But his sound tho 🤩

Nate M i believe this performance showcases the very struggle between professional musicians and perfection in music. he slaves for hours on fundamentals, he slaves on technique, he slaves on absolute perfection until the perfect sound is omitted. absolute perfection, all though impossible to reach fully, is the only thing that drives this struggle. its the only thing that keeps music itself real. and i believe this piece in particular really shows the ups and downs of every musicians professional career.

Evan Beachy That’s what I’m saying

He played this perfectly when he was twelve search it up

Kevin Ward he said he’d only been playing 3 years at the time too ....

He did a recording of the carnival of venice at age 15 that is arguably better than this one.

humming or polyphonics whatever that means

hes not playing 2 notes, hes just playing really really fast

This is double tonguing.

@@markmavashev4951 not really though it's slurred

contrast in the stacato low and slur high notes

Wynton plays is much more beautifully in my opiniom

@@elija8606 Wynton is a supremely well rounded player, but for classical styles I much prefer Sergei Nakariakov. But I would say it is a matter of taste. As well as Wynton plays on everything, to me he is still primarily a jazz musician

Gary Leming not at the time he was playing music like this, you don’t get a Grammy for classical performance for nothing...

@@garyleming3820 He is a jazz musician, but he studied classical music too, so he can be considered a classical player. And yes, it is a matter of taste

Rafael Mendez surpasses Nakariakov's technique and musicality...period...end of story...Go Listen to Moto Perpetuo, Haydn Trumpet Concerto, Mendelssohn's Concerto, Scherzo in D Minor, La Virgen de la Macarena, just to name a few. Then go and ask Nakariakov and he will tell you that Rafael Mendez is his idol.

And this guy was playing this stuff at 12.

What I think hearing clarinets in jazz. They sound so good! Such a beautiful sounding instrument. Edit - sorry, trumpet player here. Mutual respect.

Well, he has been playing it for years! Even when he was a kid

@@georgesteffey8375 oh crap your right!

thats wild

@@King_Wombleliciouse yep, he's one of the best. Probably my favorite trumpet player

@@georgesteffey8375 mine too lol

4:20 You can tell he goes to different manners , as he was clumpsy and heavy ( like an elephant) and right after that his sound goes as Fluffy and light as it was before ( birds), right after is like if You are hearing the whole circus of animals arriving

I know! He's something else, very special Indeed.

16th notes? I meant 32nd notes.

Слушая его исполнение всегда плачу

Which one do you mean exactly? Check out his own KZfaqs “Working outs” in the hut at home!!

日本人がいた

なんか安心笑

How'd it go? 😊

Brad Stewart I agree with your statement. It’s hard to get any better than this. It basically absolute perfection except maybe certain interpretation differences. My issue with this one is the final variation is the blattiness of the accented notes. I’m sure he could play this section any way he likes but his over accentuation is not the delicate style I’m used to hearing on cornet solos. Maybe because I always have used Gerard Schwarz as the measuring stick for cornet solos. Have you heard Rafael Mendez rendition. It’s one of the few pieces that he plays without his classic Spanish tone and flair. And it’s no surprise his rendition is flawless as well.

mmhm it actually sound exactly like a classic trumpet man ^^'

Effort in brass playing comes in practice, not in performing. For him, this IS effortless, because he’s practiced it to that degree

Джаз - параша. Рядом с классикой это как болтовня обкурившегося негра по сравнению с речью академика.

技術は完璧ですけど、一番大事な音楽をやる喜びとか感情を表現するとかがこの人からは全然感じられません。こういう人は彼だけでなく世界にはいっぱいいます。 みんな音符を完璧に吹くことばかりを目標にして競争をしています。一生音符の奴隷だということに気が付いていないのです。 Raphael Mendezを聴いてみて下さい。これが本当の音楽です。この曲なら最近アメリカの若い女性が素晴らしい演奏をしています。暖かい音色で心から歌っています。 Herbert Clarke の伝統を継いでいます。kzfaq.info/get/bejne/epypdLKbuci-kmw.html