The Dutch are famous for still-life paintings. These began with sober arrangements of objects chosen to remind viewers of the brevity of life, as can be seen in the early works of the pioneer Pieter Claesz. Later artists went on to paint sumptuous compositions of expensive objects that reflect the confidence and pride of the Golden Age. John Walsh, B.A. 1961, Director Emeritus of the J. Paul Getty Museum, Los Angeles, and a specialist in Dutch paintings, explores the motives for still-life painting and the likely responses of 17th-century audiences.