Well if it sounds like it’s just a little too quite than yes you can turn up the vocals or turn down the beat , if it it sounds like the vocals are too thin or bass no matter how you turn it up then it’s EQ

Because a lot of my artist like to hear the effects live ,gives them an idea of how it’s going to sound instead of just recording it dry, and then they have to hear it afterwards with effects . Just saves time and makes work flow faster .

Thank you cuz I was over here confused thinking that I was fucking up. I’m subscribing. You’ve been a tremendous help 🙏🏽

@@OfficialDeejai appreciate you . If you ever have any more questions or would like to see a video on anything please let me know .

To avoid latency without turning on the low latency mode

Yes !

Thank you so much

I just subscribed so there's one more.

@dandtintennessee7675 Thank you for that .

@@YTRS808 Welcome. Thanks for posting. I need all the help I can get.. lol

Thank you I appreciate that and remember, depending on the room acoustics you might have to tweak..

He did

Do you know how I can remove unused mono impact xt channels from my mixer? I accidentally sent 2 samples to mono instead of stereo now I cant get rid of the extra channels on my mixer.. thanks!

Glad to hear . I hope it helps . I tried to keep it as basic as possible and still sound good.

Yes I should have put in a disclaimer that results can vary depending on equipment setup , room treatment , and acoustics of the overall room .

@@YTRS808 okay thank you & could u make a video on how to get brighter crisp vocals in studio one 6 ? Like a Eq tutorial?

Adlibs are the telephonic sounding fill ins between and behind the main verse . If you need an example literally any Migos song will do lol

Well your literally the only one who’s having this issue it seems like .

Use the hihat on the piano roll.

Good point if I do another one I will

Ya If you have a better way than message me . The thing about these DAWs there 100 ways to do the same thing . I’m just showing what works for me and a fast work flow.

Thanks for the sub!

it’s just a starting point and you adjust as needed . There’s no such thing as a template you don’t have to tweak around your setup .

@@YTRS808 So the decisions are best guesses based on experience.

@@1loveMusic2003 your over thinking it just use your ears 😎 if it works for you it works if it doesn’t than it doesn’t I have over 20 producers that I know that still use my templates I’m their studio so …

@@YTRS808 Was just confused about the work flow but it makes sense now saves lots of time too😃

It’s just a starting point where bass In the vocals are always going to sit and where we know annoying frequencies bands sit . There’s no such thing as a template you don’t have to tweak around your setup . Even myself, when I take my vocal template to other studios there’s always a little adjusting I have to have to do as well ,nothing major though .

He just giving a starting point. Of course there’s adjustments to be made when recording anything

@@donruga627 I think Rob's point was that most pro's don't use inserts for comp/eq/gate on vocals, they place those on the monitoring channel but record the vocals raw. This method allows you to hear the preferred chain (EQ'd, compressed, and gated, and any other efx you like) while recording takes, without committing to those tweaks, so if you later find you needed a syllable that the noise gate cut out, or the mix requires less compression on the vocals, you aren't screwed by decisions you burnt into the track on the initial recording.

@@pHrenetikMUSIC That’s how I learned to record. Dry and then add later

Also, I plugged in some vocals I’ve been working on, and it cut out every time I used a “p” sound. Is there a way to adjust the gate or compressor so it takes away the pop sounds but still let’s it pronounce the “p” words? Or is this an issue with the actual recording?

Yes sounds like you need to turn the gate down a little

They are the free plugins that come with the program .

@@YTRS808 I see... thank you for the reply. It's appreciated. 🙏👍

on the direct track

Yes

I will make a video on that for you

Your absolutely correct on that as a template will never be that magic piece that everyone’s missing, but what a template does is it gives us a starting point because no matter the vocals there’s certain standard levels of plugins chains such as compression ratios and EQ levels such as scooping bass and adding a little boost in the mids to help punch the vocals through that we all do pretty standard , you should always tweak the template as needed whether it be subtracting or adding frequencies in the EQ or dialing in the threshold on the compressor or turning down or up reverb and delay . I have over 50 clients and I use the same vocal template but by the time I’m done tweaking the template around the artists voice you can never tell and every song still comes out different and unique .

If you go to file > open session that should open it or if you go to the default template folder and insert it there so it will be under the installed templates PC: C:>Documents>Studio One>templates> MAC: Macintosh HD>User>Documents>Studio One>templates

Yes I will do that one for you .

Awesome, thank you!

??

So this is really just a starting point . For multiple vocalist you would just duplicate tracks you need than if they have a whole different tone add a EQ to the actual track and either add or subtract the frequencies desired. Also auto tune would go on the actual tracks as you may have one of the artist that needs a lil more or less than the other so no don’t bus auto tune . For wider chorus I would just put the desired effects on the actual track . Trick for that chorus tho it’s just have them double the chorus and then mix it in so it has a lil wider sound .

Where can u download a copy of this template. I’m just an artist who wants to my my songs

There’s a download link in the info