Bro, you thought yourself relative pitch, not perfect pitch you idiot

Claims of perfect pitch, but no real demonstration of perfect pitch. I can believe people like Ryan here can memorize a variety key tones. I do not refer to that as perfect pitch. For examples of real perfect pitch, visit Rick Beato's website (kzfaq.info/get/bejne/qplzlZSi3Km5pn0.htmlfeature=shared). Now THAT is perfect pitch. Now, if you develop a method for developing that level of hearing in a old dude..... I am all ears : )

i found a way to make a whistle sound with my mouth in a way where it is always the same pitch and key. so now i gotta identify what that note is and from there i'll be able to work on my perfect pitch

The friend that said he was a naturally flat singer was unconsciously wanting to sing in A432hz scientific pitch because it's more natural. We use A440hz as a standar, but it was picked arbitrarily. Animals don't sings or call in A440hz. At all. And neither do we, at heart. But whole "sacred" pitch thing is a whole other subject, so I won't say anymore on that. BUT, what I wanted to share here, and to add to what Ryan is explaining: yes, perfect pitch is an automatic perception (and it can be learned), but there is actually a REASON we have perfect pitch at all. It's because we hear the notes in the same way as we see colors. Like C (red) isn't a color, but it is one of the most fiery an personal notes. Love songs. D is orange. E is yellow. F is line-green. F# is grass green. That is to say, F# and a very open, expansive sound. But also it sounds more distant and detached. Therefore songs of envy are in F an F# (see Mariah Carey's "Can't Let Go." The Baroque and Classical "pastoral" were all in F major. (See Beethoven's "Pastoral Symphony in F.") So, green is both Nature AND Envy (the grass is always greener on the other side). Keep in mind that there are 12 color divisions in the color wheel, just as there 12 notes from C to C. // If you follow the notes as a spectrum, you will also see that the tritone or "devil's interval" matches each color to it's complimentary color. C/red vs tritone F#/green. Opposite colors. Or Orange vs Blue is a tritone of D and Ab. It makes it easy for me to count notes this way because if I want to know the tritone of F (lime-green) i just think of magenta, which is B! I hate to give out these types of "absolute" sort of descriptions of sound because I think it's important that the student learn to hear them on their own. So, what I want to say to the viewers (all A432Hz tuning aside), is that in addition to the exercises explained here, make a journal and write down how one one sounds in comparison to another. You will be amazed at what your ear tells you! My own work with color and SHAPE association can be found here at: _The Acoustic Rabbit Hole_ Thanks, Ryan!

Mr. Ryan, my story is strange compared to yours. I learned to distinguish each note by comparing the notes and writing down the differences into a journal. The strange thing is that instead of going thru the work of doing all the different exercises for learning perfect pitch, I started writing out an entire Theory of Pitch Psychology, to where i starting seeing that we hear the ascending notes spectrally. Beginning with middle C as red. What I mean is that the textural "colorings" of the chromatic notes have the "color energies" of the rainbow. C is like red. D is orange, E is bright an piercing and flasy: yellow. F is lime Green. F# is a full grass green. etc. And what's crazy is that i can even hear how the notes to the left of F# (green) are the "warm" notes. And to the right of F# the keys are "cool." A-flat (the key of death) being the coldest in feeling. Blue. Sounds like twinkling stars in space. // You and your viewers should totally TOTALLY see my videos on this. It's compelling because i'm seeing that love songs really do get (unconsciously) written in C. Over and over. And songs of death, or estrangement really are in A-flat. // I have even , at this stage, learned to THINK of a color-shape instead of a note-name when i play piano. But, anyway thanks for the tips, and I really REALLY need to get off my ass and just DO the perfect pitch exercises! Your, _Acoustic Rabbit Hole_

I see shape when I play my trumpet. The shapes are filled with color

Great sound man, im curious about your recording setup

my fav ukulele and guitar note is C, so I almost here it everywhere

I see the colours thingy too when I play piano, for me i think its like when your dreaming you dont actually see the dream but its in the back of your mind and i think its the same with seeing the colours. And I esspecially dont even notice right off the bat thats I have already sorted colours to certain parts of a piece but then I realise it and its really cool.

Got me with his CLICK BAIT! He even admits in one of his comments that he is "aware that this ain't real perfect pitch". So why the title claiming that he taught himself successfully PERFECT pitch? 👎

What a bait and switch. Not appreciated.

This video is great; being able to hear a correct note in your head from long-term memory is what perfect pitch really is, and a lot of misconceptions about perfect pitch stem from people not realizing this. If you have this ability, you can think of songs or sounds where you can hear the pitch in your head, then write down and study pitches corresponding to each of them, can even use flashcards. If you can do it for one sound, it's likely that there are other songs/sounds you have in your long term memory that can be labelled. This ability varies from person to person, but generally the more songs/sounds you can commit to your long-term memory, the better your absolute pitch gets. It doesn't matter if you are an adult; if you've had this ability your whole life, you have the ability to develop perfect pitch. It takes practice, and most people with this ability aren't willing to put it the effort because of the myths about how you can only develop perfect pitch if you're very young. I did this at 18 years old, and the speed that I can recognize pitches still improves as I continue to learn with this method; you also start to hear how song keys interrelate, which makes it easier to learn more of them. The earlier you start, the better it can get

1:33 2:21 3:17

It's very beautiful! I loved it! Wonderful job! ❤

Perfectly perfekt 🤌🏼

thank you so much man!

You CANNOT teach yourself perfect pitch. All you can do is teach yourself (at best) perfect RELATIVE PITCH. Perfect pitch is the quick recognition of any of the 12 notes played with no hesitation or reference. It begins in childhood. It cannot be taught. There is a difference between "Perfect Pitch" & "Perfect Relative Pitch".

A thing that is happening to me, is that I divide the chromatic scale into "groups". BC, DbD, etc... it's working 😂

Lol your editing and humor is so funny bro keep it up you will make it big for sure!

The question is, did you really learn it, or do you have perfect pitch and you just had to decide to try to realize that you already had it. The general consensus is that it can’t be learned.

So what’s this cartoon whose theme is in B?

Thanks bro these fills are absolute 🔥🔥🔥. Love how you modify and present them as well, invaluable lesson overall!

crazy!

There is no such thing as "perfect pitch" or "natural gift" to listen and understand notes. It's always developed in one way or another. It's just so happens that they developed as a kid and people think it's a "gift"

Thumbnail alone deserved a sub thanks for the fills dawg!!

NICE FUCKIN JOB. I would be smiling to if i played those fills like you did. Sweet man! Thank you!

You Sound amazing and Look so cool 😊

Damn bro! Where's the full video?

Penis pumps for Portugal!

Good fkg work dude! This deserves many many more views. Don’t ever loose touch with music or drumming. I wish I never had!

Why do some musicians care so much about if its perfect pitch or relative pitch? I see people says "ACTUALLY!" As if this guy hasnt trained himself to the point when it could pretty much be perfect pitch. It seems like a bunch of people who want to seem gifted and lucky and hate the fact that someone can train and not be born with something and achieve what they have. Either that or they care way to much about semantics

Whats an easy way to memorize a B?

Always appreciate a clean drumkit sound. Good stuff. Well played.

Bro this is exactly what I'm looking for to advanced in my fills vocabulary. Great video!

Room mics only?

relative pitch not perfect pitch

I totally don't have perfect pitch, yet singing pitches I can feel if something is A Ab4 Bb B4 or C5 usually...lol

nice presentation, well spoken, I think you should have put your chart in the beginning instead of talking about it, I think your system is cool and it has merit

What's that cartoon you're talking about?

I seriously don't understand the method. What exactly do I have to do to get started with it?

Honestly, I would just like to develop a decent sense of relative pitch. At some level my brain must be able to tell different intervals apart, because I can learn and recognize specific melodies, and I can distinguish ones that use the same rhythm. But when I hear two notes one after the other, I can't identify the interval, or even say whether it was ascending or descending unless the difference is quite large. I can't tell a third from a fifth, or from a semitone for that matter, by listening. I can't even specifically identify an octave -- I can't tell whether both notes are the "same" note in a different octave, or not, which is something that most music theorists consider extremely fundamental. My ability to recognize melodies, which are made out of intervals, implies that my brain has the potential to learn how to recognize intervals. The information needed to do that must be in my head somewhere. But I can't figure out how to access it.

Interesting video, but the title and intro were very prideful imo. Like it's cool that you've realized this for yourself but it's definitely not as foundational as Bach. I don't mean to rain on your parade though, because if that system you came up with works for you to identify a note then that's cool. But compared to actually learning music as a whole, memorizing a note is a pretty trivial thing. Like if you can do that but can't barely play any instrument or make music, it doesn't add much to being a musician. At that point it's basically just a party trick. But if you're already a great musician, this can be a helpful tool. But that's all it really is, a tool. The much more important skill to learn that you touched on a little bit is being able to hear an interval in your head. Levi Clay already made a video about it (title: "The Ear Training Exercise That REALLY Matters! Why Don't They TEACH It?!") that explains it pretty well. Basically it's just being able to sound out intervals in your head, which they don't really teach because it's not testable. What they teach is hearing an interval and being able to identify what interval it is, which is a completely different thing.

facts

effin killed it dawg