The only differens between the two is that the CZ-1 have stronger fundamental frequencies then CZ-V and that CZ-V have louder high-mid to high frequency harmonics then the CZ-1. Which to me gives the CZ-1 a more pleasant rounder sound plus that some of Arturias presets seem to have a slight detune between the oscillators. My guess is that it’s either a programming issue of the Arturia presets or that CZ-V waveforms can go a bit further with its phase distortion than the CZ-1. Either way it should be a quite easy fix for Arturia to make it sound identical. Nice comparison between the two 👍🏻

Can you have maybe an arrow or something pointing to which one is on? I'm not sure which one I'm listening to

This vid helped greatly. ESQ was not working properly and displaying another text on the screen and was not able to load patches. I had no clue if it had some major error, but I followed the steps in this video and it works as normal now!Relieved

Amazingly youtube knows that I bought the AIR synth bundle today for $10, great value haven' tried it yet but eh, $10? Can't go wrong..

@5:24 The intro to "Connection" by Elastica (& Wire)

this is much appreciated walkthrough. Just picked up the SQ80

Hi thanks for this - helped me unravel the mysteries - good video. I notice it's three years old now when you ask for similar voice synths. Are you aware of Emvoice One?

Do you know anything about the CZ5000?

hey man, i powered on mine and seems like the adaptor blew, any tips on checking if the actual machine is damaged? appreciate it 🙏🏻🙏🏻

After when you posted this video, 2 years ago, you probably know what ENH means now lol. The Behringer Wasp has been for ages now been my GOTO for fat bass sounds. I have a Roland Jd-xi and love it as a Groovebox style synth (I have an MC-303 as well), I think everyone that agrees that has one realises that it lacks in Analogue capabilities. This fills the gap for me

The best walk around video that I could find. You didn't just cover the pre sets. Such a standard thing these days - it seems. Therefore, it was refreshing to see someone explaining the function buttons and capabilities. Well done.

Which model sustain pedal are you using?

People commenting without considering the main difference between the two: one is sample-based, the other is an emulation. Comparing sounds head to head really only speaks to the ‘realness’ of the emulation. That said, even an actual ESQ-1 head to head with these samples won’t sound identical given the innate differences in everyone’s signal chain. Samples are typically recorded with a bunch of outboard gear to sweeten it up too.

Best explanation I’ve seen on the topic after searching extensively. Figures it would be a Brit - God’s great communicators! Appreciate this - thanks!

Hello there, nice video, what do you use to show note and chords?

Music sounds great!

Just got one of these, and your videos are how I'm going to learn it. Also have a Mirage, so hopefully I can find some similar videos on that, as well.

Very boards of Canada. Great stuff

Great stuff. As in all old gear there is a lot of dust collecting in holes. Midi holes: Why is there no sound? Data holes: The data card has holes in it, so the receptor has sticks that protrude upwards, well, not under a cover, like in the DX7, but they tend to become "greasy" at least after not cleaning them up. Nobody cleans them up, when cleaning the rest of the visible machine. It was never an issue, until some nerd thought to buy very expensive cards.

I love this plugin. I have the lowend routed through an '80s Trace Elliot bass head, stereo into two 16" JBLs. It sounds bombastic.

You can use the data cards with the internal samples, you just have to edit the voice.

One thing I don’t understand: why do the waveforms change over time? I would understand that they change if you have enabled some short of envelope affecting the algorithm, but the goal of the video was supposedly to see the basic pure waveforms, so seeing they evolve over time makes it difficult to understand…

Very useful thanks! Nice to know that someone else also goes through that phase where it all sounds really horrible for a while whilst you are looking for that elusive sound. It made me understand the pain my partner has to endure😞

Man this is a great tune

Fantastic video, really helpful, thank you!

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Which is which? 😂 Seriously, I don't know as I don't own either one, but I'm not sure if the weirdly colored mean active or inactive. They sound different but I like both.

Some of these sounds like 10:41 are nice it reminds of a old pc engine, like a old video game synth sound i like it.

6:32 7:42 7:59

I'm modding my novation bass station rack to add a an SH101 sub-osc, Im thinking of doing the same on the wasp deluxe, it definitely fattens it up

I assumed "enh" was short for "enhanced" as a means of describing PWM on the Gnat

Not receiving pitch bend over midi seriously drives me crazy.

Hi how do you save a preset internally?

Comprei todos os plugins da AIR, são excelentes! Já compús muitas obras com o uso dos plugins, o xpand 2 para mim foi o melhor, porém o Hybrid 3 é muito versátil e tem um motor síntese incrível!

@6:42 between the sound and those first 2 notes I thought this was going to be NIN “Sanctified” 😂

Thoroughly explained and articulated very well. Thanks!

At 5.29 is the sound used by Damon alban on the elastica connection track?

Big takeaway is that the og ESQ has more treble (drastically noticeable in the sync lead @ 14:32 MINI M). So I can either take this optimistically two ways. 1) the software plug leaves more room for highhats in the mix, OR # 2) just turn up the treble on the softsynth's EQ, pre-amp saturation modeling, or effects send. At the end of the day, it's the synth for me as I liked every single patch that you demonstrated for one reason or another. Thanks for this video! PS... I've officially acquired a taste for nyquist frequency scatter thanks to this demonstration. Sublime aliasing -- if that isn't an oxymoron to audiophiles. ( see 15:41 NOISTR )

Is there a way to insert sound sources one at a time?

Vsts have got so realistic now that it's looking like a limitless production Scape for us all. My vsts are sitting by analog synths and standing shoulder to shoulder. It's crazy what we can do now at very little cost. Golden era. We live it

Do you have the list of SQ80 Sounds that you used for comparison?

I got an SQ2 for $120 🥳

Can someone tell me how CPU heavy this is? Heavy like Diva? Or small like Tal

I am going to try that moving filter, beautiful. It took me a while, but it seems like to me that all the patches prior to the effects are operating on the sines prior to being generated. Like the whole thing is one complex generator, and the modules give you different ways to specify how the sounds get generated. For example, the filter doesn't generate a signal then filter the signal, it calculates the partials that would be removed prior to generating the sound and doesn't generate them in the first place. EG the filter is applied in the space of partials not on the generated signal.

On my Kawaii K1 II, the lead weights on 3 of the black notes fell out. To repair, I had to open up the instrument, remove the keyboard, detach the electronic boards on the back of the physical keyboard, remove the neighboring white keys, and reglue the lead weights back in. I used Gorilla Glue. Then to be proactive, I added glue to all the lead weights of the white keys. And then fashioned a long nozzle out of a 1.5” plastic drinking straw (slitted then taped into a cone). Then glued (super glue) and taped the nozzle to a medical syringe, filled the syringe with Gorilla glue, then used the syringe & nozzle to dab globs of glue onto the weights of the black keys. This meant I did not have to remove all the black keys. Being a bit careless with the amount of glue, some got too much and I had to remove those keys to scrape off the excess glue. After the glue set overnight, I began to reassemble the keyboard. Unfortunately, it had sat disassembled for several years and I had either not taken photos, or had deleted them. This video gave me enough glimpses of the inside to make it possible to reassemble everything properly. I hope! I’ll update when I finally get it together & it works properly!

Hey, would you be interested in knowing about ways to squeeze even more out of the SC-7? There's a few things that can be done with SysEx, like changing the reverb and chorus type, and enabling channel aftertouch, which lets you adjust the low-pass-filter cutoff. I ended up creating my own tool to help me with this. Thanks for your videos, by the way; they were quite useful and helped convince me to go ahead with buying an SC-7, which I've had a lot of fun with!

Nice one😎

Great video! Question, so when people say that ring modulation is just really fast tremolo, that is incorrect because tremolo is amplitude modulation which maintains the fundamental pitch while ring modulation does not?

So as long as I dont make any money from using their software its fine?