Speeches of all sorts, two profound live performances and the whole thing perfectly paced. May the Proms reception tonight be as good...
@Biogeology4 ай бұрын
Lime green 💚 looks good on you ❤ I have to examine those rocks 🪨
@PJGRAND5 ай бұрын
Stravinsky wrote really great pieces in his early years the ballet especially the firebird was super great but overall a lot of his music is not that great I will always rate Beethoven over Stravinsky Beethoven was a far better composer over all because he was consistently turning out great music throughout his life but I do agree with your other 4 picks
@Alymines.Corner6 ай бұрын
They. Got that Walt Disney Intro
@lit20216 ай бұрын
how is the picture quality so bad and the cameras not color matched, you're the television :S
@Siberiaeterna6 ай бұрын
BEST version on YT but could you CUT at 0:40 ? ? ?It's awful to listen at them "speaking" after this ! ! !Thanks ! !
@erieghaochukoj61557 ай бұрын
Beautiful
@mickvanquish7 ай бұрын
10 yrs ago ,,,😵💫 OMG,,,,,,,,,,,,,,,,,,,,she is still 1 of the greats,,,,,,,,,,
@user-rs7gb5rx7u8 ай бұрын
first
@Checkmate11388 ай бұрын
What's up with this recording? It's like it's two completely different version in one video, what?? 🤨😬🥴🤢
@andyharpist29388 ай бұрын
bee -arter eye-keh (and) Barack-so-list-en-eh
@user-zx1uo8sk5w11 ай бұрын
hey broh i will discus you
@roxy2x11 ай бұрын
frankie avalon ?
@fishhead6449 Жыл бұрын
Best SEA SHANTY'S
@fishhead6449 Жыл бұрын
To my AMERICAN COUSINS!! After 18 years in the BRITISH ARMY , I BECAME AFISHERMAN FOR £ YEARS, 19 to 28 days out at a timne, HAVE SEEN THE FECHING SEAS??
@justinlee7039 Жыл бұрын
do you guys have beef with Berliner Philharmoniker?
@오정석 Жыл бұрын
이제 10분뒤면 생일인데.... 혼자 쓸쓸하진 않겠어요 감사합니다
@handledav Жыл бұрын
p
@Proud_Troll Жыл бұрын
So can anyone tell me what parts of the requiem were done by mozart?
@mariamontanez6558 Жыл бұрын
Happy birthday 🎁🎈🎉🎊🎂 Josh love you
@supercringeteam6666 Жыл бұрын
how am i supposed to learn about music if the video is silent
@markherron1407 Жыл бұрын
Ludwig Beethoven IS BLACK 🖤 Blessings and Hugs 💖💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕!
@eleidal Жыл бұрын
but we're not going to hear a single one of them? good luck with this video, I guess...
@41yearoldnewdriver Жыл бұрын
I am a poet. I like this particular hymn amazing grace. I believe in God. I always have. Amazing Grace is such a powerful song that is still popular among church songs. I was told this was a song sung by African slaves during the time period of slavery. I like this song. I connect with the lyrics. I feel like because I'm black and a believer it resonates with me too!
@jasonzhou8274 Жыл бұрын
first
@Ian-ky5hf Жыл бұрын
Why only a 2 min sample?
@michaelmccarthy2819 Жыл бұрын
𝓟Ř𝔬𝓂𝔬𝐒ϻ
@bruce9210617 күн бұрын
huh
@arentsturla2999 Жыл бұрын
Stravinsky and Debussy are jokes.. just like this stupid ranking
@manolocorp Жыл бұрын
Mahler! ❤
@jennifermcdonald5432 Жыл бұрын
Apparently all Mozarts work was written without corrections, or changes. It was written just like dictation, which means he walked around with all that glorious music rolling around in his mind constantly. I wonder if he could ever turn it off. Ever get a break from his own genius. His music is so wonderful, it reaches into your soul and does all sorts of weird things. I think he would have loved to live in our time!
@31Alden2 жыл бұрын
Wonderful!
@karenspeciale92832 жыл бұрын
Dulcimer Graduates Goes To Amber Lewis Rachel Shawm Almana Kithara And Cat Polly Murr. 👩🎓👩🎓👩🎓👨🎓👨🎓👩🎓👨🎓❤❤❤💐💐💐💐💐💐💐💐💐💐💐🎓🎓🎓🎓🎓🎓🎓🎓🎓🎓🎓🎓🎓
@metaduarsa91082 жыл бұрын
happy birthday 20 years old my emazing (´∩。• ᵕ •。∩`)
@blacktoothfox6772 жыл бұрын
Kinda depressed at the subscriber count. But; quantity is not quality, and here we are. Blissimo.
@RockStarOscarStern6342 жыл бұрын
I've played it on my Triple Reed Bandoneon
@robbanks39653 жыл бұрын
God, I love this!
@donaldgoodell76753 жыл бұрын
The clumsy ‘Amen’ plagal cadence in D-major closing out the ‘Suessmayrean’ end of the Lacrymosa fragment is hard to take now that (Berlin, 1960) a skizze in Mozart’s own hand turn’d up with a 16-bar Amen Double Fugue exposition in d-minor on the same 12-staff sheet (tho’ the bottom two staves have been razor’d off leaving only 10 staves) as part of the Rex Tremendae & the theme of the Overture to Die Zauberfloete on the same sheet (dated mid to late Sept 1791); Mozart was able to set down ‘in neat’ only the first 8-bars of the Lacrymosa (Suessmayr lied to Breitkopf &c in his notorious letter of 8 Feb 1800 when he claim’d his ‘completion’ (ganz new verfertigt) began at bar 7-(See Mozart’s autograph fragment of the Lacrymosa in Codex 17561a); bars 9-22 seem perfectly Mozartean in the vocal parts & figur’d bass but Suessmayr chose to set the wrong words (Dona EIS !! Re-Qui-EM !!) at the recapitulation (mark’d fortissimo) which surely would have been set (had M. liv’d to put the finishing-touches on his Requiem...) to the words ‘Lacrymosa !! Dies Illa !! and would have ended the Lacrymosa pianissimo after adding say 12-18 bars more-then leading into the 3/8 Allegro Double Fugue Amen CATB Chorus which would have provided the Dies Irae Sequentia Trope with (7) movements not (6) as it now stands; interestingly the Osanna in D following the Sanctus is only really workable for the first 16-bars before it collapses like a spoilt soufflé-suggesting he was likewise working from a 16-bar skizze of Mozart himself (with just enough room to allow all 4 voices to enter...) and Constanza admitted that she handed Suessmayr a pile of skizze she found in his stand up Writing Table-Desk in Jan 1792...after Eybler had given up (he attempted bars 9/10 of his own invention at the Lacrymosa before throwing in the towel) & Suessmayr claim’d to have heard Mozart play through those parts not set down fully in writing to him on his klavier so Suessmayr in many places (opening 10 bars of the Agnus Dei & the closing few bars including the setting of the word Sempiternam (which he mark’d fortissimo instead of ‘Sotto Voce’ for example) was using Mozart’s own plan for the completion but he also fell short of the mark in many obvious places too (‘The cows are on the hill again not knowing how to get down again !’ Constanza said she heard M. shout at poor Suessmayr from the other room when he was sketching some secci recitativi for Mozart to include in ‘Tito’ in August 1791)-but we shall remain grateful to Suessmayr for cobbling together a performing score that is at least ‘passable’ - tho’ several attempts to complete the Amen Fugue in d-minor to close out the Dies Irae Sequentia Trope are now in the public domain (Maunder, Levin etal.)
@JesusGarciaParrado3 жыл бұрын
🎼🎻😽💨💖💨🎂💨💖
@VOICE_ASMR_MOREUL3 жыл бұрын
It makes me really happy🥰
@anacletwilliams83152 жыл бұрын
It makes me happy too.
@FerideHesenle2 ай бұрын
Yes, yess amazing! 🎉❤
@lizxiao29253 жыл бұрын
inspiration and fun!!!
@redbrian36553 жыл бұрын
I so appreciate Butt's appreciation of all of the versions and musicologists who have worked on the Requiem and speak with respect for them without saying, like some do, that they were "less than" and wrong. Butt makes it clear that he, like others, does his best to piece the Requiem together. Bravo.
@donbaurichter84623 жыл бұрын
Happy 11th Birthday Amber!!!!!!!
@monicagibert60693 жыл бұрын
Quina és la xarxa social més utilitzada?
@cobalt._.274 жыл бұрын
Me on July 10 (Wyoming)
@nessabunevitsky72314 жыл бұрын
that gave me Disney vibz
@themoonfleesthroughclouds2 жыл бұрын
Some of the colourful harmonies at the start remind me of Delius’ piano concerto and Messiaen’s Hymne au Saint Sacrement.