Yeah sorry for this, had some issues with the DJI mic with some wired lag.

@@ThiloWitting oh gosh dont be sorry, everything is high qualityas usual , just lettin you know

Thanks Alex, appreciate your support man 🙌🏼🙂

Hey, I mean, if you're traveling and you just want to have one lens to be able to quickly react and not change lenses all the time, you could definitely go for a lens like the 24-70. Pretty sure you can get amazing footage with this too. I'm just so used to prime lenses. They are also pretty light to carry, and with the extra push in quality (sharpness and bokeh), I always find myself coming back to prime lenses (especially for the videos that I do). But if I were to go for a hike next time, I would definitely grab a lens where I could adjust the focal length. So, I guess it always depends on the content you want to produce.

@@ThiloWitting Thanks so much for your answer :) Much appreciated. Your framing is really beautiful. One more question! I saw a video by Tony Northrup where he had the S52 pointed at himself and vlogged as he walked from an area which was brightly lit to an area which was poorly lit within his own house, and the auto exposure didn't keep up with the change in light at all. It wasn't able to shift and correctly expose his face in real time. Have you noticed this issue? It's the only proper flaw I've seen so far. I only ask as would need that changing autoexposure sometimes.

Uhhh what

@@j.b.7133 menu is same as canon but it’s vertically designed

Hey, puh hard to tell since I’m rarely taking pictures, but I find the AF on the S5iix mich better then the Canon R6 AF which often disappointed me. But I’m not sure how reliable this is for wildlife since ofc here you need a super fast AF. Maybe in this case try to rent the camera for a day or two and try it in action of this could be worth the switch. I made some videos of dogs here and there and the af was working great for me, but yeah better you test this for yourself before making the switch 🙌🏼

try canon r6 II! defo a remarkable update. i use it as 2nd camera with my r5. 😀

🤝🏼🙌🏼🙏🏼🙂

Which 4K crop do you mean? I can film 5.9k open gate and 4K 25fps without crop. I think it’s just for 4K 50 where it crops in a bit?

Haha yeah the airbnb was awesome, but in a smaller place now unfortunately 😅 And agree, and just listen to what people actually need. I think lumix always tries to listen and improve. 🙂

🤔😅

Thanks man! I mean if you have the s5ii you should be good and seems like you have an amazing camera lineup. I think there isn’t this big of a difference, maybe just if you need the extra recording options or just for the design haha.

Haha yeah, you had a similar experience? And thanks 🙌🏼🙂

@@ThiloWitting yes not specifically with Canon per say but a lot of brands are hyped especially on KZfaq all have their pros and cons. This is a great example of a budget camera that just performs well from what I have soon. I need to buy one to actually see for myself though.

Die Canon R5 bekommt man teilweise schon für 3k, die ZCam E2 hat 4k 120 für 2000$ und die Sony A7S III $3,499 Ist ja kein must have für mich und man hat ja 4k60p recorden, aber ich denke mit der S5IIx hätten sie da halt extrem Konkurrenz machen können, und wenn's nur über die SSD geht oder über nen externen recorder aber wenn 5.9k ProRes Raw geht, dann bekommen sie sicher auch 4k 120 rein

@@ThiloWitting bei mir kostet die canon mindestens 3.9000 ohne objektiv und canon objektivpreise sind eine frechheit. Die lumix bekomme ich für 2.400 mit objekitiv . die canon läuft auch heiss hat wabbeliges bibis, schlecht editierbare video files weil schlechte codecs . Die camera ist is ausser fur fotos nicht mehr zeitgemäß. Die z cam ist nicht vergleichbar und kann keine fotos, braucht einen haufen Zubehör damit man lislegen kann also pusteblume mit 2000. Eine sony s3 kostet kostet um die 4000 ohne objekti und macht 12 mp fotos Es gibt keins kamera die so viel kann wie die Lumix für den preis

​@@ThiloWittingthe z cam e2 is micro four thirds, the full frame is the e2 f6 wich is like 3000 euros and needs to be rigged which goes over 3000 euros.

exactly. There is no sharpening at 0. RAW is even sharper and there is no processing.

Hey, thanks for the tip, definitely going to check it out when I’m back in Europe. And also might try the anamorphic lenses at some point. Do you use the Sirui lenses?

I'm using the Blazar Remus lenses. I sold my Sirui lenses and got the PL mount Blazars with the amber flares. It's interesting because even though they are 1.5 instead of 1.6 the Blazars have more anamorphic character to them. Also I like that you can mount the PL lens sideways for doing vertical anamorphic.@@ThiloWitting

Coming from Blackmagic cameras that's why I got Panasonic instead of Sony fx30 because I can record braw and external ssd recording, so it fits my workflow which I am used to already using blackmagic cameras

I knew what BRAW was before I got into cameras 📷 😁 Basically coming from a visual effects background & having DaVinci Resolve experience. The BM Pyxis 6K would still appeal more to me with its internal BRAW, box design, and menu system which I think is the most user friendly there is, but that's probably subjective.

Thanks Stephan, appreciate the support. Greetings to Germany 🙌🏼🙂

Broski, thanks; it would be just half as good as a review without your banger shots, haha. Thanks for the fire b-roll 🔥

this channel is great

Thanks Chris and yeah same here. Super excited about what's next. What are you shooting on?

Yeah it’s such a great lens. Thanks for sharing 🎥

Thanks, broski LFG🌴

Thanks broski, quite a ride so far. :D But hey, let's do 18 modules. Gonna be great