Thank you for watching the video. Ambient0 does not have a USB port, so you cannot record directly. I'm using an Android system, so I can't check on the iPad, but for this video, I input the signal from the Ambient0's Line out to SmplTrek, connected the SmplTrek's USB out to an Android (smartphone), and recorded and recorded using a camera app that supports USB recording.

😀🎹

Thank you! I'm slowly getting used to it these days. I'm still learning the tricks of creating sounds though.

動画見ていただいてありがとうございます。 レイヤー(1-4)の音を出すには音を出したいレイヤーを選択し、鍵盤を押します。 PLAYボタン(ステップシーケンサーの再生)で鳴らしたい場合はあらかじめそのレイヤーのステップシーケンサーにノートを記録しておく必要があります。 この辺りはSONICWAREさんで配布してい日本語マニュアル(演奏は17ページ、ステップシーケンサーは55ぺージ)に詳細が記載されているので、これを確認してもらうとより分かりやすいかと思います。

Thank you! I'm glad you like it.😄

Thank you! To give the vocals a robotic feel, I used the ROLAND E-4 to forcibly add melody and harmony.🤖🎙🎶

DUALLLLLLL!👍

Thanks for listening. I don't usually make ambient music either (I'm a beginner in ambient music), but I got this because I wanted some new inspiration. I think it's also excellent as a synth strings/pad machine.😀

@@SoundOptimize i see, i hope this help you for ur inspiration :) this synth sound dope and his sequencer is insane, i think this is the strong of liven series

Thank you! I hope you get it soon. And enjoy!

Thank you for watching the video. I'm still practicing Ambient0 and ambient music, but I like how I can create great sounds with simple operations. As for SmplTrek, in the video I only use it to send sound to the camera app on my recording device (smartphone), but I find it very useful because it can use sample and MIDI tracks on its own and can also be used to create sequences. On the other hand, the screen is very small, so it's difficult to do detailed work.👓 I'd be happy if it could become like a compact version of the ELEKTRON OCTATRACK in future updates.

インスタントリプレイを見ながらクラッシュするまでの経緯が曲とともに哀愁を感じさせるんですよね🐮💥🚗

Thank you. I thought the BB sound and Ambient0 reverb went well together.

Thank you. I'm still exploring how to use BB, but I think it has a lot of potential. I'd like to get better at using it.

I want to glide across an aerial loop bridge in a Tesla car and sprint down a banked path.

Thanks for watching the video. Ambient0 is an interesting piece of equipment, both on its own and in combination with external instruments.

Thank you for watching the video. I like the SONICWARE LIVEN series, not only Ambient0 but also the other products, as they have a lineup of unique (in a good way) features.

The LIVEN series has a very witty approach. It may be niche, but I think they've created something that users in that genre can enjoy.

@@SoundOptimize sure it is!

This is a fantastic piece of equipment. The first batch of Ambient0 sold out in a blink of an eye, but I think SONICWARE is working at full capacity to produce more, so please look forward to their arrival.

Thanks for watching. Ambient0 has an amazingly beautiful sound.

I'm still learning, but I like it so far. The workflow is almost the same as other LIVENs, so there's no problem (you can get used to it or not). Since it's mainly ambient music, the length of one step can be set to a maximum of 8 bars. One pattern can use up to 64 steps, so it's possible to play long tones of up to 512 bars. I also thought that the shift lock was added so that the second function of the knob can be accessed with both hands. On the other hand, since the information you can get from the display is limited, you need to remember to some extent what the LED lamps on the main unit mean and what is happening now in order to understand the current situation.

@@SoundOptimize makes a lot of sense thanks for the detailed response

Thank you for watching the video. Actually, I'm a beginner in ambient music, but I felt that I couldn't make a creative jump if I only made music in genres I knew. I thought that Ambuent0 was an interesting product in terms of learning new genres, so I introduced it. I'm currently practicing.

Thank you very much. I've only just started practicing with Ambient0, but it's a synth that can produce nice sounds with minimal operations.

​@filipesantos-sayednaCertainly, LIVEN uses the ecosystem (hardware of the same design), so it is packed with functions and operation is inevitably complicated. I don't like synthesizers with hierarchical layers, but I think I have no choice but to get used to it. If necessary, I control it with a DAW. I think the easiest hardware to use is ELKTRON (I'm an Octatrack user), but it costs several times more than LIVEN, so I feel it's unfair to compare it with this one.

Thank you very much. MEGA SYNTHESIS is a breath of retro vibes brought back to life in the modern age.

Thanks for watching the video.😀 I use SmplTrek for final reverb processing and to send USB Audio output to the video camera. (SmplTrekは最終的なリバーブ処理とUSB Audio出力を動画カメラに送信する為に利用しています)

LIVEN MEGA SYNTHESIS uses the YM2612 (emulated), while Blast Beats uses the actual FM chip, the YMF262. This chip was used for Sound Blaster, which was often installed in PCs in the 90s, but it was difficult to use it musically at the time. On the other hand, this chip has a wide variety of operating modes, and Blast Beats operates it in a mode that makes it easy to make beats. There are eight types of waveforms, including Sine (YM2612 only Sine), so the range of sounds that can be created is wide. However, there are only five algorithms, which are applied to the synth part. In addition, some sound parameters are shared in the rhythm part, and there are parameters that interact with each other, for example, SD and HiHat. The step length is a maximum of 64 steps (16 x 4 pages), and each step is fixed at a 16th note. MEGA SYNTHESIS has a maximum of 128 steps, and you can choose note lengths from 1/32 to 1/1. This means that when set to 1/1, you can create a maximum of 128 bars in one pattern. Both pieces of hardware allow you to set different step lengths for each part, making polyrhythmic performance possible. However, both pieces of hardware have their own quirks, and I think people will either love them or hate them.

ありがとうございます！本作がメガドライブミニ2収録発表された瞬間、かなりびっくりしました。よくできたなあ・・と。

Thanks for watching! On the right is a hardware sampler called SmplTrek, which, like the MEGA SYNTHESIS, is a SONICWARE product. The sound output from the MEGA SYNTHESIS is input into SmplTrek, where reverb processing is performed. The USB audio out of SmplTrek is also connected to the smartphone used to film this video, and the video and audio are merged.

@@SoundOptimize I have a mega synthesis too, but am a beginner. I would be very interested in seeing how you make the patterns for these pieces.

​@@to90zeroblue1 When I'm creating patterns for these covers, I just listen to the sound. I listen to them at normal speed, or 75% speed, or 50% speed, and input each and every note that is used. It might be a good idea to start by challenging yourself with a game that has a lot of short, easy phrases.

@@SoundOptimize I’m working on stereo protect, my favorite track from Pulseman. Do you make your own music? I’m looking for some tracks for my game Reaktor (video on my channel)

@@to90zeroblue1 Stereo Protect is a good song too. I was surprised when I heard [Beatrice] by Resistance D on the Pulseman arrangement album and heard parts of this song being used. I also make original music in a variety of genres. I have some videos uploaded to this KZfaq channel. I saw your channel and your REAKTOR video. It looks like a complex puzzle game and it's fun (your brain will be working at full speed and smoke will come out of your head). I'm sure it's hard to make a game, but do your best until the release!

Thanks for listening!😁

Thanks for listening. This game is a cult classic released by Data East Co., Ltd. (Deco) in Japan. It was originally an arcade game, but when it was ported to the Mega Drive, the background graphics and sound were improved, making it a strange game.

Thank you! I tried this song because it's my favorite GainGround song. What's fun about GainGround is that you don't just rescue friends trapped in the virtual world, but also use their avatars' abilities to overcome it together. Battles in virtual worlds are now a technique that can be seen in a variety of content such as games, movies, and anime, but I think it was a rather rare situation when it was released.

@rolandjdxi ☝🏻this one knows it!!

That's right. This song uses 10 patterns. I used up all the patterns so I couldn't fit them all into one pattern bank.😅

@@SoundOptimize Well done on a good job. I know your pain with using all of the patterns and banks up. Clearing them is like having to choose which children to keep 🤪

@@staybrill4443 I've used up all of my patterns (but I still have the presets), and there's only one FM bank and one PCM bank left. Of course, I'm always using them while backing them up, so it's not a problem.😆

Thank you! I'd like some manufacturer to make a hardware synthesizer (sampler?) with SNES sounds.

It's modern retro music hardware. I never thought I'd be making music with Mega Drive sounds in 2024.

@@SoundOptimize agreed 👍

Thanks😀

Thank you! The music in this game is really cool👍

Although it doesn't show on the screen, we also use SmplTrek for the final adjustments in this video.😀

@@SoundOptimize Hehe!

Thanks😃

Thanks😄

Thanks 😀