Merci pour Une très belle chanson ♥️♥️♥️♥️♥️♥️

Thank You for old toumani

Nunca escuche esta version en vivo...grandes maestros...mis principales influencias desdw que toco la Kora...Bendiciones...GRACIAS BALLAKE,GRACIAS TOUMANI VUELTA ALTO

Rest in peace maestro

Magnifique duo oui Toumani j'aurais aimé le rencontrer

Beautiful Music from West Africa that makes me dream and eases my pains. RIP Maestro Diabaté, thank you so much for your Art, I am truly blessed to have discovered your works on Kora. I strongly recommend this album, it blew my mind and still does it, like a splash of lustral waters that caresses one's soul. Now you have become a star on heaven above. Much Love and Appreciation from Uruguay, South America.

Rest in power Toumani Diabate 🙏🏾🔥

RIP Toumani may Allah grant him jannatul firdawsi Ameen

♥️♥️♥️♥️♥️

R.i.p.Toumani❤

Merci pour Une très belle chanson ❤❤❤❤❤

this is beautiful !

Your tuning is original and not westernised, abaaraka iningbaara amen

Bonjour quels sont les différents prix̌ des koras

One of the loveliest and sweetest music that I have ever heard❤

Very nice

Wonderful! Where is Sambhujang Sussoh from exactly?

Minute 4:48 conclusion : "this kora model is sounding so good" : )

<3 Beautiful music. Greetings from Uruguay <3

(ES) Demostración de sonido del modelo kora RESONANCE. Un concepto de construcción (de KMH) para permitir que la membrana de la kora funcione libremente y sin obstáculos para así aprovechar todo el potencial vibratorio de la tapa armónica (membrana de piel). El resultado es que todas las notas suenan tan claras (como si tuvieran su propio espacio para expresarse, tan fácil de identificar cada una) mientras que al mismo tiempo la suma de todas las vibraciones que ocurren se entrelazan suavemente. Las notas graves y medias suenan más fuertes y también con más sostenido. La retroalimentación resultante mientras se toca, con una vibración muy baja de los mangos (no están en contacto con la membrana del instrumento) y esta membrana que fluye libremente mejorando la experiencia del sonido, hace de este modelo una GRAN kora para tener en las manos, para escuchar mientras tocando y una GRAN kora para ser escuchada por (la audiencia) ya que su sonido también es muy poderoso. . . . Un agradecimiento especial a mi hermano, el intérprete de jali kora, Sam Sussoh, quien está tocando magistralmente para esta grabación de sonido de demostración. Un horneado baraka. · · · #kora, #arpa, #instrumento, #koramaker, #luthier, #músicatradicional, #áfrica, #handcrafted, #koramandingharps, #koramusic, #koraplayer, #africanmusic, #mandingmusic, #westafricamusic, #guineamusic, #gambianmusic, #senegalmusic, #malimusic, #culture, #traditional, #folkmusic · · ·

est il besoin de fournir un qualificatif ????? tout simplement professionnel avec cette touche d'authenticité propre aux artistes merci mes amis

Mesmeric ❤

Thank you for the heritage and culture................We are what we are forever in Mandean.

THERE'S NO TUNE OR MELODY JUST PUCKING STRINGS AT RANDOM. NOT GOOD AT ALL.

one of my most favorite songs out there

Les deux maestros de la kora

Senegal

Oh sammy. ❤❤❤❤❤ I really miss this brother 👌🏾✌🏾🙏🏾♥️

Very nice

Two of my greatest Kora players in on place may Our Creator keep your souls safe brothers

❤❤❤👍👍👍👍👍

Magnifique

A Master 🍀🌴

❤❤❤❤❤

Incroyable ces mélodies, le Mali nous sommes heureux d’avoir des artistes avec un talent extraordinaire une fierté

OBSERVATIONS ABOUT THE RECORDING... (!) IMPORTANT: Do listen this video demo WITH CIRCUMAURAL HEADPHONES due to Earbuds and computer Speakers will kill the bass range sound making the koras sound too equal, with no differences between them. The 'KMH Resonance' model in all its octaves results with a nicer sound both in volume and depth (and feedback too), especially in the bass. Notice that it is a quite small calabash (35 cm tall) while the rest are 41 cm ("Skin free") and 44 cm the Traditional acoustic body. The 'KMH Free Skin' model works nicely in the upper and middle octaves while it loses depth in the bass (*) and finally it is the model that undoubtedly produces a more powerful sound. (*) This particular kora had to be reinforced because one wood of the board had become particularly elastic and bent too much under pressure. The reinforcement resulted in a more rigid resonance board (less desirable) and therefore affected the sound of the low octave. In a previous wooden built kora the low octave was sounding very nice, so I hope it will be like this in future constructions again (I will be recording new demos for it). My apologies due to the Traditional acoustic body kora (African original built kora) sounds distorted due to a machine peg being slightly loose and vibrating. I did not repeat the whole recording since it is just a simple general comparison to have a rough idea.

A SALAM GRAND FRÈRE TOUMANI DIABATE ❤🎉

🙏

Thanks for the video. I listen to this music album almost every day. The best kora duo album.

Bless these ancient strings.

This duet immediately evokes meditation. I like it so much.

🙏✨

very nice👏👏👏

Há baba albarkade há tonham, albarkada Famata Dabo, our faty naime kouyate, thanks for the wonderful things that made like.Musics Cora ha he

Allah Warta Famata Dabo I'm name off faty naime kouyate, our Oumou Sangare in the Gerations still me abubacar your music Cora it's beautifully I like to learning who to singing thank Famata Dabo Sano ok

Hello Bubacar Diabate I am living in Lisbon Portugal my name is Famata Dabo the Faty6 naime kouyate our Oumou Sangare From Mali. Bamakou your musics som is a great and beautiful thank you

Where do you make the instrument? Which country?

Salute e benessere, godete.

🙏🙏

The Kalabash Music Lab....! One Love