" one when it comes to a jam sassions. So that version is definately a must-see one.

I really like this chord progression, all those subtile changes... A nice way for training your solos. I wonder, are there other similar standards with borrowing chords // parallel key while having a nice tune ?

Since Prez (Lester Young)called his friends Lady before their given names maybe Tadd Dameron was was referring to and dedicating the song to Charlie Parker. Just a thought that came to me as I was watching your video.

There's a version where Miles Davis introduces it as a Tadd Dameron composition. I think this is the definitive version.

Dameron did nor write this song, but finally recorded in 1948. 251 is normally Dm G7 I, but used the substitution with Fm Bflat7. Charlie Christian used to do this 2m 57 in 1939 at the Minton Club. Then totally changed the key of C to key of Aflat with 251. then back to C with 251. When he recorded with Navarro in 1948, he did not solo with tritone sub for 7th, but the current lead sheets all have flatted 5th for 7th.

the Miles Davis "Live at Birdland 1951" is my favorite version of "LadyBird"

Awesome! Will go further down the rabbit hole, in search of my vocal line (had to laugh, nobody plays the head the same). Check out John Lake's arrangement on his first album Seven Angels. Mahalo! We've been working on this tune for a couple of years.

There is a great rendition by Dexter Gordon you can find in YT

The Dream is You Vanessa Rubin Sings Tadd Dameron: 1st song is Lady Bird. There is a new album by Gary Smulyan w Anais Reno vocals: Tadd's All Folks.

Dameron was an awesome composer.

My favourite version is from Dexter Gordon’s album: More Power!

The definitive version is chet bakers/charlie parkers version imo love the video and song bro

Fats Navarro was the king of the beboppers as far as trumpet players go.

Leonard Bernstein's brilliant dynamic reinterpretation of Harmony in the 1st lecture of the Unanswered Question posits: A) That ambiguity is deeply related to beauty and expresivity in all the Arts, and B) In harmony there are two fundamental forces present much like Tao ☯️. One (Diatoniscism) is a force for clarity and keyness if you will while the other (Chromatiscism) is a force for ambiguity expressivity and chaos. So harmony is actually the interaction of these forces. So put another way the history of (post tempered) Western Music ends up in being a composer driven high speed power dive into higher and higher levels of chromatic density or the increasing architectural inclusion of harmonic ambiguity or notes outside the key until this collective composser driven process eventually brings about What Bernstein calls the 20th Century Crisis. So from Bach who definitely let the chromatic cat outa the bag to Stravinsky & Schoenberg a historical/aesthetic spectrum of increasing harmonic ambiguity exists until this composer driven exploration of harmont brings about the 20th Century Crisis or modernism. But in jazz that 200+ year process plays out really in less than 80 yrs. So Tad's inovative turn around is a perfect example.

3:23 is that a 'Four' quote? Talking about the background music

Never really thought of it as borrowing from the minor key. I always just thought “a back door 251 to C”

Was that you playing it on guitar? sounded beautiful.

As for the meaning of Lady Bird, I think it's combination of the British sense of a "lady" as the female version of a gentleman and the British slang "bird" or young woman. Hence a lady bird is "a young woman of high social standing or refinement, especially when viewed as dignified or well-mannered."

Opinable!..the best is EASY LIVING !

i had absolutely no clue the british and australians say "ladybird" for "ladybug" in the USA, it's ladybug all the way

Hot House

Awful recording but yes, definitive version - "Oleg Chaly Jazz Organ Trio.Lady Bird" on KZfaq