In twin peaks he is the damn landlord while here he’s got the damn landlord

Very jurassic Park style

Frank do you teach ?

Wonderful recording! Gorgeous portamento throughout and interesting revision choices in the woodwind transition material. Very fun to hear. Thank you for sharing, Frank!

Poorly executed in my opinion 😕

Interesting, tiny little differences. Was this conducted by Williams?

A great little cue!

Frank do you teach 1:1 ?

I love every version of Rey's theme :)

Thank you Frank.

How did you get it so clean?

This is an identical clip to Part 7.

When not sandwiched between goofy story beats, that Last Jedi scene makes me choke up. She's lost everyone, her husband dead, her son isn't himself, she probably feels the weight of a tyrannical warlord being her dad and wondering how it came to that, and now her brother, that she hasn't seen in ages is the next in line to die. Being back to back with that Return of the Jedi scene it makes me see how much can change in ones life. It's almost dystopian. But lets be real this will be senior life for some real people.

Thank you!! Such a rare recording of Robert J. Lurtsema's epic, calming voice.....

Possibly the most frustrating upload on YT... Is this the music theory version of a lap dance?

Very intriguing, great work!

My favorite Williams concert piece, alongside the Bassoon concerto.

It doesn’t have sound?

whats the music that plays during the hotel scene with Jim and David?

It's actually very sequitur. Gib monies immediate.

Great interview ❤

Frank, it's hard to hear anything! (actually, impossible)

Dr. Lehman, your work is incredible. Thank you so much.

Super ❤

Williams, either in a clever way or for some other unknown reason, plays the theme in a jaunty, almost bouncy way ("jazzy" as some describe it), which completely masks any of the true sentimental meaning of the theme yet does indeed hit every note & chord progression as heard in the score. Idk if he was trying to be elusive on purpose or if he just wanted to perform it with a slightly different spin, because I guarantee that if Gene Shalit somehow caught wind of what the theme represents, he would certainly have made an offhand comment that completely spoiled the surprise without any intention of doing so. I can hear him now "I recently sat with John Williams who played the brother-sister theme of George Lucas' upcoming conclusion to his space odyssey" & heads would have rolled.

Still one of my favourite star wars themes ❤

2:36 "No one's ever really gone." It still hits hard without Carrie Fisher, we miss you our forever Princess Leia of Alderaan

I love it when the maestro’s jazz background peeks through!

Works flawlessly with the ambience of the night time forest visuals. Just masterful. Clearly some spicy jazz harmony in that first chord voicing too. Love it.

sounds like he's just improvising a jazz standard. incredible

This is my favorite theme from Star Wars

Honestly that scene in TLJ is probably my favorite musical moment in Star Wars, from Luke’s theme transitioning into Luke and Leia’s them before transitioning into Han and Leia’s theme when he hands the dice

I guess, because this is evoking ghosts, this is Halloween music. Love it. But, also! Man 'o' man! The second movement of the Cello Concerto ("Blues") has lots of mysterious passages, too. Much more mysterious than bluesy really. Thank you, John, I love it! AND! Can Yo-Yo be BELIEVED? How does anyone get that good? I rarely use the word astonishing, but it's time...the cadenzas are astonishing.

Wow! I love mysterious music and the name John Williams did not seem to be the name of a composer of mysterious music. Some sections of Rachmaninoff and Shostakovich, but mostly I had to settle for sci-fi soundtracks and Halloween music. But now, John Williams, who always does deliver great music no matter what is called for, has come up with a definitive mystery-note informed entire piece! Kudos! And, of course, as always, Yo-Yo Ma is 137% perfect. Always that extra bit of excellence...

I'm not crying I swear

There’s a beautiful symmetry between these scenes that I just love. “It’s like poetry, they rhyme.”

Oliver Stone liked "The Conspirators" so much that he used it at three times: the opening credits, Mr. X's monologue, and Garrison's listing of Dealey Plaza witnesses.

💙🔥💙

paranoia: clicking over a piano

This Should TOTALLY Be Used in The Battle between Luke Skywalker And Kylo Ren.

Conspirators theme is probably the most eerie and intriguing score ever made.

Cheapskate hustler branch off into dissociative personality disorder, crank gully went hard. Mean got fundamental blues, sue repertoire niche.

As disappointing as the sequels were in some ways. This scene was worthy.

I've got a lot of nerve, I know.

The most clever way to ask someone for a dollar!

No one brings 'thinking' to the big screen like DL.

Due bellissimi momenti di 2 bellissimi film emozionanti, con musiche di John Williams molto emozionanti. Ciao

That's nice and all but that Alabama kiss is still in the back of my mind

Obi-Wan was wrong. The archives are complete. -- But really, a fantastic little piece of history.

What is the genesis of this piece? Is that a home that belongs to the Maestro?