Haha yes, thinking about the next snack

Don't let it's size cool you. It has the same autofocus as the A7 RV with the FX30 (so smaller version of tje FX3) sensor

Thank you so much! It's great for video! Only I noticed when filming slowmotion in 4K for a long time it would complain about getting too hot

Thank you so much! No I only had an UV filter for protection which I always have. I used 4K 100fps with 1/200 shutter and ISO auto (I think) could also be that I lowered the ISO a bit. With telephoto I don't need my UV filters most of the time. Only with my 2.8 lens

@@WillemvanderPijl very good. Thanks! My channel is primarily about backpacking various American trail, but recently I shifted to more material and wildlife photography.

Thank you so much! For video I would go for the A6700 any time over the ZV-E10 (I own both). But one thing to keep in mind the A6700 will overheat if you film for long periods of time on 100fps for that purpose I would advice the (though very expensive) FX30 instead of the A6700. But you can't take photos with the FX30 (At least nog more than one at a time). 4K 60 I have not run into issues unless I put the A6700 in direct sunlight for a long time

@@WillemvanderPijl Thanks for reply......I meant the yet to release "ZV-E10 2"....although I don't do photos much, I prefer a lightweight camera for my travels and definitely would miss the 11 fps burst mode on the FX-30 for wildlife

@@maddybaliga Ah... For video ZV-E10 ii would be great. Just keep in mind if you also shoot photo you will miss the viewfinder. For hybrid I would go A6700

@@WillemvanderPijl Yes I will wait for the release then decide 👍🏻🙏🏻

@@maddybaliga good luck on the decision!

I would say on average 150-200 meters. I measured it on Google maps where I thought the birds would have been at the time

@@WillemvanderPijl thanks bro 👍 This will be very helpful for planning future shoots.

@@he3amo good luck! I filmed on 100fps that gives another 1.5x crop and used a monopod for extra support

1080p - 100fps (I am in PAL region) - 1/200 - iso auto if I remember correctly.

Yes handheld, but I was leaning onto something with my elbows

I loved it on the a6400 Aswel. I have the a6700 for slowmo but with the a6400 it's an even lighter combination and it's so nice to carry around

@@WillemvanderPijl I could upgrade to the 6700, or I could buy more lenses. I hate having to make these grown-up decisions.

@@jimfrazier8611 Depends on what you want to shoot. If you want more fps in 4K for slowmo video and you miss sensor stabilisation, the a6700 is a good buy The autofocus is incredible but I never had any complaints with my A6400. I feel like for photo stick with a6400 and get new lenses. For video I would lean towards the a6700.

Thanks! No picture profile at all actually! When editing I just make sure white balance is the same in every shot, where needed increase exposure and up the saturation a bit (but not too much otherwise it won't look natural anymore).

@@WillemvanderPijl Yeah that what I figured. SLog3 adds so much noise for 4K@120fps on a6700. I film in HLG though which is relative in base ISO as S-Cinetone and no profile (100 and 2,000 on my A7SIII). Try HLG (not HLG3) which is very close to SLog2 in dynamic range but so forgiving and has amazing latitude (shadow recoverability). You footage already looks great though but maybe use some VND to keep the shutter at 1/250s (1/200s for 100fps). Gonna buy the FX30 in the future and might use it for the extended reach which shares the same sensor as a6700.

@@Bo_Hazem yeah I generally shoot at a shutter that's double my framerate. But with some quick animals I do lean more towards 1/400 for 200fps since when slowing it down you have less blur and optical flow in Première can fix the choppyness. Thanks for the tips :) I only shoot on APS-C the FX30 tends to be more noisy compared to my A6700 but I am still getting the hang of that thing. I do greatly prefer the AF of the a6700 (same as A7 RV) compared to the FX30 But when shooting slowmo for longer recording times you'll need a FX30 As for the sLog. I worked with a big media company where they forbid sLog because it's more work to get the colors right afterwards and since I prefer more natural colors anyway I don't bother.

@@WillemvanderPijl HLG is too easy though, even if you miss up it's very forgiving due to the lower base ISO. Slog3 has the most dynamic range, but HLG is pretty close and like the best of both worlds. Yes a6700 has superior AF but would need the FX30 for extended streaming and overall high end sealing and memory solution. I think overall a6700 is the better hybrid camera but FX30 is more of a professional grade video camera.

That means a lot thank you 😊

No with telephoto lenses I often need so much light that using an ND filter is not needed. I do own them but often use them for my F1.4 - F2.8 range lenses

5-20 meters I think, I was hiding :)

Bedankt! Ik heb er twee De Sony 70-350 die is heerlijk compact en daar is deze video grotendeels mee geschoten Maar ik heb ook de veel duurdere en zwaardere FE 200-600 van Sony Echt niks kan tegen die lens op maar is erg onpraktisch om mee te nemen altijd. De beeldkwaliteit kwaliteit van de 70-350 doet echt niet onder voor de 200-600 alleen vooral het bereik is verder weg met de 200-600. Ik heb een video met die lens op mijn kanaal, de thumbnail is een torenvalk. De 70-350 kan ik echt aan iedereen aanraden! Wil je het absolute beste qua beeld en autofocus en het verste bereik? Ga dan voor de 200-600. (Maar pfoe wat een zwaar ding)

@@WillemvanderPijl Bedankt voor de info! Ik heb de 200-600 even kunnen testen en het is echt een mooie lens maar wel heel zwaar inderdaad. Ik neem mijn camera veel mee op reis. de 70-350 is natuurlijk een stuk kleiner! Ik ga er nog even goed over nadenken!! :)

@@EsterZandberg ja dat is de reden dat ik de 70-350 niet heb weg gedaan. Ideaal! Op vakantie neem ik de Tamron 17-70 F2.8 en de Sony 70-350 mee en dan kan ik alles wel fotograferen wat ik tegen kan komen!

@@WillemvanderPijl Jaa precies!!

Thank you so much!! Yes my dad made a few holes in some branches that were on the ground and we put some nuts in them so they had to work for it a bit haha. If you look at my previous video with the squirrels, that's the same branch with nuts in it :)

I don't own the Tamron 18-300 but I do own the Tamron 17-70 F2.8. In my experience the 70-350 is WAY better at catching fast moving birds compared to the Tamron. I actually avoid my tamron when shooting birds. The birds in this situation were close enough to use the 17-70 but I ended up just walking further away and using the 70-350 instead

Yes, but I was leaning onto something

I actually don't know, let me test that for you!

No I can confirm the crop does not happen on 1080p 120fps!

Ontzettend bedankt voor het mooie compliment! Bij deze video heb ik niks gedaan met scherpte of ruisonderdrukking. Enkel de saturation, exposure en de white balance om de beelden een geheel te maken. Ik merk eigenlijk geen scherpte verlies in het geval van video met deze crop. Wel moet ik zeggen als je zit te wachten op een (ijsvogel bijvoorbeeld) dier voordat hij gaat springen ofzo, dat hij vrij snel oververhit raakt de a6700. Voor dat doel heb ik een FX30 maar de autofocus van de a6700 is wel echt vele maten beter dan die van de FX30. Mijn gouden regel is altijd je sluitertijd moet 2x je framerate zijn dus 100fps-> 1/200 Op die manier vang je vaak wel genoeg licht en krijg je een fijne motionblur voor video Ik vind de combinatie van die lens met de a6700 echt fantastisch en ik ga zelden met iets anders op stap als ik de natuur in ga :)