Heavy!!!

Harpsichord is a period instrument. There is no modern harpsichord, only replica of the old.

Bach master supreme!

❤

Richter IS a master of JSB'Music. But the sound of this Nuepert IS too hard. And 825 IS too fast. Anyway Richter IS a legend

Fun fact (from Wiki): The tonalities of the six Partitas (B♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). This key sequence continues into Clavier-Übung II (1735) with the two larger works: the Italian Concerto, a seventh down (E to F), and the Overture in the French style, an augmented fourth up (F to B♮). Thus this sequence of tonalities customary for 18th-century keyboard compositions is complete, beginning with the first letter of his name (B in German is Bach's "home" key of B♭) and ending with the last letter (H in German is B♮) while including both A and C along the way.

Richter. que bien lo comprende 🌹🕐

après 50 ans de baroqueux, Richter, ça tient vraiment la route !!

Meine *EMPFEHLUNG* zur EQUALIZER - *Anpassung* 'Caruso Einstellung' (classical modified) -12,0 dB (60Hz) -12,3 dB (230Hz) -15,0 dB (910Hz) -15,0 dB (4kHz) +15,0 dB (14kHz) Der Eintrag wurde ergänzt, weil es sehr unterschiedliche Equalizer gibt. Profis brauchen den Hinweis nicht. Er bezieht sich hier allgemein auf eine 'Bass Booster' App 🎧, ohne Zuschalten des BASS BOOST. Die meisten können mit Bluetooth ja richtig umgehen: viel Erfolg!

Thanks!!

Thanks!!

This is gold

The best BACH interpreter of all time

Un insieme di opere gigantesche , meravigliose ed imperiture , che il genio di Ricther ci dona servendo Bach con una dedizione ed insuperata capacità ,gli dobbiamo tutti molto . Grazie di cuore Giorgio Decolori

Karl der Große!!!

He made the harpsichord sounds like a grand piano.

Είμαι συγκλονισμένος από την ερμηνεία του μεγάλου Richter!

Background information on Six Partitas for Harpsichord BWV 825-830: At the time of writing, Bach was installed in the post of Cantor at the church of St. Thomas in Leipzig. Bach was well aware that his predecessor had made a significant contribution to educational works in his time as Cantor and it is reasonable to think that Bach will have been keen to celebrate this legacy with his own music. They were published originally under the title of “Keyboard Practice” giving a clear indication of their purpose. Their effect on the waiting world was nicely summarized by Forkel in his Bach biography [1]; “This work caused quite a sensation among his contemporaries in the world of music; such splendid keyboard compositions had never previously been seen or heard. Whoever learnt to perform any of these pieces to a high standard could make his fortune in the world”. Each of the Partitas follows a well-established format that would have been expected at the time: Allemande; Courante; Sarabande and Gigue. As you might expect, Bach varies this structure to include a Capriccio in Partita No.2 and the occasional Rondeau that brings a change in colour to the work. The influence of both the French and Italian styles are elegantly managed by Bach in a way that still maintains the foreign influence without losing his own craftsmanship and flair. - Excerpt from "4 Famous Keyboard Pieces by Johann Sebastian Bach" by Dr. Justin Wildridge - Article link: www.cmuse.org/famous-bach-piano-pieces/

Gigue 53:30 Gigue 1:27:24

61年前の録音にしてはまあまあか。楽器は大きく変わったけど、解釈はそんなに大きくは変わらんな。

JAMAS VOLVERE A COMPARTIR ESTE VIDEO, LO HAS ARRUINADO CON TUS ANUNCIOS. ERES UN VULGAR COMERCIANTE AL QUE LE IMPORTA MAS EL $ QUE LA BUENA MUSICA INERPRETADA POR U N MUSICO UNIVERSAL. ADIOS.

My favorite musician back in 80s & 90s. Sorry for short life. Among his recordings, this is one in Top 5 with Matthew's Passion. Nov. 1963. Thank you for uploading!!!

We came a long way since then.

This really makes me get what Harpsichords are supposed to be, its so clean here at times it sounds like the plucking of guitar strings 22:41 35:05 38:20 53:31 1:07:01

Grandioso Karl Richter ejecutando obras del inmortal Bach. Gracias por compartirlas. Saludos desde México!!!

GRACIAS POR BACH, GRACIAS POR KARL RICHTER!!

უბრწყინვალესი მუსიკოსი:: დირიჟორი, ორღანისტი, კლავესინისტი..... ბახის უდიდესი შემსრულებელი, თავდავიწყებით მუშაობდა იმ ტაძარში სადაც გენიოსი ბახი ადრე მოღვაწეობდა

QUERIDO TAKATAKA, ESTOY VIENDO TU VIDEO EN LA TV. SMART, Y CADA PUNTITO AMARILLO ES UN ANUNCIO, LO CUAL ES INSULTANTE, Y EN BASE A ESO TE AVISO PARA QUE COBRES TU DINERITO. KZfaq ES MUY INJUSTA, ASI QUE COBRA TU DINERO . YA QUE SOLO DEJE EL VIDEO PUESTO EN MUTE PARA QUE TE PAGUEN TOOODOOOS LOS ANUNCIOS,

გენიალური ბახის წინაშე ვალმოხდილი საოცარი მუსიკოსი კარლ რიხტერი, უბადლო კლავესინისტი, ორღანისტი და დირიჟორი!

Very interesting to hear this! Many passages are lovely, but I can't get away from how very old-school it feels, both from the incredibly ponderous instrument (yes, very close to Wanda's Pleyel!) and Richter's four-square phrasing. I know many people revere him, but he's often a bit too metronomic for me. Arrivals crash into the station instead of ARRIVING. I'd rather hear the sensitivity to phrasing that you get with Scott Ross.

which stop is he using at 17:50?

1:07:31 He plays c# instead of c in the right hand.

finally some well paced Bach on a proper harpsichord

The true BACH MASTER

ME ENCANTA LA BUENA MUSICA, PERO SIN ANUNCIOS, ES INSULTANTE ROMPER UN CONCIERTO CON UN ANUNCION, PONLOS AL PRINCIPIO O AL FINAL DE LA GRABACION, ES SOLO UNA SUGERENCIA, PERO CON MUCHO SENTIDO COMUN!!!!!!!

I've heard several other mid-20th-Century harpsichordists play Bach, but this is a wonderful introduction to Karl Richter, whom I'm hearing for the first time. I prefer the harpsichord for Baroque keyboard music, and Richter certainly was a master of the music and the instrument. Thank you for posting this.

Trop de pub nuit sérieusement à l'écoute....

A masterpiece of a performance!!

...per un disco Deutsche gramophon , 7500 lire....un mese senza merenda, il Magnificat e la cantata freue dich erloster schaar.....Grande Karl Richter troppo per quei tempi, anche per questi... Justum in misura et etiam magnus faber , sedulus discipulus.. soli Deo gloria!

que lastima que los anuncios son tan irrespetuosos de la musica. gracias por tan bella musica KARL RICHTER.

leuk

So sweet

Real music, with real musicians. Wonderful. I guess that in number 6 of your program you meant “Rigaudon 1 & 2”.

I don't like the instrument Richter is playing on: a modern piano would be far better, but the rendition of Karl Richter of those partitas is absolutely the best I've ever heard. Unsurpassed on whatsoever instrument one might play. Thanks unforgettable Karl Richter!

Without a doubt my favorite recordings of these masterpieces played on harpsichord. I easily prefer Bach's solo harpsichord music on piano, but only Karl Richter has the ability to make me enjoy it on harpsichord and not for one moment make me long for the piano versions. I know some people prefer Ralph Kirkpatrick. For me he could not do it. Only Karl Richter can - what a musician he was! Much more than just a great player of the harpsichord - He knew how to MAKE music with Bach.

I always prefer Bach on piano over harpsichord, but this is so brilliantly and delightfully done by Richter that he has totally won me over here to listen to all the partitas on harpsichord. Magnificent!

Flawless performance and with such life one could imagine Bach playing.

The instrument is impressive too, isn't it; its ringing quality reminding me of Wanda's Pleyel. Does one of the notes mid-keyboard have a "tic" -- an overtone, perhaps mechanical in nature ? Or is it my inexpensive but remarkable little desk top speakers ? Anybody else hear it ?

Isn't this wonderful. I've not heard this performance until now. I recently became acquainted with the Scott Ross recording, which I think is so good. Now to go back almost sixty years for this: hooray. I find the very occasional overly-slow, even ponderous or insecure sections distracting; the whole Sixth Partita strikes me as having had too little practice. Is that possible ? The final gigue, however, redeems the whole thing. The score of the second half of that final gigue is reproduced here: en.wikipedia.org/wiki/Partitas_for_keyboard_(Bach)#/media/File:Clavier-Ubung-I-BWV830.jpg

Архитектоника любой музыки отражает соответствующее устройство социума, и наоборот !!! Теппер Михаил.