Thank you! I cheated a little bit with my special cases 😶‍🌫

I think these do sound pretty (high)-baroque though. "One" could be the opening of a bach concerto, "Two" more Vivaldian & "Four" something French. Pop-baroque in my eyes would be some later galant stuff like Quantz or W.F Bach with simpler "choppy" or less flowing melodic lines approaching classical era. Might just be a misunderstanding on my part lmao...Dope stuff btw

@@Mt18947 I'm happy you could tell which styles I attempted, and thank you!

Unfortunately not :( But a new version has been released to take its place here: kzfaq.info/get/bejne/qOCXgZx_2q6aZ4k.html

Thank you

Glad this reminds you of those nice times!

The (partial) lyrics have now been provided in the description!

​@@DJTechno94only 2 lines?

I was unable to salvage the rest at this moment

Thank you so much! This is not an official release, so it'll only be on here for now

@@DJTechno94 Ok Thanks :)

Thank you so much, I am happy you got goosebumps from that!

Thank you!

This is an original one!

@@DJTechno94 nice vocals

@@DJTechno94 Upload a lyric video? Or post the lyrics somewhere?

Hello! I am not sure whether there is a specific genre for this, but the closest to it is J-trance. Exit Trance is a label that has many tracks like this, if you are interested! When it comes to description, do you mean something like: intro, first drop, breakdown, main drop?

​@@DJTechno94thanks for answering Partly yes partly no, the elements you mentioned (specific examples are in this song) remind me of something specific where something was characteristic ( idk sorry XD) and damn it, I don't know where I've heard these particular elements before if you can say something or names 1.As for the intro, I think it's the name, because I heard a little more of it 2.first frop, (It reminds me of older games where, for example, the camera flew over a static fight or it's my imagination ) you're right that it reminds of trance but not entirely I have an inner need to know what it is, I'm trying to remember what it was 3.rather original breakdown so nothing to ask 4.and out of curiosity ,vocal in main drop does it have a name? to change it like that maybe it's just Hatsune Miku related, after I took the time to look at J trance and Exit trance, I think there is such an option

@@Paweu240 1. It might not be the answer you are looking for, but if you listen to "Nowhere" of Exit Trance you can find a lot of similarities to what you are referring to in the intro. 4. It is Hatsune Miku, but the vocal is original, so I am not sure what other similarities it has to other music.

Thank you!

😘

I'm not very smart :/

It is hardcore

@@spaceschaller1918 OK then 😂

Thank you, I am glad you like it! My track "Scary Dreams" uses the one at 2:42!

I have created timestamps! The compositions do not have names so I numbered them instead! You recognised 2:42 ❤

Thank you! I would love to share advice on orchestration for baroque ensemble! (Disclaimer: I use terms very loosely for the sake of simplicity) [General]: I always orchestrate my basses (bassi continui) layered with bass + cello + harpsichord. The harpsichord does not overpower anything. The harpsichord arpeggiates slower for a softer sound, and vice versa for a harder hit. I find arpeggiating sounds more natural, and I prefer stabbing chords in faster passages. [Cadence]: For cadences, or ending a phrase, a common way is to have the bass play a dominant note, then an octave lower, then back to the tonic. Examples 1:05, 3:26 I end the phrase in such a way. [Voicing]: Baroque music is very stiff, simple yet strict. Voice leading is key. From top to bottom my voices are: 1st vln, 2nd vln, vla, basso continuo They all have their own spot in the register, usually. I recommend starting with the main subject/melody for the first violins, then a counter melody with the second violins. Then fill in the bass notes. Lastly, fill in the viola part. The end result will be a phrase with 4 voices. I often find myself making counter melodies for the bass with the viola. I try to avoid plain 4ths and 5ths like the plague, they are rarely heard on their own. If my main subject and counter melody hit a 4th or 5th, I fill in notes to compensate, either with viola or basses. (Harmony/arpeggio from harpsichord strictly does not count since it is not a voice in this context) [Technical things] Strings: CSS - Cinematic studio strings, Free Harpsichord: sonimusicae.free.fr/blanchet1-en.html DAW: FL Studio, Articulation: BRSO I have set up my CSS with BRSO such that I can easily switch articulation without key-switches. I depend heavily on this. Most of my notes are staccatissimo or spiccato to emulate fast bow movement during fast passages. I use sustained notes if I need to hold a note down long, (or in slower movements), which can be a nice effect as well, especially if you run out of ideas while letting other voices play passing notes. Turn off all vibrato completely. Vibrato is not commonly used, or used extremely sparingly in ensembles. My velocity never fully goes all the way to max, it is too loud and explosive for CSS, and probably other string libraries as well, however I do stay around middle, to very quiet I hope this helps or inspires a little bit! Best of luck and let me know if you have questions!

Thank you! There will be more like this coming!

Thank you! I started with the first and second violins, then basso continuo, then lastly filled the viola voicing

Squidbach is real but harmless!

I love this!