I use the a7Siii, a7iv, and ZVe10 cut together pretty interchangeably 😉

☺️💪

Thanks my guy! Appreciate the support! 🔥

I’ll do my best 💪 appreciate the support!!

I do my best 💪🏻 appreciate the support!

Sounds like you’re not in the US 😉 a lot of other countries use different encoding standards called PAL, you’re camera is setup for those standards. You want 25p 100m 👍🏻

I cant find my chill tho

Yeah I’ve never had an issue with streaming even for 4+ hours (never done 24 though haha, props to you for that), just recording 4k internally without stopping the recording at all.

That’s awesome! Can’t go wrong with that setup 😉

@@VisionaryFilmStudios sure

Man appreciate the support! 🔥💪🏻

You probably could leave the cage on it, but I doubt that the scorp could handle the whole rig. It’s a bit big even for my RS2 with all the rigging on it. But the scorp can definitely handle the e10 with just the cage.

Ok thanks so much

Every camera has limitations, even the expensive ones! Love the results that comes out of me e10 despite the drawbacks

You got it 💪🏻

Log is basically a special color setting that preserves detail in the brightest and darkest parts of an image. It makes it so that in editing you can adjust the colors to look more natural. It’s not something I recommend for ZV-e10 shooters though, which is why I say to plan on avoiding it when shooting on the e10 in this video!

Oof my bad, yep the 16-50mm is what I meant. Love the tamron! Don’t have one personally but I know a few guys who do and make some great stuff with it

I actually wear it for camera- the reflections off the leather brighten the shot up. I’ve thought about making a video about it and talking about how wardrobe affects picture quality. I’m usually dripping sweat by the end of a shoot though lol that’s no fun, at least this video was recorded in February when it was cold outside and easy to cool off

Hey Daniel! Love the questions! No need to apologize. I’ve had it on my list all last week to look into this but things were pretty intense, so I’m just getting back now sorry about that. So either monitor should treat you well. The PT6 hadn’t been released yet when I first got the PT5, which is why I don’t mention it in any of my videos. But since neither do external recording and are just for monitoring the footage & applying luts if desired, the difference between a 4k display and 1080 display really shouldn’t make a huge impact on anything. Unless you’re passing the signal through the monitor to another recorder, in which case I *think that you will still be fine either way as the fine print of the PT6 that I’m seeing does say it supports 4k input as well as 1080. If you buy on Amazon, you could always give it a test and send it back if you aren’t happy 😊 hope this helps!

I wouldn’t be so sure about the full frame being better, the cameras they use in Hollywood are mostly crop sensor cameras after all 😉 Here’s a video I made about why I think you should get the ZVe10 instead of the a7Siii: Is the Sony ZV-e10 JUST AS GOOD as the Sony a7Siii? kzfaq.info/get/bejne/pbCapM6klrC0Z40.html

Glad to be helpful for you 🔥🔥

100% a guess lol

Got you covered 😉 The SECRET To Making CINEMATIC Films on the SONY ZV-E10 kzfaq.info/get/bejne/pplymq-kzreloIE.html

Got you covered 😉 here’s a link to a full video breakdown of it: CINEMATIC Sony ZV-e10 Camera Rig kzfaq.info/get/bejne/hrudYKWov9KXpXk.html

@@VisionaryFilmStudios Damn, I didn't expect a response this quick :) Thank you so much.

@@DanielsStation you got it! Let me know if you have any specific questions 💪🏻

@@VisionaryFilmStudios Do you have any video how to use two Sony ZV-E10 or FX30 cameras to work together? Say I'm recording an interview live and want different angles to show during the live, a wide view then a close up. What do you recommend?

@@DanielsStation ​ I don't own an FX30 personally so I haven't made any videos including it specifically, but I have worked with it before. Here would be my recommendation. I'd set up the ZV-e10 on the wide with something between 16 and 30mm. Then the FX 30 on the closer shot (probably something like a medium close up, and you can always crop in a bit if you want a closer shot) on lens between 30 and 70mm. On the FX30 I'd use S Cinetone (PP11) and on the ZV-e10 I'd use the custom picture profile I recommend at 3:20 in this video: kzfaq.info/get/bejne/kNhpZLea3JfVooE.htmlfeature=shared&t=200 And then when you edit everything, you'll put your ZV-e10 clip on your first video layer and your FX30 on the second video layer, and then turn off the visibility of your second video layer. Then whenever you want to cut to the FX30 shot, you can just raise that section of the clip onto the visible third video layer. Makes for an easy way of syncing the footage once and then cutting back and forth between your two camera angles. I could send a quick screen recording of an example if you'd like, this is how I edit most of my KZfaq videos. I do have an older video about how to shoot video interviews, so I'll go ahead and link it below. I go into lighting and sound along with the camera setup for interviews in that video so it definitely could be helpful. If you have any specific questions or something isn't making sense just let me know and I'll be happy to help! How to Shoot VIDEO INTERVIEWS to Market Your Films: kzfaq.info/get/bejne/mLaBZL2T2ZfUoKs.htmlfeature=shared

Hello Rodrigo I’m so thankful you’re finding our videos so useful!! People like you are who we make them for ☺️ Here’s a video where I go more in depth on sound design, and in it I talk a bit more about using your phone as a microphone. Essentially the process is pretty much the same as if you were using a more expensive mic. Step by Step SOUND DESIGN for Film! kzfaq.info/get/bejne/r9qSmKuJrp-pnZc.html I’m working on a video right now actually that will come out in the next few weeks that has a section specifically dedicated to using your phone or the mic in your camera for you sound, so stay tuned for that 😉 Hope this helps! Happy to answer any specific questions if you have them

@@VisionaryFilmStudios Hello my newest friend, I would love to know your name?! I apologize for my mistake in not paying attention to what I said in the videos. I really want to thank you for the tip about using your cell phone, fantastic, it was everything I needed! I just followed the step-by-step instructions for color definitions that you gave zv -e10. I was very happy with the result. Thank you very much. Rodrigo from Brazil

@@canalrodrigobetim My name is Joseph! So glad to hear that my videos are helping you out! Are there any other filmmaking topics you’re struggling with or feel like you could improve on? Always looking for new video ideas 😉

What do you plan to shoot with it? Makes a big difference when choosing a lens!

So true!!

Doin my best! 💪

Love the idea, gonna keep that in my back pocket for future videos 😉

Hmm, I'm not sure honestly... If you try it out though make sure to report back here! Would love to know the answer to that.

I’m just here to tease you 💁🏻‍♀️

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Thanks!! Doin my best!

Haven’t heard of gyroflow, I’ll have to check it out

@@VisionaryFilmStudios the FPV community uses it to stabilize, its great

Personally oss in a lens isn’t important to me, even with the ZVe10. Without IBIS, I feel like you really should just be using another form of stabilization like a tripod, monopod, gimbal, etc. and then use an effect like warp stabilizer or the stabilize feature in catalyst browse if you need to get an small leftover jitters out. And if you’re using one of those, the OSS isn’t really going to make a huge impact. Hope this helps ☺️ let me know if there anything else I can do to help!

@@VisionaryFilmStudios thanks for mentioning the warp stabilizer. I knew about this function from the Adobe official course but never thought it could be helpful. Few days ago I tried it with a pretty shaky video from a manual lens and wow - the result exceeded all expectations! I've always felt a bit upset about the lack of stabilization in my ZV E-10. Now I feel better. I have another question about Sigma 30mm f/1.4. Few people mentioned it has slightly "focus breathing". I noticed it too at some videos. Have you experienced it with your lens and how bad/often it is?

@@colibri_studios ​I'll be honest, I don't personally feel like focus breathing matters that much even in lenses where it is extreme. So it's never been something I watch too closely for. With that said, I've never noticed it in the Sigma 30mm and it's never caused me any problems. If you want to see some of my footage from it, here's a link to the short I shot on the ZV-e10 with the sigma 30mm. Some shots are from the 56mm of course, but the majority of the film was shot on the 30mm. kzfaq.info/get/bejne/hcWRm6t3vd3Php8.htmlfeature=shared

@@VisionaryFilmStudios thank you for sharing, I could see here a great sharpness many people mention about this lens, it did have few moments of focus breathing but not critical, as you said. Also was impressed with natural and realistic acting of the actors.

@@colibri_studios Yeah John and Trick really nailed it, couldn’t be more thankful for their involvement. Performances can really make or break a project

🥰🔥

Depends on the look you’re going for I guess

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That is true

I've been thinking about making a video about stabilization for the ZV-e10... I do talk a bit about it in this video though 😉 kzfaq.info/get/bejne/l9iXgNyBupPZnJs.htmlfeature=shared

So glad I could help!! 🙌🏻