Shapes

This really shows off the arrangement of their theme a lot better!

Hey! Do you guys have a website to purchase sheet music? Your arrangments are great and i would to use/purchase them!!

So that tips will finally lead me to quad C (above 7kHz), like the famous recording by Marc van Cleave? Honestly, I'd be very happy to have comfortable double C. I even reached double C about an quarter century ago (only on good days barely), then stopped practicing completely. Now I'd struggle with anything above high C, if I'd try again without practicing.

Sounds amazing 🙏🏽

The mad lad actually did it

Thanks for the upload on a playthrough ! I was playing this nightmare and now i see this 👍👍

It’s like most drumset parts No composers know how to write drumset parts so the way that u read them is look at the part Find style Ignore written part Play style and road map

Only real trombonists will know that the trombone part was the best.

2 octaves is not that bad if you practice it, Music for Prague has a fast section that's two and a half octaves and it's still very maneagable

I love playing this price, you guys make it sound nice in a quintet

I recently played the David Concertino for trombone, and the third movement has a two octave jump between Bbs. It was fun to play because of how fast the piece moves.

Dut diga dut dut diga dut gok

in my school’s band, we were taught 1 ti te ta. and for triplets, 1 la li.

That jump doesn't seem that hard, I played Anthem from chess recently in orchestra and I had a jump from F to high Bb in the melody, It's 1 1/2 octave and I would say that it's a bit harder than that 2 octave jump.

Nice to see Jakes Method mentioned in a vid. Lots of good stuff in the book. Pops

In perc we have a system called cues. It’s basically where we count for one measure and then we wait for specific parts in the music to tell us where we are. And if we can do it immediately we count rest. When it comes to seven we say four and then go to 8. This system works I swear.

Typical American jargon, could be explained better in a shorter time.

I do ta ti-ti tika-tika

It’s been a long long time since I’ve heard that piece.

And just remember it’s not donkey donkey donkey

What’s the name of this piece? Would love to add this to my wedding playlist(:

Nah that’s totally doable.

True

You played the A natual to long... so much for takadimi

R.I.P Kitty Allen. Not many people know your name or who you are nowadays. For those of us that do, we love you and your music.

I always forget the name of this song

I play trumpet and I want to play that could you show the music?

Beautiful

What in the Up?!? This made me rewatch all of Up

I know you did not just say TaKaDiMi is vetter then 1e&a

Thank You so much

Everything you have said rings with what I’ve been taught. A few good tips that I haven’t heard in there tho. Application for me is a reminder to do all the things I do but keep doing them more and more. My problem is in performance it sometimes goes out the window. The practise part is the key

I personally am a 1e&a beleiver, and this is my rebuttal against your video. First of all, to my knowledge at least, you can't follow which beat of the measure you're counting, because the beat is always ta, as opposed to 1e&a 2e&a 3e&a, etc. The second reason is that you never actually demonstrated counting using TaKaDiMi in the video. Last but certainly not least, I don't want to be mean or anything, but you didn't play the written notation, like, at all. The first note was late based off your countoff, you then sped up towards the end of the first measure, and you added almost a whole beat in the second measure. Despite this, I am curious about any other counting methods, so if there's anything about TaKaDiMi or other systems that I should know or that I got wrong, please educate me.

1 te 2ti te ta?

I used to play in the red. I had been playing for 4 years when I realized it. I didn’t start off that way, but I think I started to gradually slide the mouthpiece lower on my face around my 3rd year or playing. That’s when I started playing first trumpet parts, and the range came easier with playing in the red. I could play high Cs and Ds above the staff, but my tone was pretty thin all around the range of the instrument. Low notes were pretty difficult to control and play with a full sound. My accuracy was pretty bad too. If I had to play two notes that were more than a third interval apart, I would often crack the notes or undershoot/overshoot. I decided I wanted to pursue an envoy hire change, and it took a solid octave off of my range. It became difficult to play a b in the staff. It took a year to get my range back to around an A above the staff, and almost two years before I could confidently say I was a much better player than before the embouchure change. Looking back though, it was worth it.

That’s really not bad writing or difficult to accomplish..

You guys should do a video on white rose elegy

What the fuck kinda 15/16 time signature you using for that bs. The first measure doesn’t have 16 16th note values in it. 3+3+1+2+2+2+2≠16

Skill issue

I would like to see the baby 🥊🥊

Meh. It’s fine writing for trumpet. I think that lick might just take some work

I got piece in band with an 1 1/2 octave jump into triple tonging. On horn. Idk who in their right mind would arrange like that

Nah it works

ITS THE BUZZ LIGHT YEAR THEME😮😮

I’m in band and I play trumpet and I just want to say that y’all sound amazing

This sounds familiar

1e&a is just the gold standard. Based on instrument played, it changes. As a drummer, “dut” comes to mind immediately. I’ve heard jazz players do it differently as well as some woodwinds but hey if it helps ya count, it’s all good

As a tuba player y’all as t got nothing on us We got bigger lungs We got lowest notes We’re the best Easiest We can play notes low and high all the way up to 4 octaves above 😎😎

Me who uses musescore