best vid ive found so far on plein air, very clear and instructive Thank you very much!

Wonderful demo! One of the best I have watched in quite some time. Absolutely full of juicy nuggets of information. I will be re-watching multiple times I'm sure. Thanks.

Best explanation of value compression I've come across, thanks Marc! Great sound quality by the way.

Thank you for posting this video. It is succinct and provides solutions to resolve major problems one runs in to while painting.

My bristle brushes are all filberts, with a smattering of rounds. For sables I use all filberts (cat-tongue as the Italians call them). I posted about my brushes on my blog, I can post the link in comments, but you can do a search on my site.

Great video Marc. Thank you for all your insights.

Thank you for this very nice demo. I am amazed how you can hold so many brushes in your hand, never using a rag and not end up with paint everywhere in your hands, how do you do? As well as having such a little room to mix your paint on your palette and still get very nice colors! Love your paintings very much.

I have watched 100's of demonstration videos and this is by far the best...I will listen to it many times...just the audio...take notes...I've learned so much...thank you.

Marc, thanks for sharing about the compressing of values. I have struggled with this, and in one minute you have clarified it!

thank you. I will watch again.

Thank you so much. heading out of the studio for some PAP and your tips are so very valuable to me !

Well explained as most artist don't know how to express in words..

Thank you so much for such a detailed lesson!

Superb! Learned so much! Will be re watching. ..thank you.

That last comment should read 'can't post link'. I start with larger bristles, then use the sables for the detail work.

Excellent advice, thank you!

wonderful teaching video.

Extremely helpful. Thank you!

No matter how easy it seems when you see someone paint ; I’ve done it enough times to know it’s not easy.

Never seen your work but by the looks of your wheels I guess your pretty good so I’m staying stain canvas and up high I guess again for students. Cheers brah.

One question, I see whole landscape is in cool muddy colors, then is there any specific reason behind using warm color wash... and one more, does it really help to put the canvas at that height, I never thought of it...

THANKS.

I would have liked to have seen the clouds you were referring to when discussing the values

Thanks for being so generous with instruction. Enjoyed very much. Would love to see you come stateside for a workshop. Any chance of that in the near future?

because of that you shouldn't have gone out in the cold!

It's so hard to talk while you paint. I can't do it.

thanks

vc é o cara landscape 10

thanx :)

What's the thought about having so many brushes in his hand at once? That looks a bit uncomfortable.

please can you tell me what easel is this? @marcdalessio

Land Rover Defender 110.

Oil or acrylic?

I like very much the compression of values, especially of painting those gradients in order to extend the perception of the lower range of tonal contrast that paints allow.