Thanks for the kind words! I'm glad you like it.

Thank you for your kind words! I'm glad you like it.

Thank you very much! I am so glad you liked these pieces.

Tennessee mentioned on the weird KZfaq algo pick for the evening :)🎉

Thank you! I'm glad you like it.

Thank you! Wow, that's a great coincidence!

Interesting topic. Many of my channel's listeners are in their 30s or 40s, just like me. I myself used to like pop music with lyrics and techno and house music with clear rhythms when I was younger, but lately I have been gravitating towards these "ambient" oriented tracks with vague rhythms and melodies. In my opinion, it takes a certain period of intentional listening to music for people to come to like this kind of music (not that everyone will like it, of course). However, not all people listen to music "intentionally," so I suspect that the number of people who like this kind of music has not increased much. That makes it sound like it's unlikely to become mainstream in the future. I too would like to hear this kind of music in more places, though.

Thanks! The photo is the sky one morning in Kurashiki. It was so impressive that I decided to use it as a cover.

Thank you! I'm glad you enjoyed listening to my sound.

Thank you very much. I am so glad you feel something when you listen to these tracks.

コメントありがとう！

Thank you!

Thank you! Glad to share this feeling with you.

I love this approach, too.

@@TilliKommunikation Thank you very much!

@@maknouchi Do you also use modular synthesisers? That would be the ultimate in non-reproducibility.

Yes, I actually have the eurorack Serge modules. I love modular synths, full of unexpected sounds and coincidences.

Thank you!

Thank you!

Thank you Limbic!

Thank you!

Thank you so much!

Thank you!😄

Thank you very much, robu robu!

That's close! Okayama is a nice place with a great climate.

Thanks for the comment! Glad you liked it.

Thank you!

I'm so glad you like it!

Thank you! It’s Korg NTS-2.

Thank you!

Thanks for the comment! I have the following setup: T1 pickup, T2 flex, T3 flex, T4 flex, T6 through. All external piano sounds were routed through T6, with lofi effects added. Recorded on-the-fly to recording buffers 1-4 and looped. transitions between T1-4 and T6 were done using the scene function. I hope this helps.

Welcome to my channel!

Thank you so much!😁

Thank you!

Thanks for the kind words. Indeed, you can get interesting results without using Midilooper. For example, you could send MIDI directly from the CP to the Octatrack, and the OT could manipulate the MIDI notes with its own arpeggiator, LFO, and of course parameter locks, and send the MIDI notes back to the CP. This is not the same, but there is plenty of room for experimentation. Would this be your answer?

Thanks! I use Midilooper to manipulate the MIDI notes from the CP, Midilooper can change the tempo, octave, velocity, etc. of the recorded MIDI data. Also, all audio from the CP is recorded to the Octatrack recorder and processed by the flex machine.

@@maknouchi Thank you very much for explaining!

Thanks! I am using Midilooper to manipulate MIDI notes from the CP, Midilooper can change the tempo, octave, velocity, etc. of the recorded MIDI data. All audio from the CP is also recorded to the Octatrack recorder and processed with the built-in effects. The crossfader is used to mix the raw audio from the CP with the processed audio from the Octatrack. The reverb pedal adds ambience to the main outs.

Thank you! Yes, Analog Four always gives us so much room to explore!

Thank you!😄

Thank you!😁

Thank you!

Thanks! The buttons are definitely a nice touch, but they are a little noisy when recording up close.

Thank you! I hope it helps you in your musical life.

Thank you!

Thanks for your comments! I used a pickup machine on the T1 because I want to be free from the grid and start this chain of manupilations at the exact moment I want. The pickup machine allows me to start recording intuitively. Lately I've been wanting to free myself from the steps and the grid. The pickup looper is a good way to experiment with the Octatrack without using a step sequencer.

@@maknouchi Great, I see what you mean. Thanks a lot!

Thank you!

Thank you! There is so much more room for experimentation with these devices, isn't there? Very deep.

Thanks for the warm words! The Octatrack is a very powerful piece of equipment for sound experimentation. I am happy to share this feeling with you.

Thank you!😊

Thank you!

Thank you!

Thanks for watching! I'm glad you found the tutorial cool. If you have any other requests for future tutorials, feel free to let me know!

Thank you so much! I'm glad you enjoyed it!

Thanks so much! You're right, I used the Tascam as a live mic. I forgot to get the wind shield ready, but it worked out fine because there was no wind at the time.