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@robertcalva3773
@robertcalva3773 13 сағат бұрын
Brilliant! Genius use of harmony.
@dzinypinydoroviny
@dzinypinydoroviny 2 күн бұрын
So great to see this. The first score reduction of this that I saw had an absolutely obnoxious interruption of the music track right at the climax.
@barry7246
@barry7246 4 күн бұрын
There's quite a lot that I don't see in my score. For example, measure 3, I don't see a 7th (B) or a 9th (D#) in that chord on beat 2. There are several other places where I'm similarly confused by notes in your reduction that simply aren't present in the score. For example, measure 61, I cannot find the B and D# on beat 1 or the D# on beat 2. Also, measure 77, the chord is clearly a B7 in the horns not an F#7. My guess is that these are transposition errors. What score did you use as a source? Still, all in all, the reduction is a pretty heroic effort.
@nmkmusic6396
@nmkmusic6396 4 күн бұрын
@@barry7246 store.doverpublications.com/products/9780486295824?_pos=3&_sid=3ccef9060&_ss=r
@barry7246
@barry7246 4 күн бұрын
@@nmkmusic6396 That's the same score I use.
@dlnnyc64
@dlnnyc64 8 күн бұрын
The original film is still the best. It showed the awe and majesty of the dinosaurs through this score.
@jakeajg7
@jakeajg7 11 күн бұрын
Damn, I haven’t seen an analysis this in-depth since my music theory classes in college💀
@bronson1392
@bronson1392 12 күн бұрын
This is a superhuman effort, thanks!
@TheOrgan1st
@TheOrgan1st 16 күн бұрын
The fact that the cough was included XD
@user-vy1ef9rb8b
@user-vy1ef9rb8b 19 күн бұрын
😅개미핥기소금먹방
@ivanbenning2609
@ivanbenning2609 23 күн бұрын
Nice thoughtful score analysis! Where did you get the full score to this piece? Also another question, I’m assuming the numbers besides each note indicate the degree of the chord each instrument is playing. What’s the difference between the dashes and the commas?
@nmkmusic6396
@nmkmusic6396 23 күн бұрын
@@ivanbenning2609 halleonard.com
@hectorfprez
@hectorfprez 27 күн бұрын
Terrible choreo a la primera de Brahms.
@febilogi
@febilogi Ай бұрын
hello Mr. Kuhns. I tried to send you my credential about my paypal twice so I could donate you some money in this comment section but unfortunately it is gone everyday. Are you deleting my comments or youtube just delete it? please answer the commment if you are interested on my donation :)
@nopalitosms
@nopalitosms Ай бұрын
Hi, first time here looking for your analysis, thank you for this great work you did. Is there any explanation about the lists you include in your analysis? at first seems a little confusing to see all these numbers with parentheses etc, I think lists are set of notes o scale degrees played by particular instruments depending on the harmony played is´n it?. Do you have an explanation or a way to clarify this system? Thank you.
@nmkmusic6396
@nmkmusic6396 Ай бұрын
@@nopalitosms Yes. In the instrument lists the numbers in parentheses are chord tones.
@febilogi
@febilogi Ай бұрын
you share this for free? wow, what a generous person you are. Do you have paypal so people could have the option of one-time donation other than patreon?
@nmkmusic6396
@nmkmusic6396 Ай бұрын
@@febilogi I do have a paypal.
@ocholilink7142
@ocholilink7142 Ай бұрын
5 years later, this in depth analysis is still greatly appreciated.❤❤❤
@MWMWMWMWMWMWMWMWMWMWMWGH
@MWMWMWMWMWMWMWMWMWMWMWGH 2 ай бұрын
DUNDUNDUNDUN DUN DUNDUNDUN DUNDUNDUNDUN DUNDUNDUNDUN DUN DUNDUNDUN DUNDUNDUNDUN DUNDUNDUNDUN DUN DUNDUNDUN DUNDUNDUNDUN
@ymunozs
@ymunozs 2 ай бұрын
Hi, great analysis! Thank you for sharing this wonderful reduction!
@AsiaOdin
@AsiaOdin 2 ай бұрын
Thank you very much! Please make more of these!
@melissawickersham9912
@melissawickersham9912 2 ай бұрын
I can clearly see the Lydian mode listed in the brighter major statements of the Journey to the Island portion of this theme. No wonder that portion of the theme sounds bright, grand, and bold.
@WhistleHummer
@WhistleHummer 2 ай бұрын
Thanks for putting all the work to condense these scores! I noticed the first chord on measure 40 should have A naturals, not A flats. Measure 38 also.
@joelsalalila1543
@joelsalalila1543 3 ай бұрын
4:00 🏈 Detroit Lions💙🩶 vs Denver Broncos💙🧡 4:05 🟠 Orange Crush
@amnbvcxz8650
@amnbvcxz8650 3 ай бұрын
Beautiful transcription and piano performance! 😍 And huge thank you for the detailed harmony analysis!
@jimlapbap
@jimlapbap 3 ай бұрын
Thank you so much for this, I am doing an arrangement (completely different style) of this, and seeing this really helps me get a grasp of it. I'll make sure to credit you when I put it out.
@melissawickersham9912
@melissawickersham9912 3 ай бұрын
Jeez. This theme keeps jumping between musical modes and scales. One moment it’s Dorian, the next moment it’s mixolydian, the next it’s Phrygian, and the next it’s Lydian. It just doesn’t stick to a single mode.
@Robbytotty
@Robbytotty 3 ай бұрын
Tchaikovsky simph 4 pls
@nmkmusic6396
@nmkmusic6396 3 ай бұрын
I'll add it to the list.
@Robbytotty
@Robbytotty 3 ай бұрын
Oh, with the WDR klassik orchestra version pls. Thank you.
@Robbytotty
@Robbytotty 3 ай бұрын
Tchaikovsky symphony 4 please
@kalletorner4591
@kalletorner4591 4 ай бұрын
Really fun thing, very impressive! I've been looking for an analysis like this which really breaks down all chords, it might not be very useful for understanding the piece but it's interesting for us nerds nonetheless;) However after a quite quick look i already found a couple of mistakes, so i wouldn't blindly trust all of it...
@V8Murder
@V8Murder 4 ай бұрын
5:40 ghost cymbal!!!
@birgitlutter1379
@birgitlutter1379 4 ай бұрын
Unglaublich schön! Toll auch, die Noten verfolgen zu können.
@jiafeiskinnyproducts
@jiafeiskinnyproducts 4 ай бұрын
haha V(omit)
@V8Murder
@V8Murder 4 ай бұрын
jazzzzz
@Robbytotty
@Robbytotty 5 ай бұрын
In compass 60 , the last note of flute solo is a B , not D
@djgoon13
@djgoon13 5 ай бұрын
now faster
@txbooklvr
@txbooklvr 7 ай бұрын
Thank you for your help, I’m learning the chimes to this and I am struggling the most with this piece and Uranus more than any other piece from planets. This really helps me understand the context of my part with the orchestra, thanks!
@DariaSemikina
@DariaSemikina 7 ай бұрын
Just curious, why not to label chords with functions instead?
@nmkmusic6396
@nmkmusic6396 7 ай бұрын
What do you mean by functions?
@DariaSemikina
@DariaSemikina 7 ай бұрын
@@nmkmusic6396 functions of the chord in the key (I, II, III etc.). Functional harmony allows a higher level of abstraction and it's easier to understand what particular chord means in the key and overall logic of development, since Western classical music is basically built on modulations. Just in case my explanation is incoherent you can read more here: en.wikipedia.org/wiki/Function_(music) Don't get me wrong, I really appreciate your work, it's just I was trained on the system of functional harmony and it's really weird for me to see analysis with chord names written the same way as in jazz or pop music, so I was wondering if is this a difference in practice between different countries or a conscious choice not to use functional harmony.
@trackhero2714
@trackhero2714 Ай бұрын
@@DariaSemikina in my opinion this is a much better way to look at a piece like this -- functional harmony analysis works for Bach or Beethoven but once you start diving into jazz harmony etc it makes much more sense to just list the chord. I find functional harmony to be useful but man it gets annoying when you start reaching out of traditional changes and start borrowing from different modes etc - it all becomes needlessly complex
@Climinator-op6kh
@Climinator-op6kh 7 ай бұрын
This takes me right back to hearing the theme tune in full surround sound at my local Odeon cinema multiplex last April for the 45th anniversary. Absolutely epic!
@Eden_Rubin_Music
@Eden_Rubin_Music 7 ай бұрын
You might laugh, literally at the last few days I started reading the score with the aim to make a score reduction of it and upload it here on youtube. Unfortunately(or actually fortunately), you did it before me. Well, now reading the score will be much easier. Here's my first attemp with the score of Samuel Barber Adagio for Strings: kzfaq.info/get/bejne/otVhgc2kztjDnIE.html Thanks
@joaoaugustodomingues719
@joaoaugustodomingues719 7 ай бұрын
Amazing content
@sadudas11
@sadudas11 7 ай бұрын
1:45 lol holy shit 3rd trumpet is blaring
@MarieTeissonniere13
@MarieTeissonniere13 7 ай бұрын
Give me last chance please 🙏 I’m begging you Nate please
@MarieTeissonniere13
@MarieTeissonniere13 7 ай бұрын
Good morning Nate how was your night………please i need your forgiveness 😢😢😢😢😢😢😢😢😢😢😢😢
@MarieTeissonniere13
@MarieTeissonniere13 7 ай бұрын
Good morning Nate please forgive me I can’t do without you
@Eden_Rubin_Music
@Eden_Rubin_Music 8 ай бұрын
kzfaq.info/get/bejne/otVhgc2kztjDnIE.html My own Reduction to a Famous Score- Samuel Barber Adagio for Strings Enjoy
@Eden_Rubin_Music
@Eden_Rubin_Music 8 ай бұрын
kzfaq.info/get/bejne/otVhgc2kztjDnIE.html My own Reduction to a Famous Score- Samuel Barber Adagio for Strings Enjoy
@andrewfrancisjames
@andrewfrancisjames 8 ай бұрын
thanks, love it. would be nice to see it full screen without the black space bit at the bottom
@TGOL2023
@TGOL2023 8 ай бұрын
Love the song! I do think that at measure 364 (6:46 timestamp), the interval of the middle staff (the one playing the triplets) is wrong. It should be playing D-C-D-E-F, instead of what is shown at G-F-G-A-Bb
@mr.vorrnyvorrn2516
@mr.vorrnyvorrn2516 9 ай бұрын
Instrumentation (session recordings): 3 Flutes 3 Oboes 4 Clarinets 3 Bassoons 6 Horns 4 Trumpets 4 Trombones 2 Tubas (the second one plays at the end) Timpani Percussion 2 Harps Piano 2 Synths SATBarB Choir Strings (Violins I/II, Violas, Cellos, Double Basses)
@harrybmichell
@harrybmichell 9 ай бұрын
The timpani from 9:55 🔥
@jessemoog5310
@jessemoog5310 9 ай бұрын
I have long wished to see the Score for this Piece, as i think its one of John Williams best Concert pieces. And thats saying something. Shows his Contrapuntal skills.
@morrisbean9921
@morrisbean9921 9 ай бұрын
Admiration for the brainy kind of human who is capable of creating such brilliant score reductions. Спасбо большое !!
@waliaphellps1745
@waliaphellps1745 9 ай бұрын
Love how trumpet is so outstanding in this interpretation. Resembles Böhm’s view but regarding trombone.
@joaoaugustodomingues719
@joaoaugustodomingues719 9 ай бұрын
Great analysis! Can you give me some tips on how you identify the chord quicker and more effectively? I find harmonic analyses valuable and id like some tips to improve the process.
@nmkmusic6396
@nmkmusic6396 9 ай бұрын
Alright. First off. Within the voicing, look to see if there are any octaves, perfect 5ths, perfect 4ths, major or minor 3rds. Secondly. If you have a keyboard or piano available, arpeggiate the chord voicing. Do any of the chord tones sound like they could be the root? Thirdly. How does the chord relate to the other chords around it? How does the harmony lead up to that chord, and where does the harmony go after that? And fourth. To avoid confusion with roman numeral chord names, in situations where a chord tone other than the root is in the bass (i.e. a C major triad with a Bb in the bass), depending on the key or mode, I would recommend labeling a chord voicing like that as a "C7", rather than a "C7/Bb", because in roman numerals, if you put "V7/bVII, then that could be misinterpreted as the V7 of the bVII. I hope these tips are helpful.
@joaoaugustodomingues719
@joaoaugustodomingues719 9 ай бұрын
@@nmkmusic6396 yes that is really insightful, thanks. But how to you go about identifying the chord itself, across multiple diferent clefs and transposing instruments? Is it that slow to identify one single chord?
@nmkmusic6396
@nmkmusic6396 9 ай бұрын
Depending on the complexitiy and voicing of the chord in question, chord identification can be an arduous process. Identifying triads, though, can be much more straight forward. All Basic Triads Root Position (If the 1 is the Tonic) Major: 1 3 5 Minor: 1 b3 5 Augmented: 1 3 #5 Sus2: 1 2 5 Sus4: 1 4 5 Diminished: 1 b3 b5 1st Inversion (If the 1 is the Tonic) Major: 3 5 1 Minor: b3 5 1 Augmented: 3 #5 1 Sus2: 2 5 1 Sus4: 4 5 1 Diminished: b3 b5 1 2nd Inversion (If the 1 is the Tonic) Major: 5 1 3 Minor: 5 1 b3 Augmented: #5 1 3 Sus2: 5 1 2 Sus4: 5 1 4 Diminished: b5 1 b3 Some common transpositions would be Bb = down a whole step A = down a Minor 3rd Eb = up a Minor 3rd D = up a Major 2nd But if the score is non-transposing, then that certainly simplifies things. But there are instruments that sound higher than they're written regardless of whether the score is transposing or not. Glockenspiel = 2 octaves higher Celesta = 1 octave higher Piccolo = 1 octave higher Contrabassoon = 1 octave lower Double Bass = 1 octave lower When it comes to clefs other than Treble Clef and Bass Clef Alto Clef Middle C lines up on the middle stave Tenor Clef Middle C lines up on the 4th stave up A few books I would recommend getting: "Essential Dictionary of Music" "Essential Dictionary of Music Notation" "Essential Dictionary of Orchestration" And "The Study of Orchestration" 3rd Edition by Samuel Adler I hope all of this is helpful.