thank you for this videooooo it’s so helpful 🫶🫶🫶

0:41 this made me chuckle

I thought you were talking like head singing at first. But now I just have no idea what belting is. I guess it's just pushing out all you have. Sonically it's not all that different from just singing although it is noticeably different. But it's something you feel. Is that correct?

I always had that flagonent thing in my voice.

seems so young but skilled and knows what he doing

this was SO CLEAR it makes things so much easier to udnerstand :DD

Gotta note how many videos are in the car. That's where we all go to work through are awkward transformation phases...

PLEASE DO A VIDEO ON BASS GROWL

i SO wanna practice rn but it is 2am

So interesting thank you man!!!

😅

I just wanna be able to sing man in the box lol this is very helpful

the singer for a band called shinedown, brent smith, uses belting in a lot of his singing. he is INCREDIBLE at it.

What's the program used in 8:10 ?

This video completely changed the way I sing 🙏💕

I’m so confused 😭 I maybe my bad bc I didn’t get thru the whole vid by my biggest problem is being up my chest voice when I should use my head/middle voice and hurting myself. Now this just confused me

7:08

im learning world burn a week beffore auditions helpppp

Great, dear greg!🥰

OMG TYSM!!! You helped me go from E4 to C5!! Keep it up! 🤩🥳

Tory lanez is a prime example of using chest voice long term he literally does it all the time

Iny book a closed nasal pathway is considered nasal.. Like when you are sick.. Good airflow thru the nose and a more bright projecting sound is not nasal sounding. But it's just a different way of looking at it. So the air has to travel thru the nose that is important it seems.. To help with mix

Are you suposed to hold your breath ón the vibrato, or let go some air ón the vibrato?

mix voice is in the nussy

YES,I NEEDED THIS FOR MY UPCOMING MUSIC SHOW

Si quieren vox mixta este es el video gordos aprovechen no digan que no les avise

Bro I tried the creaks and moving my Adam’s apple up and down and it worked dude I got it sounding like I’m a bird in here lol

I just started singing about a week ago I can go from a g2 to g5 so far g5 feels a little tight

dont scream your high notes to reach it... if your in a choir NEVER DO IT!!!!

How about belting ?

i finally belted. thank you so muuuuucccchhhhhhh

i cant do it

3:20 does anyone know which opera that is from?

I didn't mind the length of you video at all. Because when the content is this great, this valuable, it is worth every second of my time! Thank you for sharing this, and helping us become better singers. 🙏

If you Are in good helalth and you have high self Esteam , you can just do it Right If you doubt yourselves ,, its no use ,,, Be strong an confident Practice and yell Se fex Bruce Springsteen He is using his throat and his jaw is a bit « under bite ish « ( Im from Norway) Yeaaaaaaaaahhooooooooooaaaaa Amaaaaaaazing Like Steven Tyler

Mines A4 lol

Here's my honest opinion on male vocalist singing high. You to take lessons from an opera tenor. It's the best way trust me.

or go to the ENT you might have structural issues (I did and struggled with this for ages before finding out my nose was just messed up)

As a singer and performer in the industry I’ve been struggling so much with my voice, I can relate so much to Antonio’s story, everything he said sounds so much like what I’ve been going through, this video totally showed me a new perspective, would love to work with you guys! ❤

Thanks for the vid! I've been kind of using this voice to sing higher notes subconsciously but this video helped me using it better! I was struggling trying to belt them and this falsetto mix just makes it way more lighter after a 2 hour rehearsal w my band lmao

“as you can tell i wasn’t a natural singer” as he sounded better than 99% of people trying to learn to sing for the first time.

People start thinking that my house is haunted.. when I do this..

8:42

I wish i had this video in portuguese so I could share to some friends learning to sing...

oh noooo do part two pleaaaase :)

cough* whistle register.. cough*

nigga does not move his jaw when he talks. bros mouth stays open in the same spot 😭😭😭 funny asf. i sound goofy asf trynna talk like u

he said magic and meant it

I'm probably going to have to book a session with you for discussion about a couple of what I consider to be, positive attributes of tone and an evaluation for the purpose of reliable incorporation to my vocal toolbox. I have a character voice (think Willkommen from Cabaret, low register Elvis ballads & singers of the 20s/30s. I used to be able to call up a controlled helium/Donald Duck character this is much more difficult since I began practicing your techniques about a year ago, which have been of such tremendous benefit the trade-off is more than worth it. That latter voice was not sustainable for any practical length of time ie I couldn't maintain it to voice over a feature length animation. It could also be due to age. Without warm up I can cleanly access notes without falsetto and with an ease I could never have imagined 10 years ago ... at the same time, my lowest, riches notes which were always dependable are a strain if I can get to them at all. I'm thinking this is a combination of the pitch raise Knowing to the male voice as it ages combined with discovering my true voice. I like practicing volume, tone/timbre control on sustained notes. There is a SUBTLE quality I love in the tone of certain singers that in my mind, is "woody/flutie" & compares with reed or double reed instruments in their lowest registers. Think clarinet, oboe, bassoon ...not sax so much (ok maybe Alto SOMETIMES), Also, certain Vox Humana stops on a pipe organ. The 1st time I became aware of it was in the 90s on Linda Ronstadt's, "What's New?" album. I don't know if there is a term for it. Is this aspect I like, creak, fry or even a vocal characteristic worthy or dangerous to pursue. Is it a legit technique with a name? If so, can one develop it or is what I am hearing idiosyncratic to those singers voices? Streisand (Broadway album) sometimes has it when sustaining a single note (a bar or more). She couples this with, in my opinion, a signature technique of "thinning" or "thickening" tone independant of volume, which is also something I practice/endeavor to incorporate. Linda Eder incorporates this to a lesser degree. In contrast I have never heard it in Dinah Washington's voice although I'm a huge fan of her tone, diction, elocution, and enunciation. I am hearing it for the 1st time in "my" voice & am working at controlling its implementation. It seems easiest when I've been practicing subsonic and then singing those notes in the regular register. At some point I definitely have to book an hour with you IF YOU ARE INTERESTED in sharing your take on this as well as an exercise or two I could use. CheerZ

Hours of practicing the subsonic fry/creak until I could hold it and move between notes as well as use it to speak robotically without inflection opened the rest of my mixed - high range. One day (seemingly out of the blue) I could sing notes that I could never reach without strain or having to resort to falsetto.