Gràcies a aquest mestre de la guitarra disposem de les seves millors interpretacions dels estudis de Sors les noves generacions de guitarristes. Un document sonor de gran valor artístic i històric i és, al meu parer, juntament amb la gravació del seu mestre, A. Segovia, també dels estudis de Sors, les dues millors gravacions que existeixen al mercat. actualment.

F.Sor amazing composer....." He was " Beethoven of the guitar....".....

Segovia famously released a collection of his 20 favorite Sor studies (from among the hundreds Sor composed). Segovia recorded, annotated, and fingered each piece. Many of them are among the most difficult Sor composed, and his edition became a standard in the classical guitar repertoire

@@drewbanker9531 Sometimes referred to as "the classical guitarist's Bible"

Yes, and also Op. 31, no. 16, Op. 6, no. 11.

its just 3rds right? with some bass, the shapes aren't that bad, it's not that fast tbh. But still williams executes it quite nicely

@@borik_ca0988 just try it... believe me, at this tempo, its another level of difficulty from the normal tempo.

No te quejes tanto. Todo suena hermoso.

it is the frequency of cycles that the pitch 'A' is set at. in the common period (1600-1900) and mostly today, the pitch of 'A' is set at 440 Hz. that is standard and can be measured on tempered instruments such as a piano or guitar. some people think that 432 Hz has a more soothing effect on one's mind and body. or, maybe it was used for 'A' prior to the common period. to me, it's just a gimmick that some people have latched onto because most people wouldn't even be able to tell the difference between a tuning using 440 Hz for 'A' rather than 432 Hz for 'A'. in other words, it's like someone saying, "ha ha ha, i know something you don't, aren't you envious of me?" no, we aren't envious of someone who wastes time on essentially useless knowledge that is up there with learning the Klingon language. some people have too much time on their hands . . .

Hace quince años los estudié y me aprendí algunos, pero la obra número doce me pareció imposible entonces. Talvez lo retome algún día.